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| << August07, 2004 - [ComicBooknet E-Mag] CBEM 483.08 |
August07, 2004 - [ComicBooknet E-Mag] CBEM 483.10 >> |
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------------------------ Yahoo! Groups Sponsor --------------------~--> Make a clean sweep of pop-up ads. Yahoo! Companion Toolbar. Now with Pop-Up Blocker. Get it for free! http://us.click.yahoo.com/L5YrjA/eSIIAA/yQLSAA/bGIolB/TM --------------------------------------------------------------------~-> ----------------------------------------------------------------- [9] O'Shea's Offhand Opinions Tim O'Shea timmito@yahoo.com [Tim O'Shea is an interviewer for www.silverbulletcomicbooks.com These reviews are prepared exclusively for CBEM.] DC: The New Frontier 5 I'm not sure which aspect of the story touched me more, when Green Lantern flies for the first time (and Cooke makes you feel like it's the first time) or the dedication of this issue to (in addition to Julius Schwartz and Russ Heath) Archie Goodwin and Gil Kane. Their respective influence permeates through this series. Yes Captain America and the Falcon 6 (Marvel) The inane Scarlet Witch as cab driver (!?!)/romance subplot really annoys me. But the fact that Priest and Bennett have reworked Falcon's suit (much better than the headlights version for Falcon that appeared in Priest's Black Panther) and made the character worth the read. Yes Wolverine/Punisher 5 This series was consistent. Consistently bad. And all the creators deserve better assignments than this junk. No Amazing Fantasy 2 As much as JMS protests/challenges the concept that he mentors Avery, the aimless nature of the first two issues (I've rarely seen an origin drag more) betrays him. No X-Men Unlimited 4 Good stories take you from point A to point B. These stories go from Point A to Point 22. While Chuck Austen is gone, the odd retconning of Juggernaut and Emma Frost continues. No Spider-Girl 77 Y'know in the battle of Marvel editor-in-chiefs who write comics, DeFalco is a far superior to Quesada. This series is prime evidence. DC Comics Presents: Green Lantern 1 The Azzarello tale is stronger than the Pasko Green Lantern. I'm just so tired of the Hal is a drunk subplot and it seemed so wrong in this Schwartz tribute. Yes/No X-Men 447 Alan Davis great art still can't overcome Claremont's dialogue and plotting. No Exiles 50 So boring makes me wish this series would end. I normally love Bedard, but not with this book. No Book One: X-Men Dreamers & Demons The End I only wish "The End" books would end. What a waste of future quarter bin space. No DC Comics Presents: Hawkman 1 Busiek and Simonson together? If only this was a monthly gig. Yes Birds of Prey 71 I want to like Simone's BoP, but this arc has made it impossible. No Scratch 3 Maybe when I'm older Sam Kieth will appeal to me. For now, it's an amazing squandering of printing ink and paper. No Firestorm 4 This issue is the polar opposite to past issues I've read. It holds together, garners my interest and makes me want to read the next issue. The fact that the eclectically over-rated ChrisCross is gone very soon makes me even more interested. He's not that talented or consistent folks. Yes Majestic 1 Typically Abnett and Lanning leave me unimpressed. This issue (ignoring the Superman overused homage cover) made me glad I picked the issue up. Though I must admit, the narrative goes totally nonsensical toward the end, and could stand to be better edited. Yes Y: The Last Man 25 Fist issue that I've not found lacking in quite awhile. Longtime readers get a partial sense of closure/contentment with this issue. Yes Swamp Thing 6 Makes as much sense as your average country's foreign and domestic policy. Save your money. No Justice League Elite 2 Plot holes and nonsensical story devices on nearly every page. The cover blurb says "Nope! Not Your Daddy's Justice League!" All I can say is "That's good, now I know to spend my money elsewhere." No Batman Detective Comics 797 Wake me when this War Games junk is over. I'd sooner watch that dated Matthew Broderick film. No _________________________________________________________________ ----------------------------------------------------------------- [10] Suspended Animation Michael Vance MiklVance2@worldnet.att.net [Michael Vance was first published in The Professor's Story Hour chapbook at the age of eleven and became a professional freelance writer in 1977. Vance has been published in dozens of regional magazines and as a syndicated columnist and cartoonist in over 500 newspapers. Among his credits are: "Forbidden Adventure: The History of the American Comics Group," articles for "Starlog," "Jack & Jill" & "Star Trek: The Next Generation". He