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Subject: [ComicBooknet E-Mag] CBEM 499.01 - November27, 2004




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Ed Dukeshire and Mike Imboden Present:

THE COMIC BOOK NETWORK ELECTRONIC MAGAZINE      Issue Number 499
                                                      11/26/2004
           Edited by: David LeBlanc - ComicBkNet@aol.com

     Winner of the 2001 EAGLE AWARD as FAVORITE COMICS E-ZINE!

               FREE VIA EMAIL SINCE FEBRUARY 1995
_________________________________________________________________
                       C  O  N  T  E  N  T  S
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 [A] Submissions, mailing address, web page
 [1] On the Net .............................. David LeBlanc
 [2] Letters to the Editor ................... Your Page!
 [3] TRIVIA CONTEST .......................... Win *real* prizes!
 [4] Network Buzz ............................ News/gossip/rumors
 [5] Interviews:Gavin C. Burrows, Riel
       Langlois, Drue Langlois ............... Paul Dale Roberts
 [6] Lines On Paper .......................... Bruce Canwell
 [7] E-Dispatches From the Great White North!. Jonathan A. Gilbert
 [8] Suspended Animation ..................... Michael Vance
 [9] Silva Shado Reviews ..................... Sarah Haslett
[10] ComiX-FAN Reviews........................ Eric J. Moreels
[11] Rich's Reviews .......................... Richard Vasseur
[12] M.O.E. Reviews .......................... Paul Dale Roberts
[13] My View: LUCIFER FAWKES:BLOODFLOW, JONAS:
      TALES OF AN IRONSTAR, FELIX THE CAT,
      PARA ................................... David LeBlanc
[14] New Comic Book Releases List ............ Charles LePage
[15] HYPE! & LINKS Section ................... Various
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See section [A] for the address to mail material to be reviewed.
_________________________________________________________________
  All text contained within is copyrighted to the originating
  author(s) and is used with permission.  Except where elsewhere
  noted, The Comic Book Net Electronic Magazine is Copyright 2004
  by David L. LeBlanc.  You may freely distribute or retransmit
  this file intact without alteration for noncommercial purposes
  only. Except for personal archiving, permission must be
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  Opinions expressed in this publication are those of the authors
  And do not necessarily reflect the views or opinions of the
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[A] E-Mag Info: Submissions, Back Issues, Web Page

SUBMISSIONS
-----------
To submit an article, review, column, etc. to our Emag, simply
Email it to the editor at: ComicBkNet@aol.com   You must include
your REAL name and a valid Email address in order to be published
in this Emag. Sorry, we do not accept anonymous columns.  The
weekly deadline is 7:00 PM Eastern Time on Thursday - NO
EXCEPTIONS!  Late submissions are held over for the following
week.

Reviews of mainstream books are welcome and we encourage reviews
of indies and self published material as we feel that material
deserves more exposure to the general public.  If you write
intelligent, coherent, and timely reviews of any comic book it
will almost always be printed, so give us a shot.

Commentary on the state of the industry, and personal
observations and reflections related to comics are *most* likely
to be included in our publication.

PLEASE, no material on Gaming, role playing, collectible card
games or other hobbies or collectibles other than comic books.
That also includes plugs for web pages UNLESS they are concerned
with print comic books.  We do not promote web comics per se,
only the printed media.

SEND US YOUR WORK
-----------------
We also accept product for review purposes.  Advanced copies of
comic books will not be returned but any comic books sent to us
*will* be reviewed in the ComicBook Net Emag in the column MY
VIEW. Send material to be reviewed to:

David L. LeBlanc
84 Heather Circle
Jefferson, MA  01522-1419

Material is generally reviewed in the order received and be
advised that we work a few weeks in advance so your review may
not be in the magazine immediately.  Advanced copies are
therefore encouraged so the review will occur prior to your
product hitting the stores.

THE Comic Book Net WEB PAGE
http://members.aol.com/ComicBkNet
----------------
If you have access to the World Wide Web, please stop by and
visit our web page!  On our web page, you can find the latest
issue of our E-Mag, as well as all back issues and an annotated
index.  You'll also find important information and other neat
features like links to the HTML version of the current issue of
this magazine at DIGITAL WEBBING,
[http://www.digitalwebbing.com/cbem], some of the comic
companies and creators' web pages and many other Comic Book
related links!
_________________________________________________________________
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[1] On the Net                                      David LeBlanc
                                               ComicBkNet@aol.com

". . . those Friday nights,
When Suzy wore her dresses tight,
and the Crocodile Rock was outta sight!"

