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----------------------------------------------------------------- [5] Interviews Paul Dale Roberts Silhouet98@cs.com Interview with Dennis Mallonee, President of Heroic Publishing Inc. Interview by Paul Dale Roberts, Publisher - http://www.jazmaonline.com/ Question: Who started Heroic Publishing and when did it all start? The company started back in 1981, as Fantasy Book Enterprises, and for the next several years published the quarterly illustrated fantasy/sf magazine, Fantasy Book. In November 1986, when we were getting ready to move into comics, we incorporated as Heroic Publishing, Inc. Question: Tell us about some of the new comic books coming out of Heroic Publishing. Issues of the new FLARE series, and an issue of BLACK ENCHANTRESS are already out. The ALTER EGO trade paperback should appear in late February. The first new issue of FLARE ADVENTURES will be released on Free Comic Book Day, Saturday, May 7. Come summer, you'll see see TALES OF THE CHAMPIONS, a WITCHGIRLS special, and a LEAGUE OF CHAMPIONS special. If things go well, we'll add maybe another ongoing title or two before year's end. Question: Who are some of the characters that we will find in these comic books? Flare, our glittering goddess of the light, of course appears in every issue of FLARE. We'll also be putting the reprint FLARE ADVENTURES title to good use by adding full-process color to stories that originally appeared in black-and white. Flare's electrically powered, tough-as-nails little sister Sparkplug also appears in most issues of FLARE, but we also have solo adventures on tap for the winsome, whip-wielding Whipperette and the mischievous sneak thief, Raven Gold. The wicked Black Enchantress stars in the BLACK ENCHANTRESS comic book, which beginning with issue #2 will also feature occult mysteries starring Psyche. This summer's WITCHGIRLS special will give you a glimpse of how those two work together as partners in their occult detective agency, WitchGirls Inc. TALES OF THE CHAMPIONS is meant to be something of a tryout comic; it begins with a revival of GIANT, who was historically the very first costumed hero in the Heroic Publishing universe. Also in that first issue, we'll meet a new character, NEMESIS GIRL. Oldtime fan favorites, Icestar and the Flying Fox will also make guest appearances in TOC's first issue. And most of the prominent Heroic Publishing characters--Flare, Psyche, Icestar, the Black Enchantress, the Huntsman, and Doctor Arcane--come together in this summer's LEAGUE OF CHAMPIONS special. Question: What is the website address of Heroic Publishing? http://www.heroicpub.com/ Question: How can someone contact Heroic Publishing and order back issues? There's a back issue page on the website. If there's something you want--and it's something we still have--you can either send us a check or money order, or use PayPal's online payment services. Question: Tell us anything else that we should know about Heroic Publishing and their comic books. Thank you for this interview. If you're interested in the comics, one important thing to do is to make sure your local comic book retailer knows it. There's so much product out there that it's hard for retailers to keep track, and even harder for them to know how many copies they should be ordering of any given comic book title. We're trying very hard within the limitations of our advertising budget to raise awareness, but nothing works better than word of mouth. _________________________________________________________________ ----------------------------------------------------------------- [6] Interviews Richard Vasseur richardv@sympatico.ca Rich Bonk Inker on "The Gift" from Image interviewed by Richard Vasseur, Vic-President Online! www.jazmaonline.com Richard: Why and how did you decide to become an inker? Rich: Well, I've always wanted to draw comics; I'd never really thought about pursuing inking. My brother met Kevin Conrad at a party and set me up with the opportunity to show him some of my work. Having no guidance, my work was raw - but not without potential. Consequently, I ended up doing blacks and eventually some background work in exchange for the training. To watch Kevin work was awesome! I wanted to learn how to ink like he did - he made the pages come alive. Very few have the skill he has with a crowquill. After a good stretch of practice and study, Kevin allowed me to do a couple pages from a batch of ASCENSION pages he received from Top