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| << August07, 2004 - [ComicBooknet E-Mag] CBEM 483.01 |
August07, 2004 - [ComicBooknet E-Mag] CBEM 483.04 >> |
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------------------------ Yahoo! Groups Sponsor --------------------~--> Make a clean sweep of pop-up ads. Yahoo! Companion Toolbar. Now with Pop-Up Blocker. Get it for free! http://us.click.yahoo.com/L5YrjA/eSIIAA/yQLSAA/bGIolB/TM --------------------------------------------------------------------~-> +++++ POW! Entertainment Teams with ibooks and Komikwerks to Launch 'Stan Lee's Sunday Comics' LOS ANGELES--(BUSINESS WIRE)--08/05/2004--POW! Entertainment, Inc. (PK:POWN), an advanced entertainment and media company, announced today that it has teamed with ibooks and Komikwerks to launch Stan Lee's Sunday Comics. Stan Lee's Sunday Comics is a new online comics subscription service that launched this past week on Komikwerks.com, and was recently announced at the 2004 San Diego Comic-Con. The service is a new business venture involving Stan Lee, Chief Creative Officer of POW! Entertainment, Inc., ibooks, Inc., and Komikwerks, LLC, and will offer online readers access to thousands of pages of comics per year for a low monthly fee. Featured on the site are comics by top creators such as Joe Kubert, Bernie Wrightson, Keith Giffen, Gil Kane and many more. "This website is a great way to get fantastic comics by legendary creators out to readers all over the world. I'm excited to be a part of it!" exclaimed Stan Lee, who as the host of Sunday Comics, will be authoring his trademark column "Stan's Soapbox" every week, exclusively on the Sunday Comics page. "I've known Byron Preiss at ibooks for years - he's got a real knack for picking and publishing some of the best comics from around the world. And Komikwerks is doing a bang-up job with their website - there's so much great stuff on there, it's - dare I say - uncanny!" "The concept is pretty simple," explains ibooks' President, Byron Preiss, "We're harkening back to a time when comics were released every Sunday, and you could get a lot of comics under one cover for one low price. We're making it simple for readers - all you need to do is log on to the website and sign up for Stan Lee's Sunday Comics, and you can read hundreds of printed pages worth of great comics by award-winning creators every month." Stan Lee's Sunday Comics will update every Sunday with new installments of each of the comics it offers, as well as a new Stan's Soapbox. At the time of the website's launch, there are four titles under the Sunday Comics banner, and new titles will be added every month. The initial four comics are Joe Kubert's Yossel: April 19, 1943, Jimmy Gownley's Amelia Rules!, Bernie Wrightson's Captain Sternn, and Keith Giffen's Trencher. Yossel is nominated for an Eisner Award this year, and Amelia Rules! has been previously nominated for the prestigious award. Famed illustrator Bernie Wrightson's Captain Sternn and Eisner-winner Keith Giffen's Trencher have been long out of print, and are available exclusively online at Stan Lee's Sunday Comics. Future additions to the site include Terminator: The Burning Earth by Ron Fortier & Alex Ross, The Best of the Ray Bradbury Chronicles by Dave Gibbons, P. Craig Russel, Richard Corben, and Steve Leialoha, Marlowe: The Graphic Novel by Jerome Charyn, David Lloyd, Ryan Hughes, Lee Moyer, and Alfredo Alcala, The Quest for Aberzen by Marc N'Guessan and Christophe Gibelin, Sunn by Steven Roman, Kevin Lau, Alex Nino, & Humberto Ramos, Terminator 2: Judgement Day - The Graphic Novel by Gregory Wright & Klaus Janson, Isaac Asimov's Derec: The Robot City Manga by Doug Murray and Paul Rivoche, Vietnam Journal by Don Lomax, and The Last Heroes by Gil Kane and Steven Grant. "I can't tell you how excited we are about this," says Komikwerks co-founder Shannon Denton, "When we started Komikwerks 4 years ago, I never thought that we'd be teaming with such comics legends as Stan "The Man" Lee, Joe Kubert, and Bernie Wrightson. It's pretty amazing!" Though Stan Lee's Sunday Comics will make it's home on Komikwerks.com, those that read Komikwerks' free comics every week need not fear; the over 60 free comic titles, interviews, rants, and reviews offered on the site will not disappear. "We see Sunday Comics as a natural extension of the online presence we've built," states Komikwerks co-founder, Patrick Coyle, "It's like adding an addition on to your house - you love what you've got, but you can add a whole new section and make it that much better!" Stan Lee's Sunday Comics will cost $4.95 per month, or readers can sign up for a year's subscription for $49.95, which is like getting two months for free. "That's a sweet deal, I don't mind saying," says Denton. "To buy all these books in print would cost hundreds of dollars. For around what people pay for the average 22-page comic, our readers get about 8 times as many