That song lyric sent me wandering down memory lane this week to a
simpler time in my life. During the school year when I was in the
5th, 6th, 7th and 8th grades I attended dance classes on Saturday
nights at the Junior High School gymnasium. This was a very
popular activity for those of us who decided we wanted to mingle
with the opposite sex and for the parents who felt their children
should gain social skills along with the ability to dance properly
later in life.

Everyone had to dress properly, the girls in dresses and the boys
in jacket and tie. At each session at least one dance type was
reviewed by demonstration of the instructors. Then the boys would
all rise and cross the room to ask a girl politely for the next
dance. As the season went on there would be advanced steps on the
basic dances or even something new that had been catching on. This
was basic ballroom dancing with emphasis on fox trot, waltz, cha
cha, rock & roll (once called jitterbug) with additions like the
twist, the stroll and so on. Occasionally there would be a lady's
choice and each guy was hoping, well, for the best outcome. One
time we had a Halloween dance with everyone in costume and I ended
up dancing with the older sister of the girl I had been dancing
with most of the time. Their disguises were identical with nylons
over their heads and I did not realize I was with the older
sister, not my friend. That could have been a disaster but we all
had a good laugh about it.

As the year was nearing an end there would be a competition each
week with on couple chosen as the best for the featured dance
that week. On the last day all the previous winners would have one
last contest and that winning couple would each get a trophy.
There were two classes - one for 5th and 6th grades and one for
7th and 8th. Long story short - I was in the competition in the 6th
grade and lost to a neighbor who was in 5th grade, that burned
me.

Next chance to win was 8th grade when me and my partner made it to
the finals. Out of 6 couples the instructors narrowed it down to
three but after a series of songs could not choose from the rest
of us. So they put on a song but did not tell us the dance we
should be dancing. I told my partner to wait while the others
began dancing. Every one of them began to fox trot but I held firm
not leading off yet. Finally I was sure the beat was a waltz and
we began our waltz routine. I looked at the male instructor across
the room and got a wink and a grin. I knew we had won before the
song was even over. It was very exciting for both of us - sort of
a Saturday Night Fever type thing without any romance involved.
Funny thing is,  years later, she now teaches in our town and We
ran into each other at a function where she was with her mom. She
still introduced me as her dance partner that she won the contest
with - to put our relationship into perspective for her mother. I
felt the same way, she will always be my dance partner from those
carefree times.

What I remember most about those times, and dance class, was the
anticipation of the event. Saturday became a ritual with getting
cleaned up, dressed up and getting together for that unique hour
of our lives. Sometimes it was also the prospect of dancing with
a certain someone, and later years it might even be the same
someone each time. But the anticipation was the thing. It was an
indescribable feeling of waiting for something you came to enjoy
each week. Sort of like waiting for new comic day.

See, I knew I could work comics into that story somehow. Why not
waltz over to your favorite comic store and dance off with these
titles this week (but please pay for them first!)

BONGO COMICS
    Radioactive Man #197, $2.50
    Simpsons Comics #100, $6.99

CLASSICS ILLUSTRATED JR. PUBLICATIONS
    Classic Illustrated Story Of Jesus HC, $19.95
    Classic Illustrated Ten Commandments HC, $19.95

DC COMICS
    Authority Revolution #2 (Of 12), $2.95
    Flash #216, $2.25
    Green Lantern Rebirth #2 (Of 6), $2.95<----Pick of the week!

DIGITAL WEBBING
    Digital Webbing Presents #19, $3.50

DORK STORM PRESS
    Dork Tower #29, $2.99
    Nodwick #26 (resolicited), $2.99

MARVEL COMICS
    Marvel Previews #16 December 2004 Extras, AR
    Supreme Power #13, $2.99
    Ultimate Elektra #4 (Of 5), $2.25
    Ultimate Fantastic Four #13 Sketch Variant, $2.25
    Ultimate Fantastic Four #13, $2.25

NBM
    Boneyard #16, $2.95

SATYR PLAY PRODUCTIONS
    Satyr TPB Volume 1 TPB, $9.99

magazines
    Previews Vol XIV #12, AR


"Ballroom dancing made a man of me.
 One, two three, four,
 I just plain adore your
 Ballroom dancing, seen it on TV.
 I got what I got from ballroom dancing,
 Big B.D."

