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| << August28, 2004 - [ComicBooknet E-Mag] CBEM 486.09 |
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------------------------ Yahoo! Groups Sponsor --------------------~--> Make a clean sweep of pop-up ads. Yahoo! Companion Toolbar. Now with Pop-Up Blocker. Get it for free! http://us.click.yahoo.com/L5YrjA/eSIIAA/yQLSAA/bGIolB/TM --------------------------------------------------------------------~-> ----------------------------------------------------------------- [10] Silva Shado Reviews Sarah Haslett silva_shado@yahoo.com [Known as Silva Shado on many boards, Sarah is most frequently found at HeroRealm.com and MightyMiniCon.com. She is a reviewer, moderator and columnist for both sites. At MightyMiniCon, her column "Under the Radar" looks at those comics that go unnoticed by the majority of comic book readers. At HeroRealm, her column "Independent Forecast," co-written with Juan Gamez, looks at the non-spandex titles in the current Previews. Sarah has read comics off and on her whole life, but really got into comics in 2000. In September of 2003, she started reviewing after realizing that there were good comics out there that no one was paying much attention to.] "Off the top..." The Ballad of Sleeping Beauty #2 Writer: Gabriel Benson Penciler: Mike Hawthorne Publisher: Beckett Comics Released: August 4, 2004 This is shaping up to be quite the adventure. I grew up on Westerns because my dad watched them so much, but I never had a real taste for them. This, though, is getting my blood pumping and I'm anxious to find out more about these characters and the missing town. Sabrina #60 Writer/Artist: Tania Del Rio Publisher: Archie Comics Released: August 18, 2004 I've been having a blast with Sabrina gone manga. It mixes my childhood fondness for Sabrina and my current love of manga. This issue sets up a new complication in Sabrina's life with the Council watching over her because she illegally cast spells in the mortal world. It's very important that Sabrina is on her best behavior because her Aunt Hilda is running for a spot on the Council. Adding to this stress is Shinji, who is trying to woo her, but is also a bad influence on her because he recklessly casts spells when he shouldn't. While the story is cute, I'm really loving the art style. Queen Seles is beautiful and the members of the band are totally cool looking. As much as I like Sabrina, I hope Tania Del Rio gets a chance to tell her own stories with her own characters. The Witching #3 Writer: Jonathan Vankin Penciler: Leigh Gallagher Publisher: DC/Vertigo Released: August 25, 2004 I used to watch TV a few years ago and when I did, I loved to watch Charmed. That was the one show I missed the most when I no longer had time for TV. Thankfully, Vertigo is coming out with this title and it's filling my craving for witches. While the first two pages of this issue are a little confusing, I highly enjoyed the rest of the comic because it focuses on Kara and her strange cat doll. I loved the attention to detail and seeing more about her screwed-up life. Conan #7 Writer: Kurt Busiek Artist: Cary Nord and Thomas Yeates Publisher: Dark Horse Released: August 25, 2004 I've really been enjoying the action and adventure of Conan. I've never read any previous Conan series, so I have nothing to compare this to. But I don't need to compare it to anything. It stands very well on its own two feet. I really enjoy the painted artwork and the compelling story. This issue shows Conan seeking revenge on the two men who betrayed him and the Aesir men. The sad truth, though, is that killing those two men won't bring any of the dead back to life nor stop the nightmares that Conan has at night. I'm rather intrigued by the new character, Janissa, and finding out more about this Bone Woman that she works for. I'm sure it'll be an exciting battle if she clashes with Conan. _________________________________________________________________ ----------------------------------------------------------------- [11] ComiX-Fan Reviews Eric J. Moreels X-Fan Editor-in-Chief x-fan@bigpond.net.au From ComiX-Fan: http://www.comixfan.com/xfan NEW X-MEN: ACADEMY X Reviewer: Kenneth J. Galati, ScribingSkye@yahoo.com Quick Rating: Great! Story Title: Assembly: Choosing Sides 4 of 6 ...and we have a winner! Written by: Nunzio Defilippis & Christina Weir Breakdowns by: Staz Johnson Finishes by: Scott Koblish Colored by: Pete Pantazis and Tom Chu Lettered by: Dave Sharpe Cover by: Randy Green Assistant Editors: Stephanie Moore & Sean Ryan Edited by: Mike Marts Editor-in-Chief: Joe Quesada Publisher: Dan Buckley Another