pages per month. Man, that's cool!" Byron Preiss adds, "The successful introduction of Stan Lee's Sunday Comics at the San Diego Comic-Con suggests that fans and pros alike are ready for a syndication model that can generate revenue from online subscriptions while eliminating the cost of printing a Sunday comics section. ibooks and Komikwerks will be exploring the syndication of the section with major metropolitan newspapers as well." About ibooks, inc. ibooks, founded in 1999, was named "America's fastest growing small publisher" by Publisher's Weekly in February '03. Its authors in include Arthur C. Clarke, Jack Kerouac, Ray Bradbury, Greg Bear, Roger Zelazny and Loren Estleman. Its graphic novel line began in March 2003 with VIETNAM JOURNAL by Don Lomax, edited by Dwight Zimmerman, which as picked by Entertainment Weekly as "a graphic novel you should own" and by the Military History Book Club. Its editor-in-chief is Steven A. Roman, editor of The Chaos Engine trilogy. Promotions, sample pages and ebooks versions of the titles will be featured on komikwerks.com. About Komikwerks Founded in 2000 by Patrick Coyle and Shannon Denton, Komikwerks is a comic publisher dedicated to publishing high- quality, professional level, creator-owned comics through digital and traditional distribution methods. Komikwerks.com launched in March of 2001, and has been name a Sci Fi Channel "Cool Site". Contributors to the Komikwerks site include comic industry veterans from major print publishers such as Marvel, DC, Image, and Dark Horse. Komikwerks' third comics anthology, "Nuts and Bolts", is in stores now. About POW! Entertainment, Inc POW! (Purveyors of Wonder) Entertainment, Inc., an advanced media and entertainment Company, publicly traded under the ticker symbol: "POWN" is founded by world famous comic book icon Stan Lee, together with Gill Champion and Arthur Lieberman. POW's principals, combined, have over a hundred years experience creating, producing and licensing original intellectual properties. POW! will specialize in franchises for the entertainment industry, including animation and live-action feature films, plus television, DVDs, video games, merchandising, and related ancillary markets, all of which aid in the establishment of global franchises. POW! partners with studios and networks in creating new and exciting characters that will perpetuate the brands of both POW! and Stan Lee. In some cases, POW! creates "custom-tailored" properties for a specific star or director. Stan Lee, the Chief Creative Officer of POW!, is the creator and inventor of the modern superhero. A prolific author, Lee revolutionized the comic book industry by creating compelling characters who, despite extraordinary powers and talents, are none the less plagued by the same doubts and difficulties experienced by ordinary people. Some of his most enduring characters, like Spider-Man(R)(a), The Hulk(R)(a), and X- Men(R)(a), have been spun off into television programs and feature films that have grossed hundreds of millions of dollars at the box office. +++++ aharlib@earthlink.net Dear David, Thought this would be of great interest to newsletter readers. Cheers! Amy http://www.silverbulletcomicbooks.com/panel/1063121223602,print.h tm Why Don't "Black Books" Sell? By Alan Donald "Why aren't there more mainstream titles that feature minority characters in prominent roles, and why don't "black books" sell??" Bill Rosemann: "A tough but necessary question. Is it because most comic book writers are white males, often 'write what they know', and so they choose to make their protagonists white males like themselves? Is it because the characters that are popular today and star in the most books (i.e. the superheroes that have been around since the 50s and 60s) just happen to be great characters, no matter what the skin color is beneath their masks? Obviously, companies would love to publish series with minority main protagonists (i.e. DC's Steel and Milestone line, Marvel's Black Panther and The Crew), but time and again, readership hasn't been enough to keep them going. Basically, I don't have an easy answer...but if readers want to try a book with a black protagonist--that also generates plenty of great reviews--then I humbly suggest they give Negation a try! No matter what his race happens to be, Obregon Kaine is just a cool character, and ultimately that's what people want to read about." Alan Grant: "Most comic heroes are minority characters. Batman is in a minority of guys whose parents were murdered before their eyes. Superman is in a minority of babies saved from exploding planets. Lobo is in a minority of maniacs who destroyed their own world. Judge Dredd is in a minority of people dedicated to justice. I've no idea why "black books" don't sell. I've heard uncorroborated reports that DC's "black" line of the 90s folded as much because of editorial profligacy as disappointing sales. I'm pretty sure "black books" sell