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**** COUNTRY CALENDAR **** -4- Kirk McGee born Williamson County TN 1899. Will Rogers gave his debut performance at the Ryman Auditorium 1925. Delbert McClinton born Lubbock, TX 1940. Alan Munde of the Country Gazette, born Norman, OK 1946. Van Stephenson, "BlackHawk," born Hamilton, OH 1953. Roy Acuff, and Kitty Wells, took the first country music show to New York's "Broadway," in 1955. The show played for one week. Kim Forester of "The Forester Sisters," born Oglethorpe, GA 1960. The movie, "Your Cheatin' Heart," premiered in Montgomery, AL 1964. Barbara Mandrell's "Sleeping Single In A Double Bed," became her first #1 in 1974. Audrey Williams, age 52, died in Nashville, TN 1975. Hank Williams Jr., appeared at Carnegie Hall 1981. Sandy Brooks called Garth, prior to a show in Cape Girardeau, Mo. in 1989. She told him to come home immediately and straighten out their marriage, or she was leaving. Garth did not finish the show. HMG released Jackie Lee Cochran's album "Rockabilly Music" 1997. The NSHF, inducted Dean Dillon, and Shel Silverstein, in 2002. Johnny Cash released his album "The Man Comes Around" and traveled with June to their home in Jamaica 2002. Dale Noe, age 76, songwriter, guitarist, died Phoenix, AZ 2004. -5- Roy Rogers born "Leonard Franklin Slye," Cincinnati, OH 1911. Roy Horton, born near Broad Top, PA 1914. CMHF 1982. Billy Sherrill born Phil Campbell, AL 1936. Gram Parsons born Winter Haven, FL 1946. T. Texas Tyler released "My Buckets Got A Hole In It,"/"Cry Baby Blues," 1949. Don Gibson signed with RCA Records 1950. Joni Harms born Canby, OR 1959. Johnny Horton, age 35, died in a car wreck near Milano, TX 1960. Horton was hit head-on by a drunk driver while returning home after an appearance in Texas. The Kinley's, Jennifer and Heather, born Philadelphia, PA 1970. Capitol Records released Buck Owens' single "Big Game Hunter/That Lovin' Feeling" 1973. Ryan Adams born 1974. Johnny Paycheck's single "Take This Job and Shove It" went to #1 1977. Jimmie Davis, age 101, singer/songwriter/2 term governor of Louisiana, died in Baton Rouge, LA 2000. Inducted CMHF 1972. Warner Bros. released Johnny Cash's album "Unchained" 1996. Deana Carter and husband Chris DeCroce were divorced 2001. Universal Records released Johnny Cash's "American IV: The man Comes Around" 2002. Dorothy Southworth Ritter, age 88, widow of Tex Ritter, died in the Motion Picture and Television Home in Woodland Hills, CA. 2003. Bobby Hatfield, age 63, the Righteous Brothers, died in his Michigan Motel Room in 2003. **** COUNTRY MUSIC NEWS **** Country's women toil in a 'man's club' Female stars, writers feel the clock has turned back on industry's honors By BEVERLY KEEL Staff Writer Country music is still a good ol' boys club in 2007, say some of the genre's most successful women singers and songwriters. Many are speaking out about being frustrated and angry over the state of women in country music, especially after the recent lack of female nominees in country music awards shows' major categories. "It's a boys club, and it's hard to break through that and it always has been," said singer-songwriter Matraca Berg. "I think there was some breaking through in the '90s, and then that door got shut again. I don't know how or why. "It's been gradual, and it has definitely been very subtle. It seems like this year it has taken on a whole new color. … It is nothing less than shocking to me." And at least some men in the industry aren't arguing the point. Wade Jessen, Nashville director of charts for Billboard and R&R, said, "Country has never been an equal-opportunity format. It's always been dominated by the men, and the men always have an easier time." Luke Lewis, chairman of Universal Music Group Nashville, said, "Honestly, I think they've got a legitimate beef. I think they are right: They are not getting their due." • Awards and honors: At Wednesday's Country Music Association Awards, for the second consecutive year no women are nominated in the categories of entertainer or album of the year. A woman hasn't been nominated in the entertainer category since the Dixie Chicks in 2001. (They took the 2000 prize home.) The Academy of Country Music hasn't nominated a female act for entertainer of the year since 2003 (the Dixie Chicks), though Carrie Underwood won this year's album of the year award. "It's a man's club; it will always be a man's club," said singer Faith Hill. "I think the CMA nominations are indicative of a bigger problem in the industry," Hill said. CMA Entertainer of the