thirty days, another solid issue proving well worth the wait. New X-Men: Academy X, which should be at the top of everyone's pull list, continues to build strong characterizations with interesting plots. I can't stand the six issue story arcs because most of the time they seem to drag on unnecessarily, only serving to fill a trade. It's a half a year to wait for a complete tale to be finished. Yet with New X-Men: Academy X I never feel it dragging out. Each issue drives the story further without the feel of any filler, so far. New X-Men: Academy X #3 began with the rivalry building between the New Mutants and the Hellions. Lines were drawn and Headmaster Cyclops had the two squads entering a challenge. The issue ended with the two teams on the cusp of completing the task. In last issue we saw the return of Kevin Ford, a.k.a. Whither, while Sofia a.k.a. Wind Dancer took up the leadership reins of the New Mutants. New X-Men: Academy X #4 has a lot of cool nuances to it that are just enjoyable. First off the "prize" in the center of the maze was great to see and secondly Tag (from the Hellions squad) used his powers. I'm not saying what it is but it was fun to see him finally using it. The issue brought about several love connections and disconnections which, for me, are very true to how it was in my high school days. Also I enjoyed the interaction with Julian Keller a.k.a. Hellion with both Sofia in the beginning of the issue and his treatment of Mercury near the end. It's nice to see a character, which I really like to dislike, have such a well rounded nature. On a selfish note I am glad to see the mentioning of Northstar's squad (and pleased as punch that we'll eventually see more of said squad in future storylines) and one of his charges. This issue overall explores why the arc was titled "Choosing Sides," and leaves us not only to question whether the teams are going to stay as they are, but will all the students still be able to stay at the school. Cryptic much? Well it is a review after all and by now you should be leaving to buy the issue. Staz Johnson is the fill-in artist until the new regular penciler joins next issue. Johnson's pencils are better then last issue but I'm not feeling it as I did with Randy Green's pencils. The musculature of the kids as well as their poses seems exaggerated. Some of the facial expressions such as Dani's look after Cyclops's decision were great however. Speaking of Green, his cover showing the lovely Wind Dancer taking flight and besting Hellion is fantastic. New X-Men: Academy X #4 continues, like the earlier three issues, to shine as great storytelling. This is about school folks and the drama it ushers. Nunzio Defilippis & Christina Weir just plain impress me with intricate dialogue and well rounded characters. What I also enjoy about New X-Men: Academy X is that the cast is so vast (I really didn't mean to rhyme that) that there is no main protagonist and this gives the opportunity for everyone to shine and what could be better in an ensemble piece? New X-Men: Academy X #4 is on the racks now so be sure to get your copy today. ART: 3.0 STORY: 4.5 OVERALL: 3.5 EXILES #51 Reviewer: Elliot Vazquez, excelsior420@yahoo.com Quick Rating: Good Story Title: The Big M - Part 2 of 2 The Big "M" Finds a Big Purpose. Script: Tony Bedard Art: Mizuki Sakakibara Colors: JC Letters: Dave Sharpe Asst. Editors: Sedlmeier, Moore, & Ryan Editor: Mike Marts Editor-In-Chief: Joe Quesada Publisher: Dan Buckley Cover Artist: Mizuki Sakakibara Sometimes you have to learn to get over yourself. Once you do, things will fall into place. At least they did for the Big "M", Mimic. Exiles #51 completes The Big M storyline in a very surprising way. I was eagerly anticipating a no holds barred, full fledged, bloodthirsty brawl between the Exiles and the Brotherhood. When it was to be inevitably revealed that Mystique was duping the Exiles team and using them for her own personal gain, I wanted carnage. (And not the scarlet hued symbiote, either!) However, I did not receive any of that. I did not get any vicarious revenge. I didn't even get a simple brawl between the two teams. That was the point of the issue, though: to change things. I appreciated this issue for it's underlying theme of not being stuck with one's own hangups. The Big M, the Mimic of this new reality, was bitter with doubt and insecurities. He lashed out on the world as a supervillain, and the leader of the meanest team on their planet, because he wanted to expend as much pain as he had received. When faced with an alternate reality version of himself, The Exiles' Mimic, he realized he had to change his