briefly wrote the comic strip, "Alley Oop" and his own strip for five years called "Holiday Out," that was reprinted as a comic book. Vance also wrote comic book titles including "Straw Men," "Angel of Death," "The Adventures of Captain Nemo," and "Bloodtide". His work has appeared in several comic book anthologies, and he is listed in the "Who's Who of American Comic Books" and "Comic Book Superstars". With novelists Mel Odom and R.A. Jones, he co-wrote "Global Star". He worked in newspapers for twenty-two years as an editor, writer and advertising manager, creating three successful newspaper magazines. Michael Vance is currently communications director of a nonprofit agency, the Tulsa Boys' Home, in Tulsa, Oklahoma. He is a Christian] Almost. "Table for One" is a graphic novel about one evening in the life of the owner, staff, and customers of a restaurant. No super-heroes, no super-villains, no spandex, no latex: hurray!!! Almost. Will is the egotistic, handsome nephew of the restaurant's grossly overweight owner (who looks much like the villain The Kingpin from Daredevil Comics) and the protagonist of the evening. You will almost like him. You will almost hate every other character. In fact, if this graphic novel is meant to be a microcosm of life (and I believe it is), life stinks. Why? Every character, including Will, is selfish, dishonest, miserable, and pro-fane. Theirs is an unrelentingly dark, nasty, physically and spiritually violent, dog-eat-dog world. But there is some good in the real world, and this story needs some good. Dialog in Fawstin's world comes close to ringing true, but almost every page is laced with profanity and too many characters are too consciously clever in their conversations. There is some pun in the real world, but this story needs less *%!@%# and less pun. The artist's minimalistic art is almost excellent and reminiscent of master artist Alex Toth's style. Minimalism means no visual detail is included unless necessary to the story. Almost excellent means that some characters are barely doodles. In addition, Fawstin's staging bears little resemblance to reality because he over-works clever angles and visual gimmicks meant to make mundane scenes visually interesting. As example, in one panel Will's angry expression is seen through a rectangle literally cut out of his uncle whose back is to the reader. Too much obvious staging destroys a reader's suspension of disbelief. Almost every comment on every aspect of Table for One seems slightly negative. Does that mean that this graphic novel is not worth reading? No. Table for One is almost re-commended. MV Table for One/86 pgs. & $9.95 from Main Spring Comics/written and drawn by Bosch Fawstin/sold in comics stores and at www.boschfawstin.com. For a list of Vance's stories and comics, query MiklVance@Yahoo.com. _________________________________________________________________ ----------------------------------------------------------------- [11] Silva Shado Reviews Sarah Haslett silva_shado@yahoo.com [Known as Silva Shado on many boards, Sarah is most frequently found at HeroRealm.com and MightyMiniCon.com. She is a reviewer, moderator and columnist for both sites. At MightyMiniCon, her column "Under the Radar" looks at those comics that go unnoticed by the majority of comic book readers. At HeroRealm, her column "Independent Forecast," co-written with Juan Gamez, looks at the non-spandex titles in the current Previews. Sarah has read comics off and on her whole life, but really got into comics in 2000. In September of 2003, she started reviewing after realizing that there were good comics out there that no one was paying much attention to.] Daisy Kutter #1 (of 4) Writer/Artist: Kazu Kibuishi Publisher: Viper Comics Released: August 4, 2004 Fresh from their success with Dead@17, Viper Comics is releasing a miniseries of another color - a Western Sci-Fi Manga. Now most gunfighters have reputations right? Well Daisy Kutter is the most notorious of them all. She once single-handedly took down a fleet of supply frigates with only a shotgun. But that's all in the past. She hung up her gun and opened a general store. Unfortunately for Daisy Kutter, old habits die hard. Antsy and bored, she's lured back to the gambling tables where she loses it all. There's an offer to pick up her gun again, but the deal sounds fishy. However, Daisy may have to do it to get back what she's lost. Kazu Kibuishi really knows how to pace a story, balancing the visuals and the dialogue. At first, it looks like your normal western, but when Daisy steps outside, you see that the world around her is anything but California in the 1840's. There are large mechanical beasts, robots and alien-looking beings. At