Cow. The editor liked it...and so began my inking career. Richard: Do you feel inkers are underrated? Rich: YOU KNOW IT! Richard: When did you start being interested in comics? Rich: My interest started way back in my teens: I loved the fantastic stories, the incredible art...The ' whole package' was and still is great entertainment. RIchard: What were your favorite comics as a child? Rich: That would be HULK and SUPERMAN...who can beat them? They're definitely at the top of the "food chain", hero-wise. As I became older (and a little darker in my nature) I put aside the color comics for a totally awesome book called THE SAVAGE SWORD OF CONAN...my absolute all-time favorite character. I collected that right up until it's (sniff) demise (sniff! Sniff!). Richard: What comics do you read now? Rich: I frequently but sporadically purchase several different titles (including THE GIFT) but the only one I'm faithful to is...you guessed it...CONAN! I love it. I'd pay THEM to let me pencil one issue - my life would be complete. I'll pick up RED SONJA too, when it comes out, and anything else linked to the world of Conan. Richard: How did you end up working on THE GIFT? Rich: Well, I occasionally drop Renae Geerlings a line to see if she might have anything she could send my way (the squeaky wheel get's the grease!). This particular time, she offered me the chance to ink a half issue of THE GIFT, so I happily agreed. At some point, Raven Gregory, the writer, checked out my website (www.richbonk.com) and was impressioned with some of the pencil work displayed there. He than offered me issue # 7 of THE GIFT to pencil, which I did. This led to more pencil work on the up- coming issue # 11 due out in April, issues # 12, 13...? Richard: What do you find most interesting about this comic book? Rich: It's the writing. Raven is a really talented "yarn- spinner". His writing reflects his brightness; his awareness of the world around him and how his life and experiences relate/are affected. Raven's "GIFT" is the ability to channel all of that into his story telling...and quite effectively. Richard: Can you tell us exactly what an inker's job is? Rich: Well, let me tell you what a GOOD inker's job is. A good inker will ALWAYS ENHANCE the pencils; with well thought-out clean, purposeful line work, a variety of textures (which he/she should spend time creating an arsenal of) and have the ability to redraw, if necessary, weak points that he/she perceives in the pencil artwork. Also, different styles of pencil workrequire different tools. A good inker will be able to distinguish and utilize the appropriate tool(s). Some pencil work may lend itself to a slick, cursive brush stroke while another may be more suited to a gnarly crow quill flick. Richard: What do you think of Tyler Kirkham's pencils? Rich: His work has gone from smoking to RED HOT! Richard: Which super heroes are your favorite to ink? Rich: The question is not so much the hero, but the penciller DRAWING the hero. I like to ink over pencils that are not tight, but "sketchy", loose...The more I can add, the better I like it! To answer your question, I had the most fun inking WITCHBLADE (I love the gnarly "blade" armor). Richard: How can someone contact you? Rich: That's easy ... rbonk@nycap.rr.com or through my website... www.richbonk.com , www.bonkya.com . Oh, if you're from DarkHorse concerning Conan, email me and I'll give ya' my phone number...Please! Richard: Any final words of wisdom? Rich: Em, yeah...wash your hands before you eat and DON'T, under any circumstances, sit on any toilets in the public restroom of the metropolitan Opera House in NYC! Be warned! _________________________________________________________________ ----------------------------------------------------------------- [7] Lines On Paper Bruce Canwell bruce.canwell@verizon.net [Freelance writer Bruce Canwell is a New England native who has worked for both DC and Marvel Comics. His essays have appeared in TOMORROW SF, THE CORTLAND REVIEW, COMIC BOOK WEEK, the PORTSMOUTH (NH) PRESS, and AMAZING HEROES. In the summer he is often found at Fenway Park; in the winter, he enjoys playing high-stakes poker against really dumb opponents.] Installment 43: Glass Half Empty Who has the advantage in the comics industry, artists or writers? When it comes to breaking into the business, the consensus is artists have the edge: they can bring their portfolios to conventions or store signings and get on-the-spot feedback from pros, a luxury afforded