life. Even I have wondered what an alternate version of myself would be like, and Bedard was able to reflect upon that with the Mimics rather well. Tony Bedard wrote an appealing story that may not make all the Exiles fans around the globe happy. It does seem to be a rather anti-climactic conclusion to such a dynamite set up in Exiles #50, but that's all right because the goal of the story itself did not waver. Beak and Namora, as well as Sasquatch and Morph for that matter, were pretty much non-existant in this issue. That's unfortunate, as it would have been interesting to get a full team perspective on the events that occurred on the Brotherhood's planet. It seems the Exiles' Mimic also copied the telepathy used by The Big M, so I am left pondering what power did Mimic lose in exchange. Also, this issue answers the question "what would happen if Mimic tried to mimic Mimic?" (I dare you to say that five times fast.) And while I'm aware that Blink has seen a computer thanks to her plethora of adventures, how did she know how to use the internet so well in this issue? It seemed uncharacteristic of her to comment on the Honeybuns.Dot.Com site that Avalanche apparently had up, but that could easily be due to the influence of Nocturne and Morph. The only real fight this issue contained was between Blink and the Big M, which I enjoyed. Blink's reflexes have not dulled over time as exhibited by a very swift kick to The Big M's head after he copied her mutant powers. It was nice to see cameos of Rhino and Hyde. Even Cannonball! (Sort of.) I was not as enamored with Mizuki Sakakibara art this time around, though I still enjoy her work. It was average at best. However, she always tends to deliver with her cover artwork. I liked the dichotomy of both the cover for this issue and the cover for Exiles #50, which each character having a counterpart character. That works with the theme of the story as well, and facing our own past problems, so kudos to whoever created the design for that. JC and the rest of the gang did their jobs well. So I wonder to myself, what would I rate a story that has such a great message, but perhaps wasn't conveyed in the most fun or action-packed way? There are some things lacking in the story, but overall, it wasn't enough for me to be derailed from the pleasure of the last page. It made me think about myself and I got lost in the realm of maybes. If a comic book can do that, then it must not have failed in its intention. I find that it merely lacked in it's technique. It's a good conclusion to the story, just not what I would have expected. I'm sure there will be plenty of fans of this issue, as well as its fair share of detractors. However, no one can dispute the fact that the original X-men uniforms look absolutely amazing, no matter who wears it. ART: 2.5 STORY: 4.0 OVERALL: 3.5 WOLVERINE #18 Reviewer: Robin Lewis, lucillerobin@aol.com Quick Rating: Great Story Title: Return of the Native, Part 6 Wolverine makes a house call. Written by: Greg Rucka Pencils and Cover by: Darick Robertson Finishes: Tom Palmer & Jimmy Palmiotti Colors by: Studio F Letters by: Virtual Calligraphy's Rus Wooton Edits: Axel Alonso More Edits: Warren Simons Editor In Chief: Joe Quesada Publisher: Dan Buckley With the news that Wolverine is being added to the roster of The New Avengers one of my long-held suspicions seems to be gaining weight. I've long held on to the belief that Marvel employ some kind of covert department staffed by shady and unnerving types purely for the purpose of getting Wolverine into other books. He's already in all the X-Men books and has his own title, but that's not enough. Every week two burly guys with mirrored shades will knock on some poor unsuspecting writer's door and mention that, for example, Thanos would be much better with a Wolverine guest shot, and also that a house like this might be considered a real fire hazard and, perhaps, you should watch your step, buddy. I fully expect someone in the near future to pay a visit to Mark Waid to tell him that while The Four might be pretty Fantastic, there's a way they could be really fantastic. Anyway, Wolverine an Avenger? When does the man sleep? Mark Millar has been making pronouncements about his upcoming run on Wolverine, mentioning that he's going to try and make it more cohesive with the rest of the Marvel Universe. He'd better: Wolverine is a central character in most of the books Marvel is putting out, and continuing the present situation, where no one appearance seems to affect any of the others, may well stretch credibility to breaking point. Let's hope they scale down his overall presence to something