the end of the issue, there's a short story by Philip Craven about a canine detective and what he encounters when he takes a wrong turn on his way home. True to the detective genre, this story is bittersweet and makes you feel like giving that old dog a bone for everything that he goes through. He's just trying to make a living, but he always seems to end up in trouble, even when he's trying to avoid it. Dead@17: Rough Cut volume 1 Writers/Artists: Various Publisher: Viper Comics Released: August 4, 2004 It's great to see Dead@17 become so popular that other creators are inspired to try their hand at it. This is an amazing collection of 6 stories by fans of the comic as well as a new story by Josh Howard. All of these stories fill in and add to the world of Dead@17. "Catalyst" by Josh Howard is about the beginning of Nara's relationship with Elijah and of Nara's transformation. Josh's art is rougher here, but I rather like it. The dialogue is very strong and funny at moments. I loved seeing Hazy holding her ground against the others. "Amputation" by Alex Hamby and Martin Abel delves into the underworld to reveal how Bolabogg was brought into the world. Gruesome and beautiful, Martin Abel illustrates the seduction and horror of dealing with the devil. The most striking part of this story was Bolabogg's motivation to take on human flesh. It's easy to assume that evil just wants to be evil, but here we finally understand why Bolabogg is so full of hate and anger. While I enjoyed all of the stories, the one that stood out to me the most was "Simon's Night" by Egg Embry, Benjamin Hall and Marlena Hall. This was powerful and emotionally charged, both in writing and art. It almost had me crying at the end. I finally understood why Simon did what he did. "Dead Air" by Jason M. Burns, Scotty Law and Rick Oslovic is a good example of a classic horror story. It' starts out innocent and fun with a radio reporter doing a live report out in the woods. She flirts with the tech guy, trying to get him to do it with her in the van, but he refuses. Soon they start hearing things and get scared at what might be out there in the dark. A very thrilling story, my only complaint was that some of the latter pages were too dark and it was difficult to see what was going on. "Fight to Live" by David Hopkins and Sean Stephens gives us some insight into the Protectorate and the men and women who work for it. An action-packed story, we see one of the Protectorate agents fighting for his life while Nara rises from her grave. I was moved by the agent's story and his futile struggle. Sean Stephens' art is just amazing. It's perfect for an action story like this as it kept the story moving forward at a rapid pace, but without being rushed. "Fast Food" by Pat Bussey is just the comic relief needed after all the seriousness going on in the previous stories. As much as I like the seriousness of Dead@17, sometimes it's overwhelming and some humor is need. Fast Food is a perfect blend of comedy and horror. The timeline on the inside cover was really helpful at placing all of the events, not only for these stories, but for the overall story of Dead@17. If you're like me and get dates easily confused, refer back to this as often as you need to keep things straight in your mind. If you're new to Dead@17, this probably isn't your best choice to start with. I highly recommend buying the first trade of Dead@17 and then reading this. It'll make a lot more sense since all of these stories take place around the first miniseries. Then you can pick up the second miniseries either through back issues or waiting for the trade to come out. Digital Webbing Presents #15 Writers/Artists: Various Publisher: Digital Webbing Released: July 21, 2004 Ranging from supernatural visions to the grittiness of war to social anxiety, Digital Webbing Presents a wide range of stories from some very talented creators. If you haven't picked up any DWP, this is a good place to start! This month's feature is one of the most intriguing I've read so far. "Crazy Mary" is about a genetically enhanced woman who can see things that others can't, and it's made her crazy, but not insane. While what she sees doesn't always lead her in the right direction, she's right more often than not. In this story, she picks up a teddy bear lying in the gutter. Following her feelings and visions, she's able reunite the teddy bear with its owner. The execution of this story was wonderfully done. Some comics use narration awkwardly, but Michael Colbert excellently tells the story through narration. I'm very much looking forward to this continuing in its own miniseries. "Soldier: 76 -the Vigil" tells the tale of the second American Civil War. Gritty in both art