[Can you name the artist?]

Be here next time for the super spectacular, divisible by 25, 50
and 100, colossal, pulse-pounding, issue number 500! Rest up
until then. It may be too much for you to take!

*8^)

David LeBlanc - ComicBkNet@aol.com
Editor
The Comic Book Net Electronic Magazine
_________________________________________________________________
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[2] Letters to the Editor

If you want to comment on this or any previous issue, want to
offer something for us to publish, or just want to shamelessly
suck up to the editor to try and get your name in print send
Email to:
                        ComicBkNet@aol.com

Note: Letters of comment, including those sent to the columnists,
may be used in future issues of CBEM unless you specifically
request us NOT to use them.  Your Email address and/or name will
be withheld upon request.
 +++++

None this time around - too much turkey, tryptophan you know!
Or else everyone is out dancing the night away!
_________________________________________________________________
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[3]                       [TRIVIA CONTEST]

  Due to costs, customs regulations, and logistical difficulties:
THIS CONTEST IS OPEN TO RESIDENTS OF THE CONTIGUOUS 48
U.S.STATES! IF YOU DO NOT HAVE A U.S. ADDRESS DO NOT ATTEMPT TO
WIN THE PRIZE.
 THE FIRST PLACE TO FIND THE EMAG EACH WEEK IS ON OUR HOME PAGE!
IF YOU ARE DESPERATE TO WIN THE TRIVIA, GO THERE FIRST ON FRIDAY
NIGHT!
                 http://members.aol.com/ComicBkNet

                        QUESTION OF THE WEEK
Prizes donated by Discount Comic Book Service at
                         www.dcbservice.com
where you can order most DC, Marvel, Image, and Dark Horse
comics, statues and retail products for 35% off.

Submit your own trivia and win the CHEEZY PRIZE(tm) if you can
stump the readers!  You MUST submit the correct answer with your
question.

LAST ISSUE'S QUESTION OF THE WEEK:
In one version of The Legion of Super Heroes, R. J. Brande was not
human and a time traveler from the past. In what comic series did
that character originate?

He was the Durlan from L.E.G.I.O.N. who was seen in INVASION.
This week our winner is Brad Christian who gets THE PULSE: THIN
AIR TP from Discount Comic Book Service.

 +++++++++++++++++++++++++++
THIS WEEK'S TRIVIA QUESTION:

In the spirit of the upcoming holiday, here is a non-comic book
trivia question.

Which president of the United States was the first to have a
Christmas tree in the White House?

                       IMPORTANT RULES NOTICE
 Due to costs, customs regulations, and logistical difficulties:
THIS CONTEST IS OPEN TO RESIDENTS OF THE CONTIGUOUS 48 U.S.
STATES! IF YOU DO NOT HAVE A U.S. ADDRESS DO NOT ATTEMPT TO WIN
THE PRIZE.

Email your guess to   ComicBkNet@aol.com  or just REPLY to the
message if you read the Emag in your mail. DO NOT quote the
entire message! You MUST allow mail from ComicBkNet@aol.com to be
notified if you win.

The first correct answer to reach the editor wins the CHEEZY
PRIZE(tm). The editor will be the sole judge as to which guess
arrived first! Messages with more than one guess will be
disqualified.  Winners will forfeit their prize if the Email
notification is not accepted from ComicBkNet@aol.com

          LIMIT: ONLY ONE PRIZE every 4 weeks PER PERSON!
_________________________________________________________________
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[4] Network Buzz    News, gossip and rumors from the industry

"Chris Ware"

 As one of today's most renowned cartoonists, Chris Ware is
widely considered an artist of genius. Combining innovative comic
book art, hand lettering, and graphic design, Ware's uniquely
appealing work is characterized by ceaseless experimentation with
narrative and graphic forms. The publication of his novel Jimmy
Corrigan: The Smartest Kid on Earth in 2000 inspired a near
avalanche of praise from critics and general readers alike. The
latest installment of our Monographics series is the first book to
explore the life and work of Chris Ware.