Year for 1986 Reba McEntire said, "The women are having to work 10 times harder, and they aren't getting nominated and I don't know why. But it is not fair, it is not right. "There for a while, I was saying, 'Oh my gosh, we have overcome this separation. The women are getting equal attention.' I think we have gone back 10 steps. … Will we ever have four women and one man nominated?" A woman hasn't been inducted into the Country Music Hall of Fame since Dolly Parton eight years ago. The esteemed hall holds 101 acts made up of 105 men and 14 women. “To say that no female has been inducted into the Hall of Fame since Dolly in 1999? That is a little lopsided to me,” said singer Lorrie Morgan. • Songwriting recognition: The Nashville Songwriters Hall of Fame has inducted 158 men and 10 women. There hasn’t been a woman inducted since Sue Brewer was honored 17 years ago for her devotion to songwriters. The last female songwriter inducted was Parton 21 years ago. “There are women who have written huge impact songs who are not even nominated,” said Berg, known for hits such as “Strawberry Wine” and “Wild Angels.” “Sharon Vaughn’s ex-husband was inducted years ago. She wrote some of those songs with him, and wrote huge, classic hits by herself.” At ASCAP’s annual country awards, which honored 62 songwriters last month, 51 were men and 11 were women. Of the 66 songwriters being honored Tuesday at BMI’s annual country awards, 55 are men (83 percent) and 11 are women (17 percent). That’s largely because there are fewer females writing songs, said Connie Bradley, ASCAP senior vice president. “Just pure numbers show that if it’s 80 percent men singer-songwriters, you’ll have a lot more coming out of that 80 percent.” • On the radio: About 20 percent of the artists being played on country radio this week are women, with the remainder being males and groups, according to MediaBase. “That happens to be a reflection of the number of female artists appearing on the SoundScan Top 75 chart for this week, which shows that about 20 percent of the top artists selling country albums this week are female,” said Paul Allen, Middle Tennessee State University recording industry professor. Singer Michelle Branch said, “I find it very interesting that there aren’t more of us. I hope that changes. There’s always going to be the great male country singer. I hope they leave a little bit of room for us.” During the pop singer’s debut country project, she was told by those promoting her duo The Wreckers’ songs, “We have a smaller window to get your song on radio because they only play X amount of women’s songs.” In the late 1990s, country radio was flush with female songs, but after Sept. 11, the format became male-dominated again with artists like Toby Keith, Montgomery Gentry and Darryl Worley, said Jessen. “When it comes to programming radio stations, the women get extra scrutiny that the men don’t necessarily get,” Jessen said. It’s created a testosterone-driven environment full of songs about trucks and fighting, Berg said. “I don’t know if we sit around and wait our turn or try to do something about it,” she said. “I just feel like there’s ‘a pretty girl getting put in a box’ thing happening again, and I was hoping that was over.” Songwriter Aimee Mayo (“Amazed,” “My Best Friend”) said female songwriters are hurt when fewer females are played on country radio. “When you are a woman songwriter and there are only three women on the radio, you have three places to go for a song. If it’s a male song, you would have 40.” Jody Williams, BMI’s vice president of writer/publisher relations in Nashville, said of the 16 female singles on the Top 60, 14 were written by the artists. “That says female artists are not depending on guys to write their songs,” he said, adding that some may include male co-writers. “Of those 16, only one was written by males only.” • On the labels: Very few women are producing major- label artists. No women produce acts on the rosters of Warner Bros. or Universal Music Group, while Capitol and Sony BMG each have only one artist produced by a woman (excluding female artists who produce themselves). Sony BMG has 16 male acts and 11 female acts (or groups with females in them). Capitol has nine male acts and five female acts. Universal Music Group’s country roster has nine men and seven women. Warner Bros. has 10 male acts and three female acts. “It is absolutely much harder to break a woman right now” into the marketplace, said Mike Dungan, president and CEO of Capitol Records Nashville. “There is a definite stigma out there. The