okay in Africa (Brian Bolland and Dave Gibbons began their careers working on Power Man for--I think--a Nigerian publisher)." Terry Moore: "I can't answer that question, but I've also noticed most comic shops are owned by white people and comic book conventions attendees are predominantly white. There's a nice ethnic mix sure, but everywhere I go it's mostly white. I don't know about you, but when I'm in a room full of white people now it gives me the creeps... makes me feel like I'm at a Klan meeting or something. It's just wrong, y'know? It's not reality. So why doesn't Strangers In Paradise have more African-Americans in the cast? Because most of the book is a satirical attack on conservative America from within the ranks. I think the barbs sting more if they come from within the ranks and not across race lines." Professor William H. Foster III, Comic Book Historian: "'Why aren't there more mainstream titles that feature minority characters in prominent roles, and why don't "black books" sell?' Actually these are two different questions so let me try to answer them one at a time, and as succinctly as possible. The first questions asks why aren't there more... And as a comic book historian who specializes in the image of African American in comics, my next question is "More than what?" What would be the magical number of people of color appearing in mainstream books to be properly "visible" or "enough"? I suppose it depends on your point of view. For comic book readers who have always seen some characters of colors in their reading, and for comic fans from the Silver and Bronze ages of comics, the answers are going to be totally different. I have a very long view, and look at how much things have changed since the beginning of comics to the present day. With that view, the number of characters of color in comics is very large, very diverse and still increasing. The problem sometimes appears to be what kind of characters have been presented in the past. If people of a particular race or ethnicity are all represented as one-dimensional stereotypes, that's a real problem. If all women are represented as brainless, helpless victims, all white men as kind-hearted and benevolent heroes and all black people as jive talking evil minded criminals, those are problems. But in the various worlds created by comic creators where there are is a wide diversity of characters representing both positive and negative points of view, the numbers become less important. If there is only one black character in a comic book and he is a cowardly clown, I am quite naturally upset by that representation. But in a world where there are any number of characters presenting points of view pro and con, good and bad, intelligent and stupid, I don't have a problem. And let's get real for a minute. Comic books aren't immune to the taint of institutional racism or prejudice any more than any other segment of American society. We want everyone to feel that we are treating everyone the same, when we know that we don't treat everyone the same. It is the cache 22 of racial politics. And yes, there are people who still think if we don't talk about the racial divide in this country, it will go away. Guess again. There are people who look on any effort to expand the scope of the diversity of comic book characters as communist inspired, and those who feel that more can always be done to change things up a bit. Such is life -- get used to it. And to answer the second question, actually black books do sell. I just received a message from a long-time African American comic book creator who sells almost exclusively at Black Cultural Fairs and he says he pushed an incredible number of units this past summer. And I have yet to appear at a venue where I am speaking about the history of Blacks in comic books without having a number of people stop me and ask where they can find the titles I spotlighted. My problem has been I can't always readily tell them where to look. Even I have to look very hard to find titles. Back in the 1990s when Milestone and DC Comics teamed up to produce racially diverse titles, I was told by some of my friends who own comic shops that they weren't sure how to market the titles. So they do sell, it's just that, well, there are some problems to work out. As I stated earlier, I am very optimistic about the variety of characters of color in today's mainstream comic books." Lee Dawson: "I think it's just a question of who's making the comics for who. Most comics creators are young (or not as young as they used to be!) white males. Most comics readers are young white males. I think if there were a more diverse creator base creating comics reflecting their unique experiences and perspectives then the audience might also reflect that diversity as well." Brandon Thomas: "Because people are afraid. The problem begins with the nonsensical classification that is the "black book", presumably meant to signify a title in