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| << February05, 2005 - [ComicBooknet E-Mag] CBEM 509.03 |
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----------------------------------------------------------------- [11] ComiX-Fan Reviews Eric J. Moreels X-Fan Editor-in-Chief x-fan@bigpond.net.au From ComiX-Fan: http://www.comixfan.com/xfan [Editor's note: Some of the following reviews have spoilers to plot details. This is a TEXT ONLY newsletter so those spoilers are not hidden by HTML code. - D.L.] ULTIMATE X-MEN #55 Reviewer: Drew Shirley, sinistertaco@yahoo.com Quick Rating: Average Story Title: "The Most Dangerous Game" Part 2 Mojo is a fat albino TV executive with dreadlocks. Writers: Brian K. Vaughn Penciller: Stuart Immonen Inker: Wade Von Grawbadger Colorists: Justin Ponsor and Frank D'Armata Letterer: Chris Eliopoulos Assistant Editors: John Barber and Nick Lowe Editor: Ralph Macchio Editor-in-Chief: Joe Quesada Publisher: Dan Buckley As much as I'd like to say that I'm passionate about this issue in any way, shape, or form, I'm afraid I can't. I felt no love, nor did I feel hatred. I felt it was a competent story with competent art, but it didn't click. But the more I thought about that, the more I've come to think that this may be a symptom of the title more so than the creators. See, I think Brian K. Vaughn is easily one of the best writers working in the industry right now, bar none, and I wholeheartedly believe (because of Vaughn's writing) that Runaways is the best book Marvel has published in the last decade or so. But a recurring theme with Ultimate X-men has been writers who are typically held in high regard coming on board and churning out work that is by and large considered sub par. In all fairness, I always found the original Mojo story arc one of the sillier things to come out of the X-Universe, so I wasn't particularly looking forward to this. Sure, it was by and large inoffensive, but think about it for a second- A giant yellow glob runs a Universe that is dictated entirely by TV ratings. While I'm sure there was some social commentary in there somewhere, it just came across as rather goofy in the long run. So now we have the modern take on this, which involvs an albino, dreadlock sporting TV executive who runs a reality show in which mutants are hunted for sport. Slightly more grounded, but again, not exactly easy to swallow. But I decided to turn off my preconceived biases while I read this issue, and hoped that maybe Vaughn had worked the whole Mojo story into something that...well, that wasn't horrible. In that respect he succeeded, I suppose. Its certainly not horrible. But nor is it particularly inspiring. I think the biggest problem is the title of the arc, to tell you the truth- "The Most Dangerous Game". What exactly separates this from that story? Or from The Running Man? We've seen this "man hunting man" stuff a billion times before, and there has been no indication that there's going to be anything to shake the tired formula. In all honestly, it seems like the goal of the story isn't so much telling a story as it is to introduce more 616 characters to the Ultimate Universe. But then, that's always been a problem I've had with Ultimate X-men. Its seemed all too often that story was being sacrificed so we can get as many characters Ultimized as possible. Ultimates, Ultimate Fantastic Four, and Ultimate Spider-Man do this too, but they handle it in a much better manner. With those titles it seems (at least largely) that the characters are introduced to support the story. With Ultimate X- men its always seemed that the story has been tailored to support the introduction of more characters. If you've read the first issue of this arc, you aren't really going to find any surprises here, outside of the introduction of two more Ultimized versions of classic characters. One seems to be pretty much the way remember her, while the other is a complete turn around from his traditional counterpart. A far more boring turn around, I might add. Without spoiling who they are, I have to say that I'm absolutely sick of the generic commando character template. And I thought Spider-Man's web was supposed to disintegrate after a short amount of time (You'll know what this means after you've read it.). That said, the story isn't bad, just extremely predictable and not very engaging. We've got rouge X-men taking on a mission without the Professor's consent, we've got sanctioned X-men on the