no writer. Once inside the industry, there is a perception that financial advantage shifts to writers. Since in almost every case it takes longer to pencil a book than to plot/script it, most writers can produce a higher monthly output than most pencilers. Though the average page rate for artists is greater than that for writers, wordsmiths are positioned to use volume to offset the unfavorable rate differential. Shift from the financial to the creative, however, and the advantage tilts back toward artists. Though a competent professional penciler may feel more comfortable working on a specific character or a given type of material, odds are he can do a decent job of drawing anything. How is that an advantage, you ask. Can't competent professional authors write anything? Yes, they can -- yes, they do -- but when a writer accepts an assignment for the paycheck rather than out of enthusiasm or inspiration, deficiencies in the end product can be glaringly obvious. We could discuss some current examples of this (more than a few of them seem to exist), but rather than stir empty controversy -- and since we were discussing comics of the 1970s in our past two Installments -- why not pluck an example from those thrilling days of yesteryear? Throughout the '70s, Steve Gerber built an impressive string of successes by looking at the weird side of heroism in series like OMEGA THE UNKNOWN, HOWARD THE DUCK, and especially in DEFENDERS. Add MAN-THING to the mix and both Steve's off-kilter view of the world and his strong "anti-Establishment" sociopolitical views became clear. Why other than the paycheck, then, would a gonzo writer like Gerber want to write a straight-arrow character like Captain America? Steve did indeed take the auctorial reins on C.A., starting issue # 222 with Cap being attacked by a driverless VW Beetle that crashed through his hotel room window; Gerber quickly followed that bit of whimsy by having the Lincoln Memorial statue rise up to try crunching Cap beneath a massive stone fist. In issue # 225, Gerber tinkered with Steve Rogers's pre-World War II backstory, unaware that his retroactive continuity was out of sync with fact-based historical events (which was perceived as being a far bigger deal at the time than it would be now). Because "counter-cultural" Gerber had no driving interest in writing "conformist" Captain America, the perception was that Gerber laid an egg, creating a problem that had to be fixed (Roger Stern deftly played repairman in CAP # 247). When characters suddenly act or speak radically out-of-character -- when storylines just lie there like dead mackerel -- when conflicts have the "blahs," those are all signs of writers who are doing the equivalent of punching the time-clock, going through the motions with no creative investment in the material. Now, lest you think I am merely sniping from the shadows, I will confess there are assignments in which I would do the same thing. Here is the short list of "star" characters whose series I hope I would have the wisdom to turn down any opportunity to write: 4. THE FLASH. Wally West, Barry Allen, Jay Garrick -- no matter the alter ego, I would be hard-pressed to successfully tell a decent FLASH story. The Flash presents me with two major mental hurdles: (1) this guy is so fast he can vibrate through solid matter and race across the water -- realistically speaking, how can ANYONE stop him? The only answer is (2) with gimmicks, which is why so many members of Flash's Rogues Gallery are one-note wonders (Captains Boomerang and Cold, Mirror Master, etc, etc). The "gimmick story" interests me only marginally as a reader, even less as a writer, meaning scripting the exploits of the ol' Scarlet Speedster would make me want to run -- for the hills! 3. SPIDER-MAN. After decades of having three and sometimes four SPIDER-MAN titles each month, I've long said there are way too many mediocre Spider-Man stories floating around out there. That said, why would I want to take a turn at the web-slinger, knowing I'd likely add only one more mediocre story to the pile? What dampens my enthusiasm at the thought of writing Spider-Man is that, as I view Peter Parker, it seems to me he would have hung up his web-shooters long ago. As soon as MJ accepted his proposal, I see Peter visiting Uncle Ben's grave and saying he's now ready to dedicate himself to the greatest responsibility of all -- responsibility to the woman he loves, responsibility to making their marriage work. Naturally, I understand the business reasons why that scenario can never happen, but when you no longer believe a character would be out there doing the hero shtick, that puts a damper on your ability to write that character. 