Tell Your Story | Training, Equipment + Production Support for Filmmakers

WELCOME TO METRO SCREEN'S WEEKLY eNews – 24 April, 2008

Next Production Management course dates changed to 4 x Sat and 2 x Sun [Day] 36hrs | 03/05 – 08/06, see below >>

To view our latest promo video click here http://www.metroscreen.org.au/videos/Metro_promo08.mp4

SCRIPT EDITOR/PRODUCER CONSULTANT
Meet with Professionals about your Project
Metro Screen offers you the opportunity to have your scripts and treatments assessed by industry professionals. Choose between a script editor and producer for a one hour or longer face-to-face meeting about your next project.

This is an excellent opportunity for you to be given sound advice on what does and doesn’t work. Gain tips, insider knowledge and give your next project the best chance of achieving success whether it’s a short documentary or a feature film.

For costs and eligibility contact us on 02 9356 1818 or email metro@metroscreen.org.au or http://www.metroscreen.org.au/projDevServ.html

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METRO SCREEN PEOPLE
Tutors, Mentors and Filmmakers
Metro Screen has added a few new pages to its website for your enjoyment. We have a Metro Screen People page and a Metro Screen tutor page both clickable from the right coloum on the home page.

These pages give an insight into the array of talented people who make up the Metro Screen filmmaking community.

Highlight from these pages:
Barabara Kapinski
How did Metro Screen impact on your confidence as a filmmaker?
They were really nice to me. And gave me the chance to make mistakes. Like when my hard drive of ‘Queen of Comedy’ blew up, not naming names here, the MPG gave me money to re-edit material, which was really nice.

People http://www.metroscreen.org.au/profiles02.html
Tutors http://www.metroscreen.org.au/profiles.html

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THE FUNDING APPLICATION PANEL
Writing Successful Submissions
With in-depth advice on the various application requirements, discover the essential do’s and don’ts, and learn how to give your project the best chance of securing funding.

Filmmakers will discuss their personal application experiences and funding body representatives will give you the inside word followed by an audience Q & A.

Speakers
Marcus Gillezeau – Producer/Director Firelight Productions
Kristina Ceyton – Producer
Megan Simpson Huberman – AFC Project Officer Manager
Nerida Moore – NSW FTO Project Officer

When: Tuesday May 6th, 6.30pm – 8pm
Where: Metro Screen, Paddington Town Hall, Cnr Oxford St + Oatley Rd, Paddington
Cost: Free for Metro Screen members / $10 for non-members
Booking Essential: Contact metro@metroscreen.org.au or call 9356 1818 to request a booking form and secure your place.

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INDIGENOUS TRAINING SCHOLARSHIP
Apply for a Short Course today
The Indigenous Media Training Scholarship offers Indigenous people in NSW the opportunity to apply for a free place on a Metro Screen training course. The Scholarship is funded by the NSW Film and Television Office.

Before applying for the Scholarship, you will need to decide which course you wish to participate in. Metro Screen has a wide variety of short courses for everyone from beginners to working professionals.

If you would like advice on which course is best for you or more information contact our Training Department on 02 9361 5318 or email training@metroscreen.org.au or http://www.metroscreen.org.au/training.html and click Scholarships on the left side menu.

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PRODUCTION MANAGEMENT [BEGINNER TO INTERMEDIATE]
Starts May 3
This accredited, in-depth course will demystify the role of a Production Manager, providing you with the confidence and skills to run any scale of production. Learn how to manage all aspects of a shoot including budgets and expenses, call sheets, schedules, contracts and awards. Participants receive comprehensive course notes and production templates.

Tutor: Heather Oxenham. With over twenty years of experience on both commercial and independent productions, Heather’s credits include Erskineville Kings, Kiss or Kill, Floating Life and Sebastian and the Sparrow. Sexy Thing, produced by Heather, was in the official selection for competition at Cannes Film Festival 2006.

