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+++++ From the DC Comics Online Newsletter at http://www.dccomics.com DC COMICS FREELANCERS AND STAFF KICK OFF 2005 AT WONDERCON February 1st, 2005 - The new year gets off to a strong start on February 18 - that's when DC Comics' staff and freelancers arrive at San Francisco's WonderCon! If you're heading to WonderCon, be sure to look for these tremendous DC talents: Arthur Adams (TOM STRONG'S TERRIFIC TALES) Sergio Aragon???s (MAD Magazine) Michael Bair (IDENTITY CRISIS) Adam Beechen (JUSTICE LEAGUE UNLIMITED) John Cassaday (PLANETARY) Matthew Clark (ADVENTURES OF SUPERMAN) Amanda Conner (TWO-STEP) Steve Englehart (BATMAN: DARK DETECTIVE) Christos N. Gage (DEADSHOT) Mick Gray (PROMETHEA, SEVEN SOLDIERS: ZATANNA) Devin Grayson (NIGHTWING) Adam Hughes (WONDER WOMAN) Geoff Johns (GREEN LANTERN, TEEN TITANS, THE FLASH, DC COUNTDOWN) Jimmy Palmiotti (HAWKMAN, THE TWILIGHT EXPERIMENT) Harvey Pekar (THE QUITTER) Gary Phillips (ANGELTOWN) Alex Ross (JUSTICE, JSA covers) Greg Rucka (ADVENTURES OF SUPERMAN, WONDER WOMAN, GOTHAM CENTRAL, DC COUNTDOWN, THE OMAC PROJECT) Gail Simone (ACTION COMICS, BIRDS OF PREY, VILLAINS UNITED) Ryan Sook (HAWKMAN, SEVEN SOLDIERS: ZATANNA) Mark Verheiden (SUPERMAN, Smallville) Judd Winick (GREEN ARROW, OUTSIDERS, DC COUNTDOWN) DC Editorial staff at the convention includes Dan DiDio, VP - Executive Editor, DCU; Scott Dunbier, Executive Editor, WildStorm; Bob Schreck, Group Editor, DCU; Mark Chiarello, DC's Editorial Art Director; and VERTIGO Editor Jonathan Vankin. And check out what's coming up from DC at these two exciting panels: BEYOND THE DC UNIVERSE: WILDSTORM, VERTIGO AND MORE Friday, Feb. 18, 5:00-6:30 Go beyond the borders of the DC Universe with projects from WildStorm and VERTIGO, as well as our international comics lines from CMX, Humanoids, and 2000 A.D.! Join WildStorm's Executive Editor Scott Dunbier, VERTIGO Editor Jonathan Vankin and DC's Director - Sales & Marketing Communications Patricia Jeres to present projects by comics' most diverse talents! DC COMICS: A GLIMPSE INTO THE FUTURE Saturday, Feb. 19, 12:00-1:30 Coming off a banner year, with the successes of IDENTITY CRISIS, BATMAN: WAR GAMES, GREEN LANTERN: REBIRTH and so many others, DC Comics invites you to take a sneak peak at what's planned for 2005. This slide show presentation is hosted by DC's Vice President - Editorial, Dan DiDio and DC's Vice President - Sales & Marketing, Bob Wayne, with DC Comics Group Editor Bob Schreck and Editorial Art Director Mark Chiarello. Also in attendance will be Geoff Johns, Greg Rucka, Gail Simone, Mark Verheiden and others. And DC writers, artists and staffers can be found on these panels as well: COVER STORY (ART OF THE COVER) Friday, Feb. 18, 1:30 Featuring Alex Ross (JLA: LIBERTY & JUSTICE) and Adam Hughes (WONDER WOMAN) TRIBUTE TO WILL EISNER Saturday, Feb. 19, 11:00-12:00 With Scott Dunbier, Executive Editor, WildStorm and others SPOTLIGHT ON GAIL SIMONE Saturday, Feb. 19, 2:30-3:30 With Patricia Jeres, Director - Sales & Marketing Communications SPOTLIGHT ON ADAM HUGHES Sunday, Feb. 20, 1:00-2:00 With Editorial Art Director Mark Chiarello and Patricia Jeres, Director - Sales & Marketing Communications For more information on WonderCon, go to http://www.comic- con.org/ +++++ From ICV2.com Kovalic Signs with Maverick For Dr. Blink January 31, 2005 Dork Tower creator John Kovalic and artist Christopher Jones have signed a deal with Maverick Entertainment and Zieger Productions to develop their comic property Dr. Blink, Superhero Shrink into animated and live-action films and TV shows. Dr. Blink is a Dork Tower back-up that was recently spun off into its own book. Maverick is the film and TV production company founded by Madonna. The first collaboration between Zieger