reasonable, though to be honest I don't hold out much hope. I await his guest appearance in Mary Jane with a sense of grim resignation. Where were we? Ah, yes: Wolverine #18. Six issues into The Return of the Native, and Greg Rucka can finally start knocking down some of the dominos he's been setting up for what seems like, well, six months. To tell the truth, Rucka knocks over pretty well all of them, completely wiping out most of the cast in just a few pages. There are still enough people to make for a fitting finale to Rucka's run on the title next issue, but after the previous few month's slow-paced stories this feels almost too quick. Sabretooth, to no-ones surprise, is still alive, and amusingly annoyed at having a car parked on him. He spends most of the issue trying to win back some of the self-respect he lost last issue (and in the previous parts of this storyline) by taking control of his own destiny and attempting to equal Logan's own body count. Wolverine, meanwhile, is infiltrating the base with his usual directness. This means that we get another of Darick Robertson's virtuoso Wolverine fight scenes as he lays wasted to an unlucky contingent of guards. Who'd want to be a guard in a top-secret base in the Marvel universe? It's only a matter of time before someone breaks in and kills everybody, whether they be hero or villain. Actually, Wolverine seems to be a little more bloodthirsty than usual here, SPOILERS AHEAD! . . killing the good Dr. Vapor, even though she isn't presenting an immediate threat. I know she's evil and all, and probably not in danger of reforming any time soon, but it's a bit cold-blooded. Executing women, even villainous ones like Vapor, strikes a somewhat uncomfortable note. . . . There's still one part of this storyline left to come out, but I think it's clear now that seven months was far too long a time to spend on it. So many parts of it are wrapped up here you're left with a slight feeling of anti-climax. This is a little unfair, as it's doubtful anything would have felt like a fair pay-off for a story that's gone on this long, and the intervening issues between set-up and denouement have been of a very high quality. I'm sure it'll read much better as a collected tpb, but that doesn't help those buying their installments on a monthly basis. Robertson's pencils continue to impress, but the finishes are below the standard we've had on the series so far, especially over the second half. It's nothing that disfigures the book, but it's noticeable. His exteriors are still gorgeous, though unfortunately most of the action takes place in the rather sterile confines of the base. Also, people are still bleeding weird black goo, which is annoying in a Marvel Knights book, but few things can detract from the wonderful action scenes we've got laid out for us. I can remember few artists that have given us such fine pictures of Logan conducting his own particular brand of mayhem. If Darick Robertson wasn't being replaced with the peerless John Romita Jr. I'd be worried about the future of this necessary aspect of the book. As it is, I'm hoping Robertson will give us one last great hurrah before Mark Millar clears the decks for what sounds like a radically different type of book. I was a little sceptical at first when I heard of the change in creative team, but Millar sounds genuinely excited by the prospect of a twelve-issue shot at making a definitive run on Wolverine. To be honest, I'd watch twelve issues of Wolverine doing grocery shopping if John Romita Jnr were drawing them, so I doubt I'll be unhappy with the way things turn out. So, one more issue left, and then it's out with the old and in with the new. Rucka and Robertson have had an exceptionally consistent and entertaining run on the book, so there's little to regret about their work over the last eighteen issues (except maybe the fact that we won't be getting any more of them). All that's left to do now is settle back and wait for the final part. ART: 3.5 STORY: 4.0 OVERALL: 4.0 CABLE & DEADPOOL #6 Reviewer: Scott Williams, yoda905@yahoo.com Quick Rating: Good Story Title: If Looks Could Kill Part 6: "I've Got You Under My Skin" Cable tries to satiate his Jesus complex, and Deadpool just wants to get through customs. Written by: Fabian Nicieza Pencils: Patrick Zircher Inks: Rob Ross & M3TH of UDON Letters: Virtual Calligraphy's Cory Petit Colors: Shane Law & Kevin Yan of UDON Udon Cheif Erik Ko Assistant Editors: Nicole Wiley & Andy Schmidt Editor: Tom Brevoort Editor-In-Chief: Joe Quesada This issue finishes off the inaugural arc of the new Cable & Deadpool series and I have to say it was a highly