2. WONDER WOMAN. Part of what would make me reluctant to write Wonder Woman is the responsibility that comes with the character -- she is one of the "Big Three," and she deserves to be portrayed in a positive light, facing consistently inventive challenges and engaging foes. The larger part of it, however, is that Wonder Woman and her milieu strike me as (sorry, WW fans) BOR-R-R-R-ring! There is nothing interesting about the Amazons or Themyscira; the supporting cast for this series comes and goes as if pushed through a revolving door; Diana has no real sense of humor (she is more a REactive than Active character); and admittedly, I have never bought the whole "bringing Amazonian values to 'Man's World'" routine -- I dunno about you, but I would have a hard time drinking the Kool-Aid from anyone who is pushing peace/love/harmony one moment, then whaling the bejeezus out of The Cheetah or Ares the next! 1. DOCTOR STRANGE. There is very little in comics to equal the entertainment value of a good Dr. Strange story. Ditko/Lee -- Thomas/Colan/Palmer -- Englehart/Brunner -- Englehart/Colan/Palmer -- Stern/Smith -- the good doctor has had plenty of Grade-A runs in his long career. Unfortunately, I wouldn't be able to significantly add to the canon. By nature I am more a "science guy" than a "sorcery guy;" my mind runs more to nanotech and string theory than to the Tetragrammaton and the Major Arcana. It would be a struggle for me to create mystic menaces for Doc to battle -- and man, would I find those rhyming spells a challenge! Dr. Strange in The Defenders, THAT I could do. Dr. Strange as a solo act . . . not so much, I'm sorry to say. Of course, there's a flip side to every coin, and this little essay is no different. Be here next time, won't you, for "Glass Half Full." END INSTALLMENT 43 _________________________________________________________________ ----------------------------------------------------------------- [8] Suspended Animation Michael Vance & Mark Allen MiklVance2@worldnet.att.net [Michael Vance, a professional writer since 1977 and has been published in dozens of magazines including Starlog and Jack and Jill, and as a syndicated columnist and cartoonist in over 500 newspapers. His history book, Forbidden Adventure: The History of the American Comics Group, has been called a "benchmark in comics history". He ghosted an internationally syndicated comic strip, and his wrote own strip, Holiday Out, that was reprinted as a comic book. Vance also wrote the comic books Straw Men, Angel of Death, The Adventures of Captain Nemo, and Bloodtide. He is listed in the Who's Who of American Comic Books and Comic Book Superstars. His short stories have appeared in dozens of magazines and recorded by actor William (Murder She Wrote) Windom. Suspended Animation, has been published for more than sixteen years, and Vance worked in newspapers for 22 years as an editor, writer and advertising manager. Mark Allen lives in Western Oklahoma with his wife and daughter. He has been a Baptist minister for over 15 years, and has also written for the Oklahoma news industry. Having indulged in comics for nearly 30 years, Mark now enjoys using the written word to share with others what he believes is a true, and extremely under-acknowledged, art form.] Clark Ashton Smith's Hyperborea, published by Mock Man Press, 24 pages, $2.95. Sometimes, a comic work just "clicks." That's the case (for me) with Clark Ashton Smith's Hyperborea, published by Mock Man Press. Pulp writer Smith's tale about two treasure hunters seeking their fortune among the ancient ruins of Commoriom is a rousing romp, filled with adventure, humor, and horror ...and that's just the comic version! It would be expected, of course, for the story to be the most important aspect in an adaptation, as it is in Hyperborea. In this case, however, the reader also receives the bonus of Jason Thompson's artwork. The art style of Thompson is, at once, rich in detail (almost to the point of complicating some mega-panels) and "all over the place," for lack of a better descriptive. Though this may sound excessively negative, it's not meant to be; it refers more to story-telling technique than to anything else. Thompson employs many large panels (at times, up to a full page in size) with smaller ones