Accredited training 4 x Sat and 2 x Sun [Day] | 36hrs | 03/05 – 08/06 | $570 / $670 non-members | 15 places

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CERTIFICATE IV IN SCREEN SEMESTER 2
Starts July 21
A minimum of six films are produced, at least two documentaries, two studio dramas and two location dramas. Participants develop their own scripts, pitch their ideas and secure a key crew role on at least three productions, while fulfilling supporting roles on others.

Participants learn on broadcast quality HD cameras, work in professional level production and post-production facilities, including our Mac Computer Lab. Industry professionals teach technical and practical aspects of production including camera and lighting, editing, producing and directing.

If you’re thinking of enrolling please contact us to arrange an interview and a tour.
Mon – Fri [Day] | 5 mths | 21/07 – 12/12 | $6,825 [upfront payment] | $7,250 [periodic payment plan].

Early enrolment special of $6,400 for upfront payment before May 30th, 2008.

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DOCUMENTARY MAKING INTENSIVE
Starts May 23
This hands-on course takes participants from the spark of a doco idea to post production in just a weekend. With expert tutor guidance, participants work in groups to develop an initial concept before shooting on digital equipment. Finally, students review the footage and discuss the post-production phase. Participants rotate through key crew roles, learning skills such as working with non-actors, interviewing techniques, basic camera set-ups and sound recording.

Fri [Eve] and Sat + Sun [Day] | 15hrs | 23/05 – 25/05 | $385 / $453 non-members | 12 places

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STRUCTURE YOUR SCREENPLAY TO SELL
Starts June 21
Learn how to turn your screenplay or movie idea into a story that sells. Assess your work with the eyes of a professional, using the much touted but rarely mastered ‘three act structure’. Focus on the rewriting process and the preparation of a strong submission document for producers and funding agencies.

Tutor: Karel Segers was the Head of Production and Programming at the Digital Broadcasting Company in London (Sky, UK), before which he was a buyer and on-screen TV host for Europe’s Canal Plus. Karel is a story analyst, consulting to writers, directors and producers on films in development as well as postproduction. His views are published in The Story Dept. (story.ozzywood.com). Both of the nominees for the AWG Monte Miller Award 2007 are Karel’s clients.

2 x Sat [Day] | 12hrs | 21/06 – 28/06 | $193 / $227 non-members | 15 places

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DIRECTING SEX SCENES
Script says ‘they have sex’ – so how do you direct that?
This course is designed to expand the directors tool kit in order to prepare students for directing assignments as well as broaden their imaginative scope when interpreting scripts or generating their own projects. The course will be approached on the basis of script extracts that present opportunities for (or necessitate) intimacy. Examples will be drawn from a wide variety of sources. Together, the group will break down these scripts, examining various possibilities for their realization and then embark on dramatizing and shooting the texts in groups.

Tutor – Dean Francis
Sat + Sun [Day] 12hrs | 12/07 & 13/07 | $256 / $300 non-members | 15 places

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FLASH FUNDAMENTALS
Starts June 21
Learn to make original, animated web graphics using Macromedia Flash software. Participants will develop an understanding of the design and production of Flash movies, acquire basic animation and design skills and develop an understanding of the environment, interface, tools, language possibilities and limitations of the software.

2 x Sat [Day] 12hrs | 21/06 – 28/06 | $370 / $435 non-members | 15 places

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SONY HVR Z1P HDV CAMERA
This camera records HDV, DVCAM and DV in both PAL and NTSC. Footage shot in HDV can also be directly down converted to SD from the camera, allowing backwards compatibility to the standard definition DV environment. With 3x 1/3inch 1080iSuper HAD CCDs [16:9], a Carl Zeiss Vario-Sonnar “T” lens and 2 XLR inputs which can be independently operated at mic or line level.

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STUDIO SPACES
Sound stage dimensions: 8.5 x 10mW x 4mH, chroma key green cyclorama, three phase power [30A] black curtains, air conditioning. 6 x 4K soft lights on lighting grid, risers, sandbags, c-stands, flats also available, blondie lights available for studio $20 each per day, green room, kitchen and make-up facilities available.