 Daniel Raeburn looks closely at Ware's career, work methods, and
artistic innovations. Born in Omaha in 1967, Ware attended the
School of the Art Institute of Chicago and introduced the
character Jimmy Corrigan in a full-page, full-color strip he began
writing for the Chicago tabloid New City. Combining six years'
worth of the strips, Ware created the best-selling novel named
after Jimmy that spans an Irish-American family's life in Chicago
from the Civil War to the present. For its experiments in graphic
form-including pull-out, flip- up, and three-dimensional
insertions-and its creative non-chronological narrative, the novel
earned numerous honors, among them the Guardian First Book Award,
presented for the first time to a graphic novel.

 For this volume, Raeburn interviewed Chris Ware for many hours to
make fascinating connections between Jimmy Corrigan's fictional
life and the life of his creator. Raeburn discusses the scope of
Ware's career, including his drawings for New City, the New
Yorker, and his own comic book, The Acme Novelty Library. As
Raeburn shows, Ware's unique art form extends beyond the world of
graphic novels into the broader worlds of literature, graphic art,
and popular culture, and challenges traditional definitions of all
three.

 About the Author

DANIEL RAEBURN self-publishes The Imp, an irregular series of
booklets about comics. His writings have appeared in The Baffler
and Village Voice Literary Supplement.

Daniel Raeburn lives in Chicago and is available for media
interviews.

RICK POYNER is series editor of Monographics. He founded Eye, the
international review of graphic design and was its editor from
1990 to 1997. His books include Typography Now: The Next Wave
(1991), Typographica (2001), and No More Rules: Graphic Design
and Postmodernism (Yale University Press, 2003).

For more information go to: yalebooks.com

Other MONOGRAPHICS titles:

Hendrik Wermann
Alston Purvis
ISBN 0-300-10291-7
September 2004

Chip Kidd
Veronique Vienne
0-300-09952-5
September 2003

Kyle Cooper
Andrea Codrington
0-300-09951-7
September 2003

From the Boston Globe

By Joshua Glenn, Globe Staff | October 3, 2004

A DECADE AGO, Chris Ware was hailed as a genius by a select few,
thanks to The Acme Novelty Library, a comic book featuring
kaleidoscopic strips about Siamese-twin mice, overweight
superheroes, and lonely collectors of action figures. The acclaim
became more general in 2000 with the release of "Jimmy Corrigan:
The Smartest Kid on Earth," which collected eight years' worth of
Ware's serial novel of that title, a comic strip that originally
ran next to the lonely-hearts ads in a free Chicago newsweekly.

Now, Yale University Press has elected the 37-year-old Chicagoan
to the pantheon of all-time great graphic artists with the
publication of Daniel Raeburn's "Chris Ware," the latest
installment in their "Monographics" series on such design
virtuosos as H.N. Werkman and Chip Kidd. It's a gorgeous
monograph, crammed with reproductions of Ware's comics, paintings,
and kinetic sculptures alongside examples of his influences and
even evidence of his creative swipes from sources ranging from
mid-1920s Sunday funnies and ragtime sheet music to
African-American beauty-product labels. There's just one hitch:
The Chicago-based Raeburn, author of "Chris Ware" and publisher of
The Imp, a short-lived zine about comics, claims it's pretentious
to describe Ware as a "designer" or "artist" instead of a
"cartoonist."

"If we hesitate to call someone as talented as Chris a mere
cartoonist, it's because unlike other media once thought vulgar --
like film, or the novel -- comic strips have steadily grown worse
since their invention," Raeburn said via telephone from a vacation
cabin near Bennington, Vt. "Newspaper cartoonists of the 1920s and
`30s, like Windsor McCay or George Herriman, were real craftsmen
-- and they were also experimentalists. Compare their work to
popular strips today, like `Dilbert' or `Boondocks,' and you'll
see there's been a near- catastrophic decline in quality." And how
does Raeburn feel about the trendy term "graphic novel"? "That's
pretentious, too," he said. "Instead, let's call them `comic
books."
 +++++
eigoMANGA Produces Television Commercial For American Manga
Series, RUMBLE PAK

San Francisco --- eigoMANGA, a California-based independent comic
book publisher, has produced its first series of television
commercials for its American Manga comic book anthology series,
RUMBLE PAK.