overlaid. This gives the work a grand, sweeping appearance that is only too appropriate for such a yarn. It can also, however, make following a story difficult for the new comic reader. That being the only drawback, however, makes this an admirable work of sequential art. Also indicative of Thompson's storytelling ability is the expressiveness of his characters. As mentioned, Hyperborea contains elements of humor and horror, both of which are deftly communicated through the characters Satampra and Tirouv (I'm giving you a break; those are just their first names). Another check in the "plus column" for this book is that it has encouraged me to research the work of Clark Ashton Smith, which I have never done. Hyperborea is recommended for all readers, as well as being a great "classroom comics" selection, due to it's relation to a notable author, poet and artist. Ask for it in comic shops and conventions, or look for it at online auctions and at www.mockman.com Mark Allen _________________________________________________________________ ----------------------------------------------------------------- [9] Silva Shado Reviews Sarah Haslett silva_shado@yahoo.com [Known as Silva Shado on many boards, Sarah is most frequently found at HeroRealm.com and MightyMiniCon.com. She is a reviewer, moderator and columnist for both sites. At HeroRealm, her monthly column "Independent Forecast," co-written with Juan Gamez, which looks at the non-spandex titles in the current Previews, has expanded to become weekly. Called Independent Focus, the weekly columns will rotate through an examination of past Previews picks; the new Previews; independent companies and creators; and web comics. Though she is going on hiatus, you can still find her previous "Under the Radar" columns at MightyMiniCon.com, which looks at those comics that go unnoticed by the majority of comic book readers.] IF: Independent on the Web - reviews of Full Frontal Nerdity and Nodwick. http://www.herorealm.com/features/ifjan012705.htm Night #2 Writer: Troy Hasbrouck Penciler: Buddy Prince Publisher: Jester Press You ready for a second helping of classic horror meets gangland USA? I sure am! The protagonist of this story is one David Skinner. He's a nice guy, but he's got the werewolf curse. Last issue he got caught up in a gang war and was taken in by one side, The Reds. Unfortunately, one of the gang members slipped him some drugs and it triggered his transformation. Also, hot on David's trail are two FBI Agent, Sabrina Voght and Andrew Whildon. The end of the first issue showed Sabrina finally finding and confronting David. To her surprise, David doesn't wanna play and he leaps right over her and gets away. This puzzles her because she can't understand why a werewolf wouldn't attack her. One the funniest, yet cruelest moments of this issue is when David, still a werewolf, finds the guy who slipped him some drugs. David scares him so bad that he messes his pants, again. To avoid giving it all away, I'll just say that the end of this issue begins a showdown of unusual proportions that will be concluded in the next issue. David ain't the only one in town who ain't human. But unlike David, the other guy, Mr. E., wants to control the whole city. David just wants to be left alone. The story and characters are developing quite nicely. I'm very interested to see how this will all play out. There are some pretty funny moments, like when David is fighting and none of the guys he's beating up speak English. He says, "Damn, this outsourcing is out of control." That had me laughing pretty hard, but I have to say that the X-Files encounter felt forced and cliched. David and Sabrina are the most dynamic characters in Night and I'm quite curious to see how they develop. I was quite relieved to see fewer characters in this issue. Meeting two whole gangs last issue was quite overwhelming, though I was very impressed that each one looked different. No two gang members were alike. That's what I got to say is the best about the art - everything and everyone is unique. A lot of detail and attention was put into creating this world and these characters. And the art improved in this second issue. The action was depicted more realistically. Though, some of the perspectives and body proportions still looked off. A lot of the characters looked like they were striking a pose rather than standing normally. But I expect that time (and practice) will improve this. I highly recommend you give this a try. If your local retailer