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G5 FINAL CUT PRO EDITING
Quad 2.5Ghz Power PC G5 offering terabyte storage options and choice of HDV/10bit SDI or component input and output. This suite can be hired with a HVR 10U HDV edit deck to facilitate HDV editing or talk to facilities staff about arranging other formats such as Sp Beta, DVCam, DVC Pro or Digi Beta. Available 24hrs a day, equipped with kitchen and bathroom facilities.

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METRO SCREEN EDIT CAFÉ
Metro Screen offers an economic editing solution with our “Edit Café”. Catering for competent editors, with their own storage and cameras who just need a G5 iMac station equipped with Final Cut Pro Studio to continue their project.

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NEW MEDIA SERVICES
Metro Screen’s experienced facilities staff offer a range of specialist new media services such as digitising to external hard disc, digital file transfer to tape, DVD authoring, video file compression and stills captured from video. Metro Screen can also encode your media for delivery on multiple platforms including web streaming, PowerPoint, mobile phones, iPod, DVD, CD, tape, MPEG or QuickTime in PAL or NTSC. This will allow you to post your media on your own website or on one of the many free sites such as YouTube or MySpace, or send your media via email, mobile phone or iPod, author a DVD or simply archive to tape.

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COMPLETE SERVICE
From concept through to completion, including scripting, shooting, post production and delivery of your promotional media or re-style and diversify your existing footage by updating the content of existing footage with new graphics, stills, voice-overs and music or convert your existing footage to new formats. Provide services for DIY through professional gear and postproduction facilities to produce your own promotional media.

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VIEW SHORT WORKS FOR YOUR MOBILE
Sydney Songlines Workshop
Metro Screen and the City of Sydney

Participants were asked:
What makes a city is its people. What gives a city life are the people who’s daily adventures, horrors, love’s and history are played out amongst its architecture and natural features.

Participants mapped their personal experiences and relationships in and with the city.
Download their films, put them onto your mobile or watch them online http://www.metroscreen.org.au/digiContent.html

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METRO SCREEN’S SUBSIDY FUND JUMP START
Final Round for 2008
Applications close for this round June 6.
Offering $45,000 in subsidy to film and screen productions in NSW annually. Jump Start can provide you with subsidised access to reliable, sort after equipment, current technical facilities and production support.

Applying:
• Applicants must download documents from the Metro Screen website   http://www.metroscreen.com.au/jumpstart.html
• Must be current Metro Screen members $60 or $40 concession for 12 mths.

For more information please contact Metro Screen’s Project Manager David Opitz on 02 9361 5318 or d.opitz@metroscreen.org.au or check out the Metro Screen website at http://www.metroscreen.org.au

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MULTICULTURAL MENTORSHIP FILMS SCREENING
Chauvel Cinema 5.00pm [sharp] – 6.00pm May 13
For the last year four filmmakers have worked with industry mentors to produce new films.
Each year Metro Screen runs the Multicultural Mentorship program giving four diverse filmmakers the opportunity to produce their short film. Each filmmaker is provided with equipment, post-production facilities a $2,000 budget and an industry mentor

Olga’s Granddaughters by Mila Gisbert.
Mentor: Alec Morgan

Pigeon Men by Marryanne Christodoulou.
Mentor: Melissa Anastasi

A Little Dream by Maria Tran.
Mentor: Khoa Do

Aunty Betelnut by Natasha Henry.
Mentor: Liz Watts

Please join us for this screening of new work.

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EDITOR REQUIRED
The Question
I am looking for an Editor to edit a short film I made called ‘The Question’. The film is about a man who wants to propose to his long-term girlfriend but forgets the ring. His friend embarks on a quest to retrieve the ring to help him out. Unfortunately he goes through a lot of trouble on the way as the car breaks down, no key to the house, dog attacks him and he hurts himself many times on the bike, etc. There is no payment to offer but I can perhaps return the favour.