minute you come to the table with a new female, you immediately start in a hole, so to speak, from radio’s perspective. “In the early ’90s, we had tremendous success with women. We were breaking a lot of women. They were definitely the ‘in thing’ for a while, and then it cooled.” Audience favors men Allen said country radio’s primary target listener is women 35-44, and radio research shows that those women are attracted to a music programming ratio of 80 percent male and 20 percent female. “Labels understand that in order to get through the filter of country radio, the music they send to them has to roughly meet that balance.” UMG’s Lewis, who broke Shania Twain, the best-selling female country artist of all time, said, “After Faith, Shania and the Dixie Chicks, it’s been sort of ugly. For the last five years or so, female artists have been hit with a buzz saw. … Maybe in the last one or two years, it’s loosened up, or at least they’re getting a fairer shake.” ASCAP’s Bradley said she was recently told by a high-powered manager, “Women aren’t selling records as a whole.” She said, “He wouldn’t take on a female act at this time. Basically he won’t even talk to them” about management. But some women are outselling the men. Carrie Underwood’s first album sold 6 million copies, and her recent sophomore album made its debut atop Billboard’s Top 200 all-genre albums chart with more than 527,000 copies, about 140,000 more than reigning CMA Entertainer of the Year Kenny Chesney’s September debut. In addition, the new females are outselling new male acts. Miranda Lambert’s two albums have sold about 1.1 million copies, Taylor Swift’s debut album has sold 1.4 million copies, and Kellie Pickler’s debut album has sold more than 640,000 copies. “Seven of the Top 15 albums at the current time are women,” said Joe Galante, chairman of Sony BMG Nashville. “I’m struggling to say it’s bad.” Women feel less respect Even when women have success, they said, they aren’t always given the respect in the industry that is paid to male artists. “You just have to work 10 times harder,” Hill said. “You can ask my husband. He sits there and witnesses it still to this day, the things I have to get done for my career. It takes me 10 times the amount of work to get it done because I am a woman.” For instance, Hill said, when working with a male video editor, her wishes to add a scene are not immediately carried out. She’ll tell the editor, “No, I said to put this in. No, I asked for this to be put in.” “Five, 10, whatever times. But if my husband were to say, ‘Remove that shot,’ it’s gone.” As for songwriting, a good song is a good song, regardless of the writer’s sex, said Hillary Lindsey, who co-wrote “Jesus, Take the Wheel,” which won a Grammy for Country Song of the Year, and “This One’s for the Girls.” (However, Berg said she gets her songs recorded by male acts only when she hires a man to sing the demo.) But Lindsey said she is treated differently than male songwriters during music publishing negotiations. “When you are negotiating deals, I always feel like they are trying to pull something over on me because they think I’m not as smart,” she said. Change is up to women The female artists said if things are going to improve, then it’s up to women — both consumers and artists — to make the change. “It’s the women that buy the records, and the women that buy the tickets, and it’s the women that watch the Oprah show,” McEntire said. “Now if women are complaining about women not selling enough records or tickets or winning awards or being nominated, women have got to stand up for themselves and say, ‘Hey, let’s support women,’ instead of being catty, jealous, envious, backstabbing or whatever the situation is. The women have to team together and say, ‘Let’s make the women’s group stronger.’ “If you are going to buy a ticket, go buy a ticket to a woman’s show. If you’re going to buy a record, go buy a woman’s records. Support the women.” Sugarland’s Jennifer Nettles said, “Hey sisters, get out there and buck up. Put on a better show, write a better song. This is reality. We’re not going to re-invent the wheel. Going around and harping about it won’t change it. It’s got to change it from the inside — bigger, better, faster, more — or accept it, either one. “I want to put on the best show out there, period. I want to write the best song that connects with the audience. I don’t get caught up with what all of it means. If you do your best, the proof is in the pudding.” **** Amy's Kitchen ****
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