and story, this follows one man on his mission to defend the people against the government. The government has turned its back on the people and wants to subjugate through martial law. While this is definitely not my kind of story, it is very well done. I'm sure that those who like war stories will enjoy this. "Spook'd" has become one of my favorite running strips in Digital Webbing Presents. This one is about a mad doctor trying to bring back his love from the dead, only to mess up by putting her in the wrong body. I love the humor in "Spook'd" and can't wait to see what the next one will be about. "Bliss" is about seeing the good in your life and not always focusing on the negatives. Unfortunately for the main character, he realizes this too late. I really enjoyed the art in this one. The grey scaling was done very well. The only problem I had with the story was that it's just not my type of story. And it was a little predictable. I just knew he wasn't getting off the hook for doing what he did, but maybe I'm supposed to know that it'll still end in tragedy even though he's made the realization. "Love & Paramnesia" made my heart all aflutter! I'm a sucker for a good romance drama every now and then, and this one hit the spot. This follows two neighbors and their problems with dealing with the world and other people. They both have social anxiety, but they manage to work through it and speak to each other. The art in this was superb. Every emotion was strong, every facial expression very telling. I don't know how this story could be continued, but I'd love to see more of these two and their troubles. "Just Another Wednesday" is my other favorite running strip. It always makes me laugh out loud and, in some cases, I connect with it. This one is hilarious as the two guys are trying on their Batman and Robin costumes, which aren't quite perfect. This issue was a little hit and miss for me, but Crazy Mary was definitely worth it. I guess I'm not the only one who thinks so because it's officially sold out. Now that doesn't mean you can't find a copy. If your retailer doesn't have any, check out online stores. I'm sure someone's bound to have a copy. The Symbiotes #1 (of 8) Writer: Davis R. Vaughn Penciler: George Lippert Publisher: Drive Comics Released: July 21, 2004 This is one of the few times I've picked up a comic book because of the graphics and I have to tell you that the graphics are stunning! Rendered in amazing CGI, The Symbiotes seamlessly blends the animation medium with the printed medium. There were many points where I thought the characters would start moving! The sci-fi comic is about a war between humans and non-humans. In this case, the humans don't look to be the good guys because they discriminate against anyone who isn't 100% human. They want to subjugate or eradicate anything that isn't like them. This first issue introduces us to several of the key characters, almost too many to keep a track of. But with a solid 48 pages, there's plenty of room to see them all in action and be amazed by the different worlds that they live on. While the graphics are fantastic and almost beyond description, I do have one complaint. Many of the panels are just too dark. I understand what effect they were going for, but it took me quite a while to figure out what was going on in the first few pages. I'm sure it all looked much brighter on the computer screen because of the back light, but with print, the light source shines onto the page. I'd recommend taking the whole book and lightening it so that the effects of having darker panels aren't lost. A minor complaint would be that many people's faces were in shadow, even on the brighter pages, and that made it difficult to read the facial expressions. Overall, this is a great beginning to an amazing concept. I'm looking forward to more beautiful graphics and to the development of the story. "Off the Top..." Street Angel #1 and #2 (Slave Labor Graphics, March and June 2004): I really missed the boat on this one! I knew about it ahead of time, but forgot and it got by me. Don't let this gem slip through your fingers. This is an unpretentious comic that is both funny and down-to-earth. "Jesse Sanchez is an orphan raised by the streets. In an unforgiving world overrun with poverty, drug abuse, nepotism, and ninjas, Sanchez fights for the poor, the forgotten, and whenever possible, for food." Don't miss the third issue coming out in September! Dawn: Three Tiers #4 (Image, July 28, 2004): Dawn was the comic that got me interested in comic books again and it continues to amaze me with the depth and complexity of it. The mythology is as beautiful as the art. Though this issue was pretty clear and simple - men can be fools