which either "black things" are more likely to occur, or one that chronicles the exploits of a number of black characters. Following this train of logic, Superman, Batman, and the Avengers should be appropriately branded as "white books", but between you and I, that doesn't make any sense does it?? Instead, the label only creates a heightened sense of awareness that creates books that often play at the most obvious of stereotypes in the hopes of addressing a need for authenticity that is not only completely irreverent, but clearly unattainable, as it doesn't exist. Either that or the books' defining characteristic is that it's filled with minorities, which can also serve as a statistical kiss of death, regardless of inherent quality. Pardon my usage of the terminology, but often too much time is spent being "black", and not enough time being "books". Instead of publishing accessible material driven by minority characters, we get tired approximations of things that companies think "black" readers would respond to. So white readers are completely alienated, and what little black or non-white readership exists, groans collectively because someone is under the impression that by slapping a bubble vest, gold teeth, and Timbs on it, it automatically becomes "black". Things remain this way, because there are not enough creators working in comics with a personal and emotional investment in correcting it. It's no one's fault in particular, and reversing the tide isn't enormously difficult, because someday (hopefully sooner rather than later), a writer will sit down. After he/she sits down, they'll begin creating this fully realized environment populated with characters of layered personalities and emotions, the kind of fictional 3-D world that a great majority of readers will find at least something relatable. .and then they'll turn everyone black. Stereotypes will be assaulted, expectations will mean nothing, and finally, FINALLY, there will be no such thing as "black books", just books with black and minority characters, that aren't defined by their ethnicity, or playing into a routine meant to establish a "realness" that ensures they're speaking to no one. The industry just needs someone to care enough to make it happen. Do you??" Fredrik Stromberg: "As I have stated several times in my book "Black Images in the Comics", I think that sadly, most Black characters in mainstream comics are created, and treated, as representatives of all Black people. This symbolic nature, of course, makes them rather limited as characters. Also, considering that this question really is about matters in the USA (even if this is not stated), it seems to me as a European that the fact that your comics are sold in speciality shops, and thereby only reaches the fans and not the general audience, is another important factor. The comic fans in the USA seems to be mostly white boys, a fact that works as a catch-22 to make sure that other groups like for instance female readers and creators for the most part are locked out of the action." Craig Lemon: "Why aren't there more black-superhero books? Because they don't sell. Why don't they sell? The same reason that female-led superhero books don't sell very well. Because the primary audience for superhero is white males. And the main way you can get female-led superhero books to sell is to plaster them with cheesecake art - step forward Greg Horn and Michael Turner. I also believe that most white males are closet racists - even if just subconsciously...oh, you could argue that someone reading a superhero book puts themselves in the place of the hero, and white males cannot identify with black heroes for some reason...I would venture that that reason is racism. Why are there few arabic superheroes in US comics? Why are there few hispanic blah blah blah? The answer is the same. Why are there no black superheroes fronting big-name books? Because all the iconic heroes in existence today (with the exception of Wolverine) were created between the 1930s and the 1960s, when black characters were taboo, or poor caricatures at best (see the early stories of The Spirit to see how even Will Eisner didn't escape this attitude). There have been pitifully few successful superheroes created in the last twenty years, black OR white. So new books with predominantly black casts don't sell...but neither do new books with predominantly white casts...it's not just The Crew that was cancelled recently, but The Eternal too. Why are there no successful black characters in "mainstream" (i.e. Marvel & DC comics)? But there are. Look at 100 Bullets. Look at Gotham Central. Minority groups represented in quality comics, bought by a vast range of purchasers. And why do these work - because of the Star Trek factor...they feature an "ensemble", a large group of characters from diverse ethnic backgrounds. You could say why are there no major supporting black characters in Spider-Man? But I think you'd