successful issue. The whole ordeal about the facade virus is settled in quite a clever way, with Cable basically tricking people into believing he is a savior of humanity. It's very interesting how these events unfold and basically wrap up the first story neatly. And there is more at work here than that, as we learn exactly what it is that is going to compel Deadpool and Cable to work together from now on. Thanks to the duo's "bonding" at the beginning of last issue, it makes for some very funny moments involving Cable's recently reinstated bodyslide abilities. It's funny, and gross, and yes, quite clever. And, I imagine, quite painful for our heroes. They way the issue is laid out, it reads much better than the previous, and as I already said, wraps things up in quite an interesting way that will benefit the long- term plans of the series. For instance, if you were upset that Wade's scars were healed in last issue, well, breathe a sigh of relief. I'm very pleased with this issue. It firmly grounds the characters in their characterization. Cable as the complex, tough guy with issues, and Deadpool as the antisocial loner who, yeah, is funny, but only for his own benefit. The characterization laid down in this issue will also help the series grown and tell stories in a better way than most books. I really like the way Cable in particular is growing as a character. And there's also enough Deadpool humour in there to satisfy that crowd (of which I am part,) for instance, his small talk with nutball Cult guy Anton Kruch. The artwork is also quite good. Zircher, already in the fast lane, maintains high velocity on his pencils, keeping reader interest high even with the story slows down. I like each way each page is laid out, not over-writing each panel, quickly cutting between scenes and panels, it helps for ease of readership. You know, sometimes you'll read a page and there will be far too much written on that page, and sure, it all needs to be said, but not all at once. The pacing is great. In its first arc, this book has already proven to be formidable. Fabian Nicieza is at the height of his game here, teamed with a terrific artist, and creating interesting and highly enjoyable stories with great characters. It still needs that excellent story to really kick it into those upper levels, but I'm sure that won't be too long in coming. The second arc is set up at the end of this issue, and it obviously involves the X-Men. I can't say for sure exactly what will happen, although it'll surely involve a hilarious free-for- all between Cable and his dad. And I know this much: Patrick Zircher draws a mean-lookin' Beast. I'll tell you, I'm really looking forward to that. STORY: 4.0 ART: 4.0 OVERALL: 4.0 X-MEN #160 Reviewer: Al Harahap, alharahap@comixfan.cjb.net Quick Rating: Above Average Story Title: Day of the Atom part 4 of 4: "Forces of Nature" The Collective Man collects! Meanwhile, Havok and Xorn almost climax... but Polaris interrupts with the helmet. Writer: Chuck Austen Penciler: Salvador Larroca Inker: Danny Miki Colourist: UDON Letterer: Virtual Calligraphy's Rus Wooton Assistant Editor: Stephanie Moore & Sean Ryan Editor: Mike Marts Editor in Chief: Joe Quesada Publisher: Dan Buckley CAST: "Xorn": Facsimile of Magneto's alter ego, questionable identity. Havok: X-Men group leader, questionable power limits. Polaris: Mistress of Magnetism, questionable sanity. Iceman: Cold-controlling X-Man, questionable preferences. Juggernaut: Powerhouse X-Man, questionable allegiance. Wolverine: Wild fighter, questionable history. Rogue: Power thief, questionable fashion sense. Gambit: Acrobatic Casanova, questionable sight. The Collective Man: A lot of Chinese people, questionable political correctness. Nurse Annie: Xavier's School nurse, questionable emotions. Sammy Pare: Xavier's School student, questionable cooking heat and time. Day of the Atom kicked off the Reload-ed X-Men with a new team and a new story arc. This month, X-Men #160 concludes the story arc in an action-packed issue with a bang... but not the bang readers may be clamouring for. At the end of last issue, the X-Men were split into two groups - one to watch over the out-of-control Xorn; the other to find his helmet and a way home. Scribe Chuck Austen now unleashes two sets of Collective Man (or rather, Men) on both groups, resulting in some rather exciting fight scenes. In one, Austen presents Polaris' awesome display of raw power and Wolverine's impressive physical combat skills, which provide a nice contrast of fight dynamics when placed side-by-side as such. In the other, Austen and artist Salvador Larroca take it to another level