when it comes to women. I, like most women who've read Dawn, think Darrian is a hot hunk. But up until now, I didn't really know how foolish he could be. In this issue, he dresses up like an idiot and makes himself look weak, all for the affections of a beautiful woman. And he doesn't realize that she's playing him until the end. I'm looking forward to the next issue for the answer - was it worth it? NHS #118 (Antarctic Press, July 28, 2004): Written by Katie Bair, NHS has some of the strongest characters I've ever read about. The relationships and conflicts are well written and very moving. There's a lot of pop culture humor and zany situations, but deep down it's a drama about the difficulties of growing up in a not- so-normal world. This issue focuses on Yoshiko who grew up being mostly invisible to her parents. This had a very negative affect on her psyche, which messes up her relationships with others. Thankfully, she's found a friend through the use of online chat. I'm very anxious for them to meet in person because they'll be perfect together. They'll be able to help each other with their problems and most importantly, make each other laugh. Sabrina #59 (Archie, July 14, 2004): If you know a young teen female, do her a favor and buy her Sabrina. This is the best mixing of American and Japanese comic book styles I have ever seen. Still about Sabrina's struggles with relationships and growing up, it is now beautifully drawn in the manga style by Tania del Rio, of Rising Star of Manga fame. The manga style enhances the already existing magic of Sabrina's world and brings a quality to it that many females (young and old) will enjoy. DC Comics/2000 Ad Preview (July 28, 2004): This is free so if you see it, pick it up and check out the line up of collections starting in September. I was introduced to 2000 AD only a few months before DC made the deal to release 2000 AD material in America. Of the first few titles listed, I'm not that excited about, but hopefully they'll get deeper into the huge library of stories. There are 3 shorts in this preview, one of them being a very hilarious Judge Dredd story called "Finger of Suspicion." This poor sap had his hand caught in a washroom tap for seven days and it permanently disfigured his hand so that his middle finger always stands up. You can see how this can get him into a lot of trouble... and it does. The White Elephant (Alternative Comics, July 21, 2004): Whether you have or haven't read any of Damon Hurd's work before, "My Uncle Jeff" or "A Sort of Homecoming," you have to pick this up. Very moving and heart-felt, it's a journey through one man's past as he tries to come to terms with it and his feelings. I only had one complaint and that was I had a little problem following the flow of images and dialogue, but it didn't detract very much from the emotional journey I went through while reading this. _________________________________________________________________ ----------------------------------------------------------------- [12] THOUGHTS TO BE HEARD Jeff Clifford Proton5@aol.com Movie Reviews: Spider-Man 2 Starring: Tobey Maguire Peter Parker/Spider-Man Kirsten Dunst Mary J. Watson James Franco Harry Osborn J.K. Simmons J. Jonah Jameson Rosemary Harris Aunt May Alfred Molina Dr. Otto Octavius 5 out of 5 stars rating says me. Wow!! This may be the best superhero movie of all time. Great effects, top notch story, characters, subplots, seamless editing, pathos, romance, hilarious comedy, classical subtext. "Spider- Man, Spider-Man, does whatever a spider can." Oh yes, the old great Spider-Man cartoon theme from the 60's is there, Stan Lee is there. If you don't like this movie, then don't bother going to another superhero movie, because you won't like them either. This movie has it all. Tobey Maguire can act; I don't believe any other actor could have pulled this role off. Same for Kirsten Dunst as MJ, J.K. Simmons as J. Jonah Jameson, Rosemary Harris as Aunt May. James Franco and Albert Molina also do a top notch job. James as the tortured Harry Osborn, and Alfred as the nano possessed Doc Ock. Kudos to the casting director. Spider- Man has to go through a should I be, shouldn't I, plus a psychological block that sometimes stymies his spider-powers if he's thinking too much. More MJ as Peter wrestles with dealing with the love of his life, good to see MJ becoming successful, though frustrated with Peter. Great visuals of Spidey swinging through the streets and battling Doc Ock. Great humor with the initial pizza delivery segment, the washing machine segment, J. Jonah Jameson diatribes, Spidey admonishing two kids not to play in the street; "yes, Mr. Spider-Man", and Aunt May throwing out Peters' comic books, "those