find that beyond the original set of characters created in the 60s, there have been no NEW supporting characters of any colour for a consistently long period of time. It's the same with Superman, with Batman, with whoever...superheroes created in 1960s and earlier had no black characters due to the situation that existed at that time (which is where the racism angle comes back in) and these superheroes haven't changed in the intervening time - the supporting casts have remained the same throughout the decades." Kyle J. Baker: "Why aren't there more mainstream titles that feature minority characters in prominent roles, and why don't "black books" sell??" Doesn't the second question answer the first one?" Alonzo Washington: "Why aren't there more mainstream titles that feature minority characters in prominent roles? The answer is quite obvious. RACISM!!!!!!!!! Although, the attitudes are complicated to explain. Most White people are uncomfortable with people of color gaining power. That's why affirmative action & immigration are always controversial topics in America. Therefore, the concept of a super hero of color is an uneasy thought to most White Americans. Moreover, the image of a super hero is one of perfection & morality. For years the mainstream media has always force fed the American public with the most negative & immoral images of Black people (murderers, gang bangers, thugs, pimps, video tramps, whores, rapists, gangsta rappers, criminals, etc.). Therefore, the concept of a Black super hero is almost a joke in the minds of most White people. That's why a number of Hollywood films are made with a Black super hero as a comedy release (Under Cover Brother, Meteor Man, Pootie Tang & Blank Man). I have turned down a number of Hollywood producers who want to make a MOVIE WITH MY BLACK SUPER HEROES AS A COMEDY. Moreover, most of the creators in the comic book industry (not all) are White nerds. What do they know about Black people or any other people of color? These guys are creating a fictional world where they are all powerful and quite frankly they don't want Black people in it or anybody who is not White. Have you ever wondered why the two most popular super hero icons (Superman & Spider-Man) are former nerds in their secret identities. Most of the time when a Black character (The Falcon, Storm, Green Lantern, Agent J, Captain Marvel, Cyborg, Pete on Smallsville, etc.) emerges in the world of mainstream comic books he or she are simply a watered down side kick or a modern day slave to the White characters in the comic book. The Black characters have no agenda of their own. Storm in the X-MEN movies might as well had been a maid with the few lines she received. The Black characters that stand on their own are normally super stereotypes like Power Man (Cage) the ex- con or the monster heroes like Blade & Spawn. Most White comic book creators & collectors like monsters more than people of color. Comic Books are filled with monsters and barely people of color. The comic book community is basically White. I attended Comic-Con this year with my wife & six small children. Everywhere I went security hounded us like we were not supposed to be there and our passes were clearly displayed upon us. They acted like I could put the Comic-Con in my pocket. I think it is the same scenario exists for Black super heroes & super heroes of color in mainstream comic book titles. Many White creators don't feel like they are supposed to be there. Why don't Black Comic Books sell? Most White people don't want a Black savior. Super Heroes are saviors. Unlike African Americans & other people of color who accept White super heroes as their own. Most White people think a BLACK SUPER HERO IS ONLY FOR BLACK PEOPLE AND THAT IS RACIST. I remember I was doing a presentation at the public library and a White kid asked me if my Black character (Omega Man) was for people like me (Black). I answered his question with a question. I said "is Super Man & Bat Man only for people like you"? Black titles don't do well in comic book shops. However, I have made a great living selling Black independent comic book titles for eleven years. Most of my customers are Black or White people who want to see another image of super heroes. Another reason Black mainstream titles don't sell is because most of the characters are crappie. White creators always seem to limit their Black super hero creations. Even the cool Black heroes (Blade & Black Panther) struggle to appeal to White readers. Racism is hard to overcome for most White comic book fans. Spawn is more a monster than Black. Moreover, his mask & burned flesh helps White readers forget about his race. I challenge all who read this article to read a real Black super hero comic book. Check out Omega7 Comics. Don't let race pick your super heroes." Alan Donald: "I've spent two weeks thinking about this answer and still I've gotten nowhere. I've seen the Panelists answers coming in