mission, and we've got Longshot being hunted. All very tried and true stuff, but not anything that's going to knock your socks off. Unless, of course, you're a really rabid fan of a particular woman with six arms and a penchant for bladed weapons(oh come on, you knew she was going to show up.). Jean giving the "angry mom" look to Bobby and Kitty was funny, though. The art falls into a similar category. I'm not especially familiar with Immonen's style, but his work is fundamentally sound and his action scenes are good. The biggest pitfall is in faces, though, as everyone has squinty eyes and it looks like they're staring into the sun 90% of the time. Also, there's something slightly off about his Angel. I can't really put my finger on it, but if I had to make a generalized statement I'd say that instead of being ethereal he looks more like a beardless Norseman with wings. I realize that makes no sense at all, but it's the best way I can communicate it. But those are fairly minimal complaints and I was generally happy with the visual aesthetic, just not wowed. Still, it's a great deal better than a lot of art out there, so I shouldn't complain. In short, there's nothing bad here. There's just not anything mind blowingly great, either. If you were to ask me to hand you an issue of a comic with my text book definition of average, this would be it. Not too bad, not too good. But as always, there's still time for Vaughn to throw a curveball and make me eat my words. And if any one can do it, its him. ART: 3.0 STORY: 2.5 OVERALL: 2.5 UNCANNY X-MEN #454 Reviewer: Robin Lewis, lucillerobin@aol.com Quick Rating: Average. Story Title: Chasing Hellfire (part three of three) The Hellfire arc wraps up. Writer: Chris Claremont Artist: Andy Park Colours: Morry Hollowell Letterer: VC's Chris Eliopoulos Assistant Editors: Sean Ryan and Stepahnie Moore Editor: Mike Marts Editor In Chief: Joe Quesada Publisher: Dan Buckley In times past Uncanny X-Men was the only show in town. If you wanted to read about the terminal angst of Marvel's most popular team you had only one place to go. Over the years the line has grown to bloated proportions, and the lustre that once surrounded Uncanny has faded. Presently Astonishing X-Men is garnering all the plaudits while the original lags a little behind. Since Chris Claremont came back on board to write the team he gave new life to all those years ago we've had a strange mixture of stories, varying in quality from issue to issue, but full of the familiar stylistic touches from the old days. The present arc has seen the return of the Hellfire Club (and most of the original Lords Cardinal playing some kind of part in the proceedings), and last issue ended with the return of Donald Pierce. This issue finishes the arc and paves the way for a new kind of Hellfire Club (if not exactly a caring, sharing club, at least one that doesn't regularly try and kill the X-Men). The story continues in two separate threads, one following Rachel and Emma Frost taking on Selene and the mutant slavers in Hong Kong, and the other following a big fight between those members of the X-Men not already captured and Pierce. Things play out much as you might expect, and much as Sage apparently planned. Nightcrawler and Wolverine get their hands dirty with Pierce and his goons, but things occasionally veer off into the unexplainable. For instance, the two pages that see Storm "try something unexpected" (throwing a hair band at Pierce, of all things) lose coherence. Wolverine deflects the band, apparently because he thinks Storm "isn't strong enough for this". Then Sage frees Shaw with said hairband to help out. Two pages previously Sage was tied up with only her head showing. How is she free? How did she get her hands on the band? Who knows? The storytelling isn't the best, and the actions of the team seem pretty daft all things considered. Even the most rabid fanboy would have to admit that this hasn't been the most well-executed arc in X-Men history. The plot has called for its characters to occasionally act like morons (let's draw out the murderous bad guys who don't mind mowing down endless civilians by having coffee in a crowded cafe), apparently forget past history (don't Rachel and Kurt know from their Excalibur days that Courtney Ross was killed and replaced by a double?) or just amble around at the mercy of a plot that has never been as clear as it should. That said, there are several interesting threads that might turn