The 30 second commercial is slated to broadcast on select
television markets through Comcast in December and begins airing
nationally on the U Network during the week of November 22, 2004.

The RUMBLE PAK commercial is part of eigoMANGA's campaign to
highlight the emergence of Japanese-influenced comics (called
"manga") produced by independent American artists.

The commercial was produced utilizing footage from RUMBLE PAK's
mainstream release-concert event on October 24, 2004, called
RUMBLE INVASION. The commercial also features the single "Watching
Goodwill Hunting" from the debut self-titled CD of the rock band,
Ludo. The band makes an appearance in the commercial.

eigoMANGA is currently broadcasting the commercial on its website
and is allowing fans to download or link to the commercial to
publish on their own websites. Fans are also encouraged to send
state their feedback in order for the company to refine the
commercial before its official television broadcast to select
television markets within December.

Founded in August 2000, eigoMANGA is an independent media and
publishing company committed to developing, producing and
marketing original American "manga," or Japanese-influenced comic
books and graphic novels. eigoMANGA's integrated media offerings
include anime-themed television programming and anime-themed live
events
 +++++
Heroes Helping,
Heroes Healing

Charity auction:
24th January 2005

The summer's seemingly endless hurricane season repeatedly lashed
flooding and unimaginable destruction across America, leaving many
in need of shelter, clothing, medical aid, food and assistance in
rebuilding both their lives and their homes. They need our help.

American artist Austin 'Twista' Janowsky and British journalist
Ian Murphy have joined together to rally the comic book fraternity
to the aid of those still struggling to recover from the
devastation.

On January 24, 2005, there will be a charity auction at the 16th
annual FX show, in Florida.

This comes hot on the heels of Heroes Helping, Heroes Healing: the
comic book, which published donated art and stories for the same
charity appeal.

Donations have been promised by many hugely successful writers and
artists including Brian K Vaughan (Ultimate X-Men), Kurt Busiek
(JLA), Geoff Johns (Flash, JSA), Frank Tieri (Weapon X), Drew
Geraci (Captain America), Erik Larsen (Image Comics), Tone
RodRiguez, Andy Smith, Angel Medina, Nunzio DeFilippis and
Christina Weir (New X-Men: Academy X) and British poet Helen
Kitson, who was recently short-listed for the Forward Prize for
poetry and voted PV Magazine's Woman of the Year for her life's
work as journalist, feminist and writer. Her latest book,
Tesserae, is now available from Oversteps Books.

For a Complete listing of contributors and Sponsors visit:
www.comicbookconventions.com/Hurricanerelief

Austin 'Twista' Janowsky, a Florida resident, has worked in the
graphic design and comic illustration for the past 10 years. He
has worked for DC Comics Licensing, Image Comics, and has recently
provided colours, lettering and pencils for the long- running
satirical Cracked Magazine.  His inks can be seen in the
forthcoming X-Men Unlimited #6. Tomb Raider #48

Ian Murphy is a journalist for Comics International, a life-long
comics fan, former editor of PV Magazines and chair of the Women
In Music Awards.
 +++++
ACTOR Comic Fund Announces Mid-Ohio-Con Schedule

MID OHIO CON
November 27-28, 2004

Artist Signing Appearances:

SAT., NOVEMBER 27 (Con Hours 10-6)
Adam Hughes: 12-2
Matt Wagner: 2-3
Michael Avon Oeming: 3-4

SUN., NOVEMBER 28 (Con Hours 10-5)
Tony Isabella: 11-12
Leonard Kirk: 2-4

www.midohiocon.com
 +++++





Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM)
--------------------------->Disclaimer<---------------------------
This is an ANNOUNCE only mailing list, only the Editor can send
messages to the list.  No one else has access to the subscriber list.
Replies to these messages will be received by the Editor ONLY,
so you must CC: individual contributors if you want them to get
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Send Email comments to: ComicBkNet@aol.com

Material for inclusion in the Emag - press releases, solicitations,
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The EDITOR, not the submitter, has final approval and edit rights on
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David L. LeBlanc
84 Heather Circle
Jefferson, MA 01522-1419

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