and I agree with most of them. Racism is a big factor and so is simple economics. What is being done to address these problems would be an interesting question. There must be many black comic book fans out there who are being fed an incredibly homogeneous image of large US cities. I'm not calling for Superman to 'go black', a good character is a good character irrespective of colour. The backdrops in the comic book universes need to reflect the real world more. Writers need to request a realistic mix of people in the books and artists need to use their initiative if no race is given for a new character in a book. On the other side of the coin everyone should give new characters a chance and judge them based on the quality of the tale rather than the colour of the protagonists skin. We've got a few coloured heroes now. We're starting to see a wider mix of background characters (take Batman for example, there are several African-American cops (including the Commissioner), there's Rennie Montoya and.um.wait, couple more, Batgirl is of an unknown Asian origin and Dick Grayson is Romany) but Milestone has gone and Steel was cancelled a while back. What of the creators? It's a vicious circle. I hardly ever see any non-white faces at my local comic book shop but then again I hardly ever see any non-white faces in this part of the country, it's a pretty sad state of affairs. I do see more and more people from various 'ethnic minorities' at the Bristol comic book Festival and I have seen several black artists having their portfolios very seriously pored over by DC and Marvel so perhaps thing might change soon. This question has made me examine several things in my life. I hadn't considered just how white comic books are. I didn't have a clue which creators were black, white or whatever. Not being racist is not enough. Complacency is a terrible sin. The current situation in the comic book industry is wrong and definitely racist. We should think about this, we should examine it and we should act. It doesn't stop there, the industry is homophobic, very sexist and it is generally prejudicial. Think about it. Act." Summary: This is a very difficult one to summarise. Racism and economics seem to be the most basic factors when one boils it all down. One thing is clear and that is that the current situation is intolerable. +++++ BACK TO PRESS ibooks reports that the second printings of BLACKSAD and BLACKSAD 2 are now available via Diamond Comics...Blacksad was nominated for three Eisner Awards this year! THE BEST OF RAY BRADBURY is now reprinted as well--and about to sell out its second printing! SWAMP THING TO ibooks! New novels based on the classic DC character SWAMP THING will be coming from ibooks under a new agreement with DC Comics! ibooks recently shipped its first GREEN LANTERN novel by Christopher Priest and Mike Baron and a stunning cover painting by UK's John Watson! +++++ James Kochalka a summer read for children and pre-teens The Dover Community News for August 6, 2004 promotes summer reading for children and pre-teens, selecting James Kochalka's all-ages Peanutbutter & Jeremy's Best Book Ever (Alternative Comics; ISBN 1-891867-46-6; Diamond Code: SEP03 1997) as their suggested graphic novel/comic book to read. From Dover Community News, NH, August 6, 2004 Suggested reads before summer vacation ends By Marcia Cannon Children's Librarian Can we now call it late summer? There are school supplies crowding the shelves of stores already! But not to worry, there is plenty of muggy weather left, and actually lots of time for final summer activities. Outside fun is what makes the summer, but sometimes, sitting on a cool porch or lounging under a tree with a good book is a respite from play in the sun. Summer reading helps children enjoy relaxing time, and also helps them get ready for the challenges of the coming school year. Encourage your child to keep reading this summer - check out our summer reading program (see below). And check out these cool reads for children and pre-teens listed below. Graphic novels/comic books Kochalka, James. "Peanut Butter and Jeremy's Best Book Ever!" - This is a simple, very sweet, funny and low-key comic book describing the squabbles and the neighborhood adventures of a cat and a crow. The two animals are true friends with small misunderstandings about birthday parties, hats, and other silly matters. The line drawings are very expressive for all their simplicity. This is a great series for elementary readers. For more information or requests please contact Alternative Comics publisher Jeff Mason at 503 NW 37th Ave., Gainesville, FL 32609-2204. Phone: (352) 373-6336. E-mail Jeff Mason at jmason@indyworld.com. Jeff Mason - Publisher Alternative Comics Web: http://www.indyworld.com/altcomics +++++ Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the E-mag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. 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