out to be worth following. Sunspot as the new Black King, Sage manipulating the X-Men for her own ends, Donald Pierce entering the record books as the man most likely to get decapitated within five minutes of his arrival (this is at least the second time his head's gone walkabout), etc. Of course, whether any of these will bear fruit is far from certain. In the ten issues he's been back on Uncanny Claremont has left quite a few dangling plotlines in his wake (Jamie Braddock and the re-appearance of the Fury, for example, or the XSE status of the team), and while I'm all for long-term plotting I don't want it to turn out like times past, where things had to wait five years before they were dealt with. The original Excalibur suffered from exactly this problem, with around a fifty issue wait before some of the very first plotlines were tied up. I guess all we can do is wait and see. Andy Park's art is of a more consistent quality than the plot. Nice, clean lines complimented by strong colours make the pages stand out, though everybody's hair looks as if it's made of some sort of cardboard, and Pierce's new look doesn't strike me as being very impressive. If you're going to the cyborg shop to get upgrades why would you settle for long fingernails when you could probably get a nice big gun strapped to your arm? Stabbing Wolverine may be a fun way to spend the afternoon, but you could save yourself a lot of time if you just put a bullet through his eye. Ho-hum. The sadism of villains is often their undoing: "Before I kill you I will torture you in needlessly complicated ways and give your compadres time to rescue you. Muhahahah...damn, someone appears to have sliced my face off...Curses! Next time I'll just shoot you and have done with it". Perhaps the Lords Cardinal of the Hellfire club are just too old-fashioned, and act like old moustache-twirling villains out of a sense of style. Next month, those X-Fans who want to party like it's nineteen- ninety-five will get their wish when someone makes a comeback. We have yet to see if the return will be as well executed as that of Collosus over in Astonishing, but I'm sure that the how and why won't be too important to everyone who has been pleading for this particular return to the way things were. I'm not sure that there's anyone important left to resurrect now (though events in Wolverine will start an inevitable outcry demanding the resurrection of whichever team member Millar has decided to off), though I'm sure that Magik's fans will disagree (all two of them). For myself, I can't wait to see The House of M project that promises to pile mutant bodies high later in the year. You guys want resurrections of beloved characters; I want a chainsaw taken to the groaning mass of the mutant population. The campaign for wholesale slaughter in the X-Mansion starts here. ART: 3.0 STORY: 2.5 OVERALL: 2.5 MYSTIQUE #23 Reviewer: Lia Brown, rook1@sympatico.ca Quick Rating: Good Story Title: Quiet (Part 4 of 5) Counting down to the end.... Writer: Sean McKeever Penciler: Manuel Garcia Inker: Raul Fernandez Colourist: Digital Rainbow Letterer: VC's Chrisdy Gentopoulos Cover Artist: Mike Mayhew Assistant Editors: Stephanie Moore & Sean Ryan Editor: Mike Marts Chief: Joe Quesada Publisher: Dan Buckley The second-last issue of the Mystique series is an interesting one. It doesn't really address some of the questions readers have been waiting for, but it does play into Mystique's established history in a way the rest of the series hasn't. The guest stars are handled quite well, and I've been waiting to see Mystique meet up with Rogue for a long time. This issue has the first meeting between Mystique and her daughter since the infamous story in Dream's End -- in which they'd stabbed each other, making their relationship even more dysfunctional. I like the continuity utilized here, and Sean McKeever uses it in a way that isn't overwhelming or needlessly confusing. It's too bad we didn't see more of Mystique's family ties throughout the series, but I'm glad to have it here (it's also nice to see a picture of Destiny in the remains of the house; there wasn't a big deal made of it, so it too probably won't bother unfamiliar readers, but it's a nice bonus for longtime fans, and helps add to the sadness of the scene). Rogue and Wolverine are used well in this story, rather than being gratuitous guest stars (even if the cover art seems to lean in that direction). They're in-character and their actions