Contact: Daniel Balcaban
Phone: 0423 944 267
Email: dan@danbalcaban.com
Website: http://www.danbalcaban.com

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RUNNER WANTED
Window Productions
This is not so much a job as the first step or the lowest rung on a high ladder Sydney Production Company. It's "getting paid to get experience" in a great place to work, especially if you love Italian food. You start and end when we do. In other words whenever, whatever. But there is shoot day bonus and whatever else comes along. Mac obsession and driving license are essential (we'll take P's for the latter as long as you're the former) and barista training provided. Email your hopes and dreams to: step1@bluebottle.com

Contact: Window Productions
Phone: 9564 6868
Email: step1@bluebottle.com
Website: http://www.windowproductions.com

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SYDNEY FILM FESTIVAL
Crew Required
Crews of two or three are urgently needed to capture the magic of the upcoming Sydney Film Festival. We’re looking for presenters, camera operators and editors to conceive, present, capture and edit and upload podcasts before and during the festival. Apart from the general fame and joy that comes with this product, you’ll also receive tickets and credits. Please contact Mark Adnum as soon as possible if you are interested.

Contact: Mark Adnum, Website Co-ordinator Sydney Film Festival
Phone: 9318 0999 ext 3
Website: http://www.sydneyfilmfestival.org

When: 4 – 22 June
Address: Suite 102, 59 Marlborough St, Surry Hills NSW 2010
Postal address: PO Box 96, Strawberry Hills NSW 2012

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SALES MANAGER
Viocorp
We are searching for someone who is passionate about digital media and can take leadership in interacting with publishers and content owners on a technical level. Must have a proven track record for delivering on or exceeding goals, ideally from within the media industry. Working for Viocorp will give you a unique opportunity to play an integral role building a new consumer facing brand that promises to transform the media industry and change the way people throughout the world watch and consume video.

Please email your resume to the Head of Sales and Marketing
Email: careers@viocorp.com
Website: http://www.viocorp.com

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PLAY NOW ACT NOW
2008 Competition
Focussing on alcohol and other drugs this year’s theme is party smART.
Do you want to have the chance to share in $12,000 in cash and prizes?
Do you live in NSW?
Are you aged 16 to 25?

Categories to enter include:
Film/Video | Creative Writing | Graphic Design

Deadline for entries 25th July 2008
Entry is free and open to all residents of NSW aged 16 to 25.

Check out http://www.playnowactnow.net.au for more information on the competition or 02 9361 5318 or k.douglas@metroscreen.org.au

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CAUGHT SHORT
Accessible Shorts
Darlinghurst's indie film night ‘Caught Short’ will screen ‘Accessible Shorts’ next week. This program of films is made by and with people with mixed abilities. Stories are about mental illness, children with autism and the Australian Blind Cricket Team's world cup quest in Pakistan. The filmmakers will also take part in Q&A’s.. The full program can be viewed at: www.filmcaughtshort.com

Screening will take place in the ground floor gallery. Please contact the gallery in advance if you have any specific access requirements 02 9361 0440.

Contact: Annie Ukleja
Phone: 9361 0440
Email: filmcaughtshort@yahoo.com.au
Website: http://www.filmcaughtshort.com

When: Thurs 1st May, bar open 7.30pm, screening 8pm.
Where: Tap Gallery, 278 Palmer St, Darlinghurst.
Tickets: $10/5 (conc.for Metro Screen members)

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BOOHOO FILMS
Heat 2
Don't miss Heat 2 of ‘BooHoo films’ short film competition. Audience voting will determine which short films go into the final in June. There is a mixed selection of films so please come along and join us for an enjoyable evening of film.

Contact: Matt Lysaught/Cass Chester
Email: enquiries@boohoofilms.com.au
Website: http://www.boohoofilms.com.au

When: Monday 28 April, Doors open 7.30pm
Where: Madame Fling Flong's, Level 1, 169 King Street, Newtown NSW (Above Soni's Newtown)
Entry: $5

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FILM AND TV SPECIALIST BOOKSHOP
Member Discount
An independent bookshop dedicated to film and television. Including industry guides and manuals, books providing a comprehensive analysis of important films and TV programs and the most extensive range of film & TV biographies. If you are looking for a book that is still in print and has been difficult to find, just ask and we will attempt to locate this for you.