by pitting Iceman and the Juggernaut against their share of the Collective Men. Not the cannon fodder Collective Men Polaris and Wolverine are given, but Collective Men who go all Voltron... just a little bit more disgusting because they do it through means of merging their flesh rather graphically into one huge giant. This provides some nice variety in the action, especially since it also gives way to Iceman's further exploration of his own abilities, transforming into an oversized being. And when Austen's fight choreography is effective, Larroca's art is effective. Fortunately, Austen and editorial are playing up his strength of a dynamic art style, whose potential is maximised with the various large panels and splash pages throughout this issue. One particular impressive page combines a foreground splash of Polaris using her magnetic-based powers to sift through various metal objects in the vicinity shown through several different background panels - not seen too often, but a very effective sequential art storytelling tool. And Larroca's crisp lines lend much to the clarity of the figures and their actions, which is especially crucial in the sequencing of the aforementioned fight scenes. But I'd be remiss if I didn't mention UDON's gorgeous colouring. The popular art house uses various styles, and whatever's most appropriate for certain subjects. From the watercolour-like finishes for water/ground/trees/sky, to the glimmer effects of Iceman's body, to the digital glowing effects of Havok's and Polaris' powers, UDON brings the issue's art up another notch. The characters themselves fare a mixed amount of development. Gambit and Anna Paquin (whom no one has noticed infiltrate the team and impersonate Rogue - yes, I really hate the ponytail) are still hugging each other to protect his precious wounded eyes. At least Wolverine is made useful as a perspective figure that boosts Polaris' powerful presence in the team. Speaking of which, the Mistress of Magnetism herself shines in this issue, as she stands crucial to the defeat of the Collective Men, the search for Xorn's helmet, and the team's escape. Iceman and Juggernaut's relationship - or lack thereof - continues to impose itself on the readers whether they like it or not. Although this time, Austen uses a more subtle approach, particularly in a scene wherein the Juggernaut asks for Iceman's help, and what follows is a strong silent wordless moment. Whenever Austen can refrain from his bargain (i.e. too much, too often) shout-and-cry melodramatics, his characterisation prospers, as is the case here. As for Xorn, who is deceivingly not central to the story, Austen does nothing with him. In fact, without the slightest bit of action or dialogue to develop this mysterious figure, someone really ought to have checked that he hadn't fallen asleep amidst all the danger. Because, really, how could anyone tell... Exciting action scenes... great art... even with somewhat mixed characterisation... for a moment there, one might get the impression that this issue is all that. Yet, something's missing. Unfortunately, this conclusion (solicited and titled as such!) of Day of the Atom does not really conclude anything. Unless you count escaping China as some kind of accomplishment, be it on or off the page. The story arc started out with the unexpected possibility that there might be a real Xorn separate from Magneto. The next two issues dilly-dally with, okay, some pretty action scenes. So I eagerly awaited this last part to advance this intriguing plot - at the very least a smidgeon. But we don't get even that. Instead, what's presented is another (admittedly impressive) slugfest, but one that serves as nothing more than to distract readers from any plot advancement. "Be patient," I hear you say. I can, if something else of any significance or substance actually happens. But it doesn't. I don't know about you, but I've read whole lives unfold in the same span of (4 parts x 32 pages =) 128 comic book pages. As a stand alone issue, X-Men #160 is a fun romp filled with super powered goodness. As a conclusion of a storyline that had much potential, it fails to move the shocking revelation of "Xorn" beyond mere insubstantial hype. ART: 4.0 STORY: 3.0 OVERALL: 3.0 Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the E-mag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. All contributors are required to use their real name and have a valid Email address for their columns to be published. 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August28, 2004 - [ComicBooknet E-Mag] CBEM 486.10 >> |
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