make sense, and they provide an actual reaction on the part of the X- Men to the attack on Xavier. All too often in comics it seems that consequences to reprehensible acts are glossed over or forgotten, so I'm pleased to see characters reacting as they should to the attempted murder of their beloved mentor. And the issue leaves Mystique with an interesting status quo: her home/sanctuary and favourite possessions are gone -- destroyed by her own hand -- and Rogue hates her. She'll also surely be persona non grata with Xavier and the X-Men, setting up future conflicts. I hope these will be followed upon the next time we see Mystique in other X-books. On the down side, there were aspects of the story that puzzled me. The scenes at the beginning with Forge et al were not quite clear; was it Mystique herself who tipped him off, and if so, why did he nearly kill her when he came to Xavier's rescue? I understand putting on a good show for the Quiet Man and Shepard, but she did get battered around rather badly. And might they not have seen her warning Forge anyway? Mystique is later said to reach "supersonic speed" during her escape, and I don't know if I'm supposed to understand how, or if this is a mystery for the readers that may or may not be answered in the final issue. The scene of Mystique turning paper-thin to escape the explosion of her home is just strange, considering her usual limitations of changing mass, and thanks to the way the events are conveyed (or not suitably conveyed) by the art. Finally, I guess I'm surprised that the revelations and plots of Shortpack and the Quiet Man weren't really furthered, so not only was that slightly annoying, it makes me wonder if they can be adequately wrapped in just one more issue. We'll see. I've had my share of problems with the art of Manuel Garcia in this series, and it seems to me that his work in this issue is particularly wanting. Part of my confusion mentioned in the previous paragraph is certainly due to poor artistic storytelling. Events don't really flow well in certain scenes, particularly the opening ones with Forge and Xavier in Genosha, as well as the explosion of Mystique's home, which did leave me wondering what was going on. The characters themselves looked more poorly-drawn and sketchy than in some previous issues, and some scenes have the characters posed rather awkwardly during action sequences, making it more confusing. Overall, I'm left wondering if Garcia did a rush job on the art, which is never a good impression to get. So, there's only one issue left of Mystique. I've enjoyed the series, and hope that the final issue will clear up the questions and plots seeded throughout. It might not be a good idea to leave some of the major reveals (such as the fate of Shortpack, and true identity of the Quiet Man) until the very last issue, but we'll have to wait and see before judging. ART: 2.5 STORY: 4.0 OVERALL: 3.5 _________________________________________________________________ ----------------------------------------------------------------- [12] Rich's Reviews Richard Vasseur richardv@sympatico.ca [Rich has been collecting comic books for about 25 years. He belongs to two comic book clubs Jazma and ORCA. He has been writing reviews for Jazma's paper newsletter for about 2 years and has his own review page at www.jazmaonline.com] SPOILER WARNING: Some plot details may be revealed in these reviews! Title: Captain America # 2 Publisher: Marvel Writer: Ed Brubaker Artists: Steve Epting, Michael Lark Price: $ 2.99 US, $ 4.25 Can Comments: This version of Cap is more realistic and grittier. In both story and art it is. Yes Cap is a soldier but he is also a symbol of hope. That part of Cap is not being shown here. It should be. There is a little action as Cap fights a few of the Red Skull's goons. Though really the whole issue is boring. Title: Marvel Age Spider-Man # 19 Publisher: Marvel Plot: Stan Lee & Steve Ditko Writer: Mike Raicht Penciler: Valentine DeLandro Inker: Pat Davidson Price: $ 2.25 US, $ 3.25 Can Comments: Hi Fi does an amazing job on the colors. The Scorpion's green colored costume and the shading on it look spectacular. He really stands out. The Scorpion is shown as MacGargan a pathetic loser just out to make a buck. J.J.J. takes advantage of that. MacGargan finds he likes being powerful. Their battle is pretty action packed. It flows along nicely. The Scorpion makes full use of his tail. Title: Stoker's Dracula # 2 Publisher: Marvel Writer: Roy Thomas Artist: Dick Giordano Price: $ 3.99 US, $ 5.75 Can Comments: The Voyage of the Demeter is a thing of horror as Dracula slowly picks off all the crew one by one. Dracula is drawn mysteriously his face and figure are never revealed fully. You can fully feel the sailors terror rising as one by one they disappear. Mina and Lucy start to feel the preditations of Dracula. Lucy is his first victum as he preys on her like a parasitic beast. Mina tries to help but she has no idea what is causing it. Lucy succums to Dracula's visits. Dispite Van Helsing's efforts she dies. But will she come back? Dracula has worked his insidous way into a new country. One he plans to do with as he will. Title: Hulk/Thing # 4 Publisher: Marvel Writer: Bruce Jones Artist: Jae Lee Price: $ 3.50 US, $ 5.00 Can Comments: Seeing these two men yes men not monsters duking it out is a pleasure to watch. Two of the strongest people on the planet are just hanging out and talking, palling around and knocking each other around a little. Its all in fun. These two are friends its just hard to tell sometimes. The art is grim and gritty. It lets you know being a hulking monsterious looking super-hero isn't all that fun. Though these two make the best of it. Their friendly rivalry is cute. Title: Astonishing X-Men # 7 Publisher: Marvel Writer: Joss Whedon Artist: John Cassaday Price: $ 2.99 US, $ 4.25 Can Comments: The X-Men go from wondering how Petey is doing to fighting a Godzilla type monster. The Fantastic Four even show up to lend a hand. They seem to be making a big deal about having mutants accepted by humanity. It was kind of funny Ben asking Wolverine if they had come up with a cure for being Canadian. Nope and they never will they are the greatest people in the world. Poor Wing he was "cured" of his mutant power of flight. He feels his life is over. As he tries to fly without any powers poor Wing is no more. Emma for whatever reason is always coming out with some sexual inuendo. She used to be the frost queen so why this sudden change. It seems as if it is being used to make Emma appear more human. Title: Marvel Knights Spider-Man # 10 Publisher: Marvel Writer: Mark Millar Artists: Terry Dodson, Rachel Dodson Price: $ 2.99 US, $ 4.25 Can Comments: The green Goblin has a plan and he is certainly intelligent in his own insane way. He has Spider-Man wrapped around his finger. Spidey along with the Black Cat break him out of jail so he will free Aunt May. The Green Goblin once hes free has no plans to free Peter's Aunt and he has a dozen of Spidey's villians waiting for them. The best part is that Venom shows up in possession of Scorpion. So the gangs all here. How can he possibly get out of this mess and he still has to find and rescue May. It is great to see all these old time foes showing up. The only problem is the people are not shown very well. They are all in the dark. So you cannot really see them. Some you can't even make out who they are. Title: Superman/Batman # 16 Publisher: DC Writer: Jeph Loeb Penciler: Carlos Pacheco Inker: Jesus Merino Price: $ 2.95 US, $ 4.50 Can Comments: Somehow Superman and Batman have ended up in the future world of Kamandi. Its been awhile since he has been used in a story. The references to the Planet of the Apes are cute. Than they go to a world of Wild West heroes. Jonah Hex and Scalphunter are among them and they are a match for our so called heroes. In the next reality we see a completely unthough of team of Metron, Darkseid, the Demon and the Kingdom Come Superman. Superman and Batman go back to their own origins. Superman's goes smoothly but Batman kills his parents killer before he kills. So Batman ceases to exist. This story goes in directions you would never even think of. The art is WOW you should see Darkseid's team. His stone visage conveys his personality of evil and ambition. Our main characters are drawn determined. It is great seeing some of the lessor used heroes and it continues next issue as well. Title: The Symbiotes # 3 Publisher: Drive Writer: Davis R. Vaughn Artist: George Lippert Price: $ 2.99 US, $ 3.95 Can Comments: The art is so realistic at times you will think you are looking at actual photographs of real people. The technology displayed in the space ships is stunning. The aliens and mixed breeds are out of this world. The two characters THe Witch and The Mind make only a brief appearance but do they ever make an impression. The story is filled with non stop action. We get