can't order a copy, check out http://www.jesterpress.com _________________________________________________________________ ----------------------------------------------------------------- [10] O'Shea's Offhand Opinions Tim O'Shea timmito@yahoo.com [This column was originally run at http://www.thegreatcurve.net] O'Shea's Offhand Opinions http://www.thegreatcurve.net/2005/02/less-snarky-offhand- opinions.html The key to offhand opinions is it's a gut reaction with bare bones analysis. I tell you if it's worth buying in a basic Yes or No situation. This week, we have two new features (one that longtime readers of Offhand Opinions may remember from past incarnations). Ron's pick of last week WE3 (Vertigo). My pick for this week is Deadshot 3 [DC]. This episode of Offhand Opinions is dedicated to Alan David Doane's computer, which I tortured today. No snarks were harmed in the making of this post. Deadshot 3 [of 5] (DC) Gage/Cummings/Palmiotti So I'm reading a scene between Green Arrow and Deadshot, and I think to myself: Gage should be writing Green Arrow. There's a Deadshot as babysitter (think Tom Selleck in Three Men in A Baby Part IV), yea I winced. But every book is allowed one lame moment, and this one's brief. Yes The Intimates 4 (Wildstorm) Case/Lee/Camuncoli/Hope I'll say it again, if you liked Spy magazine, this is the heir apparent in comics land. Yes The Mighty Avengers 3 (Marvel) Bendis/Finch/Miki/D'Armata Bendis has some nice moments in this issue. I really wanted to like this book, but then Bendis has Cap speaking to Cage like a pet: "Good Man" after Cage nearly killed someone...Or the amazing explanation that no one recognized Spidey without his mask, because of his "average looks". Or hey how about when DD accidentally reveals Peter Parker's name to Cap. Watch, Matt suddenly goes stupid for Bendis' funny moment. Um, no. Bendis moment of over-dialogue, the 25 panel one page, where at least three times on one page Finch draws Cap with a giant overbite. No X-Men: X-Men Phoenix Endsong 2 [of 5] (Marvel) Pak/Land/Ryan Wow, thanks for resurrecting the lamest X-Men Morrison plots. And Emma as Jessica Simpson is a waste of Land's talents. No Black Panther 1 (Marvel) Hudlin/Romita Jr/Janson/White I never thought I'd miss Priest's run. Marvel's Dondi Reese = Real World's Condi Rice, yea, the sound you hear are my eyes rolling. A military officer is going to say a racial slur in the White House. 1960s-maybe, 2005-no way, no how. Don't believe the hype. No Superman: Strength 2 [of 3] (DC) McCloud/Amancio/Austin/Mulvihill I love McCloud's Superman Adventures run. So it really surprises me to compare this to Stan Lee's 1990s work. Stan's weak work from that period surpasses this absolute overpriced junk. Imagine Clark Kent as a 10-year-old talking like a 40-year old man. No Exiles 59 (Marvel) Bedard/Sakakibara A great secret is revealed and one reader (me) is left saying: "Yea, so?" No The Twilight Experiment 1 Gray/Palmiotti/Santacruz A lot of action, a lot of ground covered. I'm interested. Yes Spider-Man & X-23: MTU 5 Kirkman/Kolins The heavyset child continues to go around with no shirt...now he's wearing a shock collar. It's just weird. And then there's everyone favorite X-23, who's popularity will fade in exactly one arc. No Daredevil: Redemption 1 [of 6] (Marvel) Hine/Gaydos Boy the Brit writer really knows how to write a tale set in Alabama! Wait, no he doesn't. Just because it's based on a true story doesn't mean throwing Daredevil in the mix makes it interesting. No Excalibur 9 (Marvel) Claremont/Lopresti/Adams In a few months, I predict shock collar shirtless boy (from MTU) will team up with Callisto with Xavier on her back (from this issue). The only highlight for me was when Lopresti got to draw the Avengers in a flashback. No Uncanny X-Men 455 (Marvel) Claremont/Davis/Farmer A character long thought dead returns! And X-23 gets dumber! $2.25 best spent elsewhere! Claremont creates 100th love triangle involving Logan. Reviewer weeps. No _________________________________________________________________ ------------------------ Yahoo! Groups Sponsor --------------------~--> Unbelievable Blog of the Week recommends: The Lincoln Fry Blog. Read all about the French fry that looks like Abraham Lincoln. http://us.click.yahoo.com/bBwbuA/eV0JAA/Zx0JAA/bGIolB/TM --------------------------------------------------------------------~-> Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. 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