dreadful things". A mention of Doctor Strange in the movie, can't call Doc Ock that because it's already taken. Check out Doc Ock's tentacles acting like the velociraptors in Jurassic Park. Don't miss Bruce Campbell's (Army of Darkness) cameo, playing a different character than in the first Spidey film. Aunt May is great as Peter's moral center. "I believe there's a hero in all, Peter. We all need heroes to inspire us and give us hope. Tell your friend Spider-man we need him back". Hmm, Aunt May may know more about Peter then she let's on. Also cameos by Cliff Robertson (Uncle Ben) and Willem Dafoe (Norman Osborne), hmmmm. Please go see this movie, treat yourself. You will like it if you even remotely like comic books, true believer. X-Men, X-Men 2, Daredevil, Hulk, Spider-Man, Spider-Man 2. The 60's were the comic book Age of Marvel, the 2000's are the movies' Age of Marvel. Next up for Marvel: Fantastic Four in 2005. Casting so far: Michael Chiklis (The Shield) as Ben Grimm/Thing, Jessica Alba as Sue Storm/Invisible Girl, and Ray Liotta as Dr. Doom. DC has a new Batman movie and Superman movie coming out, plus Hellboy 2. _________________________________________________________________ ----------------------------------------------------------------- [13] ComiX-Fan Reviews Eric J. Moreels X-Fan Editor-in-Chief x-fan@bigpond.net.au From ComiX-Fan: http://www.comixfan.com/xfan EXCALIBUR #3 REVIEW Reviewer: Omar A. Safi, safi@sbcglobal.net Quick Rating: Above Average Story Title: Forging the Sword, 3 of 4: Wild Things Three kids go undercover to stop an Omega Sentinel before it awakens. Writer: Chris Claremont Pencils: Aaron Lopresti Inkers: Greg Adams & Andrew Pepoy Letterer: Tom Orzechowski Assistant Editors: Moore, Ryan & Sedlemeier Editor in Chief: Joe Quesada Publisher: Dan Buckley Excalibur #3 continues my distaste for the title. The series started out steadily with the revelation of Magneto's return, despite my hopes of Grant Morrison's New X-Men run not being deconstructed. Excalibur had promise with the interesting premise of Xavier and Magneto rebuilding Genosha together. After a tentacle-armed Callisto joined the cast, the second issue did not hold up to its promise with the direction seemingly moving into silliness. Wild Things does not help much either. The issue begins with Xavier imagining that an Omega Sentinel was killing him. After being aided by an imaginary Moira MacTaggart, Xavier calms himself and realizes he tapped into another telepath's mind. The reappearance of Moira is becoming a little too much and I assume she will become a regular reoccurrence. Meanwhile, Hack, Hub, and Purge are three teenage mutants who are spying on Unus and his group, for unknown reasons as of yet. Hub teleports them onto an airplane carrying two stasis pods, containing Shola, an upcoming character in the series, and the Omega Sentinel; although, their attempt does not go uninterrupted. Several guards protecting the pods detect the trio and a fight ensues over the cargo. The plane eventually crashes, jettisoning the pods. Xavier hears the crash and prepares to engage the pods, with the help of Magneto and Callisto. A battle between Xavier and the guards looms for the next issue. The plot so far offers little depth and little to entice the reader for the next issue. The subplot of who Magnet's "imposter" was is pushed to the side, along with any further exploration of the story. This drives the idea that the story was only written in to cover up the previous story and is not fully developed. This plot probably holds the most interest in the series for the most readers, so it should be addressed soon. Second, the antics of various characters do not entertain very well and the rebuilding of Genosha has not been a highlight yet; although, the fact that this is the third issue is still in mind. Besides these cons, the prolonged prose narration that Claremont is often accused of is quite absent though the dialogue does not manage to be the sharpest in today's market. Artist Aaron Lopresti does a solid job on the book again; although, his usual quality is hampered by the addition of a second inker, Andrew Pepoy. Pepoy's inks subtract from Lopresti's typical crisp look. Besides the inks, Lopresti visualizes Excalibur nicely but does not offer anything unique in the art. Andy Park's cover is an appealing depiction of the Omega Sentinel. Overall, Excalibur #3 comes off as mundane but hopefully Claremont can conclude Forging the Sword with some anticipation for the series. ART: 3.0 STORY: 2.5 OVERALL: 3.0 Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the E-mag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. 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