Metro Screen members gain a 10% discount on full price items (sale items are exempt)

Address: 1/502 King St Newtown
Opening hours: Wed-Fri 11am-7pm, Sat 10am-7pm, Thur 11am-8pm, Sun 11am-4pm
Website: www.filmtvbookshop.com.au

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DVCPRO CAMERA
AJD 200 DVCPro Camera DVC Pro 25 Camcorder utilizing 3 FIT 1/3\\ chips to attain a 500 line resolution picture. Signal to noise is 60db or better. A choice of 8 shutter speeds and 6 gain selections permit the operator to work in a variety of lighting conditions. Comes with base plate and beaten metal hard case.
PRICE: $1000
Metro Screen | Call 02 9356 1818 and speak with Ian Andrews or Ingrid Rowell 9am – 5pm

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LENS
T14 x 5.5 Fujinon lens, to suit 1/3” CCD
PRICE: $1500
Metro Screen | Call 02 9356 1818 and speak with Ian Andrews or Ingrid Rowell 9am – 5pm

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DVCPRO DECK
AJD 650 DVCPro 25 Deck component i/o, TC i/o, 48Khz Balanced audio i/o, Supports DVC Pro 25 record/playback and DV/DVCam playback, RS422 control.
PRICE: $2000
Metro Screen | Call 02 9356 1818 and speak with Ian Andrews or Ingrid Rowell 9am – 5pm

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BEYER DYNAMIC MICROPHONE
The MCE 86 N(C)S Beyer dynamic "short" shotgun condenser microphone designed for the rigors of studio and on-location video and film production, The MCE 86 N(C)S has a balanced XLR-style connector (hypercardioid) pickup pattern, equipped with a XLR-style connector, which means that you can use long cable throws without fear of increasing the noise. Comes with cradle with 1/4” thread for attachment onto boom pole.
PRICE: $300
Metro Screen | Call 02 9356 1818 and speak with Ian Andrews or Ingrid Rowell 9am – 5pm

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POWER MACS
G3 400 various ram configurations $100 ono
Metro Screen | Call 02 9356 1818 and speak with Ian Andrews or Ingrid Rowell 9am – 5pm

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THE OZDOX ARCHIVE
Giveaway
OzDox #05 – 3 Dec 2003
Interactive Docos
DVD, Broadband and Web technologies have greatly extended the ability of producers to reach an audience with powerful works. Recent ABC – sponsored documentaries have scratched the surface of the possibilities of the interactive documentary. How do these new technologies affect production, writing and direction? What techniques will filmmakers need to create an interactive documentary? Presenter Mark Pesce, widely respected for his views on the interactive era, is the world renowned author of five books, including "The Playful World: How Technology is Transforming Our Imagination".

Produced by Sensory Image – Michael Ney, ozdox@mac.com
See the catalogue and order online at: http://www.ozdox.org/archive_fr.html

To win a copy simply email Katrina at k.beck@metroscreen.org.au with Ozdox in the subject and be sure to include your name, member number and postal address

Available at Metro Screen...
$25 each (incl GST) plus postage if needed.
Contact metro@metroscreen.org.au

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CRAIG BOREHAM
Four Films in Festival
The 21st Connecticut Gay and Lesbian Film festival has selected four films Craig directed for this years festival.

Transient – Friday, May 30, 2008
And Everything Nice – Thursday, June 5, 2008
Love Bite – Friday, June 6, 2008
Stray – Saturday, June 7, 2008

"And Everything Nice" and "Stray" where made through the Young Filmmakers and Channel free activities.

‘I would like to say that I admire your work greatly. Your films are all so different, but all so beautifully made. I hope that you will keep us in mind for screening your future works.’ Festival director

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