to see more of the Symbiotes in action. They are full of confidence. The young boy Adnan is a rare find he is a lovable character and he is filled with an understanding of people. This is the perfect blending of sci-fi and super-hero adventure. It gets five stars out of five stars rating. Title: Jubilee # 4 Publisher: Marvel Writer: Robert Kirkman Artist: Derec Donovan Price: $ 2.99 US, $ 4.25 Can Comments: Jubilee is drawn so you can see more of her asian decent in her face. Her eyes now are kept almost closed all the time. The backgrounds are simple. The colors are vibrant and outstanding. The story is simple as Jubilee decides to help her teacher get her stolen car back. She ends up getting a mutant gang member to help her. So we get to see a little light show. Its nothing special. The real treat is Jubilee's attitude. She has a spunky personality. She just glows with enthisiasm. Title: Jubilee # 5 Publisher: Marvel Writer: Robert Kirkman Artist: derec Donovan Price: $ 2.99 US, $ 4.25 Can Comments: For some reason the recap at the start is a total fabrication none of it happened. It is azuzing as long as you have been reading the series otherwise you wouldn't know it was a lie. The art is fun. Jubilee goes out on a date. The dance is a dud so they go back to her place. Just as they are about to kiss guess who shows up. Yep Wolverine. Wolverine and Jubilee these two are the mutant team supreme. Title: Flare # 2 Publisher: Heroic Publishing Writer: Wilson Hill Penciler: Gordon Purcell Inker: Terry Pallot Price: $ 2.99 US, $ 4.25 Can Comments: The battle with Flare and Whipperette could have been better. Each movement seemed to slow and forced. The poses do not show off the girls at all well. Than having Whipperette show up to decorate Flare's house that was strange. The second story features Sparkplug its written by Steve Perrin & Wilson Hill and drawn by Henry Martinez. The art shows off Sparkplug as having to harsh a body. The villians do not seem evil they just seem silly. The third story is written by Dennis Mallonee and drawn by Howard Bender. This is a story for a child. Its simple, basic and boring. The art is simple as well. Title: Flare # 3 Publisher: Heroic Publishing Writer: Wilson Hill Penciler: George Purcell Inker: Terry Pallot Price: $ 2.99 US, $ 4.25 Can Comments: Unfortunately there is almost no action in this issue. The Black Enchantress stops by for a visit and chats with Flare. Shes not even in costume. The victim of the darkdust sitting in the hospital is drawn wonderfully insane. Her eyes and the shading around them really bring across her mental state. The second story is written by Steven Perrin and drawn by Terry Pallot. The art is good. The art is good. Sparkplug is shown as a well muscled female figure. She has a lot of attitude to. The story is just her going out on a date. So not to much happens. The third story written by Dennis Mallonee and drawn by Howard Bender is a tale for children. The art is childish as well. Title: ANT trade paperback Publisher: Arcana Writer: Mario Gully Artist: Mario Gully Price: $ 9.95 US, $ 13.95 Can Comments: Hanna has created in her journal a fantasy world where she becomes the world's greatest hero ANT. Hanna uses her journal as a way to escape from all her real problems. She plans to become ANT when she grows up. Hanna is such an amazing little girl. But at the end you will be really thrown for a loop as we learn maybe ANT was real and Hanna make believe. Or is there more still to come as her adventures seem far from over whether as Hanna or ANT. ANT is a work of art. Mario Gully draws her in a skin tight red sprayed on suit. She is sexy. All her poses are provocative. The battles are fierce. She is shown as one tough woman. The way her antennae move will have you spellbound. They act as both defensive and offensive weapons. The back of the comic is filled with pin-ups of ANT. Mario Gully definitely knows how to draw the female form you will not be disappointed. _________________________________________________________________ ------------------------ Yahoo! Groups Sponsor --------------------~--> Unbelievable Blog of the Week recommends: The Lincoln Fry Blog. Read all about the French fry that looks like Abraham Lincoln. http://us.click.yahoo.com/bBwbuA/eV0JAA/Zx0JAA/bGIolB/TM --------------------------------------------------------------------~-> Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. 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