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June03, 2008 - Subscriber - It's A Time For Moaning And Groaning >> |
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Welcome Show Biz How-To Subscribers ... Today's rant is about the whole idea of 'typing' and how actors should really deal with it. I'll get right to this complicated subject in just a moment - but first a quick reminder: There are only 2 more days left to get your hands on my Action! Workbook and Planner - for the sale price. SAVE BIG BY TAKING ACTION TODAY (or tomorrow). Action! The Professional Actor's Workbook & Planner is a unique resource that can help you to get your acting career on track. It will help you build a customized business plan for your acting career and it can help you to stay on task and moving forward. ONLY TWO MORE DAYS The sale is almost over - but if you act quickly, you can get it for just 19 bucks - almost 30% off the regular price. And, it's an instant download - so you can really start taking positive steps today! If you've been thinking about getting Action! and really getting started on the work of building your acting career plan ... ... now is the time to grab it! Here's the address where you can read all about it: GO HERE => http://www.showbizhowto.com/action.html By the way, please don't share this URL - this sale is for Show Biz How-To subscribers only. ========================================== PLAYING AGAINST TYPE Most actors hate the idea of 'typing.' But observable reality is that those actors who define (type) themselves early on, progress up the ladder at a much faster rate. Whether it's the 'insistent explorer' of a Drew Barrymore - or the 'conflicted hero' of a Matt Damon ... marketing yourself within a specific unique niche can cut years off the 'struggle.' Here's an email I got, that prompted today's note. Dear Bob, I was reading the section of Headshot Secrets Revealed called Unique Character Presentation - and I have a whole bunch of questions. You wrote that we should choose the UCP (type) that fit us the best, and "align our marketing efforts with our natural tendencies." How does this fit in with versatility? If we just market ourselves based on our natural tendencies, aren't we staying in our safety zone and basically portraying ourselves? The reason I'm asking is because I recently asked my acting teacher, 'on a scale of 1 to 10 ... 10 being an Oscar or Tony award-winning performance - what's my skill level?' (I want to be at level 7 but preferably an 8, or higher.) She said I was less than a 5 ... but only because I don't have the versatility I need. She said that I had my safety zone down pat - but I needed to stretch a lot more. And how does an actor like Chris Cooper fit into UCP typing? He's done just about every kind of role imaginable - huge versatility. I admire Cooper's acting and consider him one of my role models. I'd like to achieve the quality and versatility he brings to every role he plays. So, UCP versus versatility? I feel I'm missing an important piece of knowledge that links the two together, harmoniously. Signed, Curious Here's my answer: Dear Curious, I don't (or rarely) discuss acting as a craft. What I focus on in the stuff I write is aimed at getting you WORKING - AS AN ACTOR - FOR MONEY. Chris Cooper is versatile, yes ... but believe me, it's much easier to be a 'versatile' actor when you've got 10 to 15 years of paying work behind you. Look up Cooper's credits on IMDb.com and see how far back they go. And that's just his film and TV work - he also has close to a decade, before films, working in local theatre. Yes he's versatile - but that's not what got him to the level he enjoys today. What got him there was his marketing, his willingness to play to type (note how often he has played cowboys, sheriffs & military men), and staying focused on being employed (for money) as an actor. My point about UCP is that it's just a way of framing the natural 'typing' that happens on the other side of the casting table - whether you like it or not. And to frame it in a way that helps you enjoy more success - sooner. Because the fact is that becoming versatile for no pay can be very frustrating and debilitating - and, frankly, it has rarely proven to be a successful approach. There are 1000's and 1000's actors who complain, "I'm really a good actor and I can play anything - but I just can't get a break." 99 times out of a 100 the problem is that those actors are focusing on their talent (their acting ability) rather than the BUSINESS of becoming a professional actor. If you think you'll get the opportunity to play either Juliet or Lady Macbeth (in a professional circumstance) based solely on your acting ability - I can assure you that you'll spend a lot of time practicing that 'theory' and not much time making money. In other words, that's an idea that is guaranteed to hand you a full ration of frustration - and not much in the way of forward progress. Bottom line? It's the making of the money that allows actors to move up in the context of the professional arena. What you and your acting teacher are trying to do is quantify that which cannot be quantified. Believe me, if I put you in front of Steven Spielberg tomorrow, to audition for his next movie - you will not be thinking about your 'safety zone.' You will be hoping to get picked. And I'm pretty sure that you won't care a fig if the character Steven wanted you to play is someone just like yourself. Please don't attach your acting skills to your results. That is just a blatant denial of reality. Who is a better actor - Nicholson or Pacino? No serious person would even try to answer that question without knowing the role, the story, the purpose of the character, and whole lot of other stuff. And, in the end, when either star is cast - the script is rewritten for him. Your Unique Character (who you REALLY are) matters a lot. "Oscar winning roles" - "good acting on a scale of 1 to 10" - "what's the best method?" - "who's the better actor?" ... these are fun topics for party conversation - but, in my not so humble opinion, they are a waste of time when it comes to business. On the other hand, if what is truly important to you is the approbation of your teacher, or other actors, or being able to play 'anything' ... you might be on the right track. In the final analysis this discussion all comes down to what your real goal is. My formulation of the Unique Character Presentation doesn't fit with your current goal of versatility - because versatility is not what gets actors in the door, cast in a role, or affords them the opportunity to really 'climb the ladder.' Skilled professional actors almost always learn the job - on the job. Becoming a brilliant actor - and THEN succeeding in the business, is a pipe dream. It happens about as often as conscientious parents point to Paris Hilton as a role model for their little girl. So, focus on defining your Unique Character as part of your marketing efforts and start booking more work. Then, one day, somewhere down the line, someone will cast you against type and you'll have the opportunity to show your versatility. The best part of this kind of plan is that you can go ahead and be a successful paid professional actor in the meantime. I hope my point of view is helpful, and as always ... Much Success, Bob You Must Act! The #1 Virtual Acting CAREER Course http://www.youmustact.com Headshot Secrets Revealed Marketing Your Acting Career In Pictures http://www.headshotsecrets.com Nail It! Delivering The Hypnotic Audition Taking Your Audition Skills to The Next Level http://www.hypnoticaudition.com Action! The Professional Actor's Workbook & Planner Get your business together and follow through. http://www.showbizhowto.com/action.html Bob Fraser Productions 3727 W. Magnolia Blvd. #180 Burbank, CA 91505, USA To unsubscribe or change subscriber options visit: http://www.aweber.com/z/r/?TIwc7CzMtMzsrBwMbGzstEa0zCxMbCwMjA== |
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| << May21, 2008 - Subscriber An Unnecessary Reminder? |
June03, 2008 - Subscriber - It's A Time For Moaning And Groaning >> |
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