Productions and Maverick is Sex, Drugs & Mozart, a story of young people in the world of classical music which Madonna will exec produce. CrossGen Gets More Time To Settle Contested Claims January 31, 2005 Judge Alexander Paskay of the U.S. Bankruptcy Court of the Middle District of Florida, Tampa Division, has issued an order giving CrossGen another 60 days to file its liquidation plan. According to the motion for the extension, CrossGen needs more time to pursue a settlement of contested claims of secured creditors. The assets of the company were acquired for $1 million in November; about $970,000 remains after payment of the breakup fee and some expenses. Studio Ironcat Calls It Quits Finally February 02, 2005 Manga publisher Studio Ironcat is calling it a day, according to an announcement posted on the company's Website, and noted by Anime News Network. The company had a seven year history in the U.S., but had been in considerable difficulty for two years (see "The Mess at Studio Ironcat"). Ironcat lost its best-selling title, the Ameri-manga Megatokyo, to Dark Horse in 2003 (see "Megatokyo to Dark Horse"). Fantastic Four DVD Box Set This Summer And Other Marvel Toon News February 02, 2005 Buena Vista will release a multi-disc Fantastic Four DVD box set this summer to tie in to the theatrical release of the Fantastic Four feature on July 1st, according to TVShowsonDVD.com. The article predicts that the release will be of the 1994 animated series, which ran 26 episodes. The Fantastic Four box set release appears to have pushed back the release of The Marvel Superheroes series from 1966, which was originally planned for a box set release in June. The site also predicts that Buena Vista will release Spider-Man - - The Venom Saga on DVD in June. Appleseed DVDs Planned for May Three SKUs February 02, 2005 Geneon has slated the release of the Appleseed feature, based on the manga by Masamune Shirow, for May 10th in three different SKUs. The Feature Only edition will include the film with English and Japanese soundtracks, and commentary from both the director (Shinji Aramaki, who also did Bubblegum Crisis) and producer (Sori, who also did Ping Pong) for $19.98. The Appleseed Special Edition includes the feature plus a bonus DVD with a "making of" featurette, character data, mechanical data, an Appleseed glossary, and the theatrical trailer at a MSRP of $29.98. The Appleseed Special Edition with Figure includes the feature and bonus DVDs, plus a limited edition Briareos action figure at a $49.98 MSRP. Batman Returns to Topps For Cards February 02, 2005 Topps has announced that it has acquired a license from Warner Bros. Consumer Products to produce trading cards based on the DC Comics character Batman. This deal represents a return of the license to Topps, which first produced cards based on Batman nearly four decades ago. The first product under the license will be a card series based on Batman Begins, which premieres on June 17th. The card series will street on the movie premiere date, an unusual release schedule mandated by Warners in order to keep the movie images that will appear on the cards from appearing prior to the film's release. A card series based on The Batman animated television series is also in development. 'War of the Worlds' Graphic Novel Set to Capitalize on Tentpole Pic February 04, 2005 A new publishing company, Best Sellers Illustrated, plans to launch its line of graphic novels this spring with a 100,000 copy first printing of War of the Worlds, based on the H.G. Wells science fiction classic. The novel is also the basis for one of the summer's major motion picture releases. Steven Spielberg is directing Paramount's new mega-budget version of War of the Worlds, which stars Tom Cruise and debuts in theaters across the U.S. on June 29th. It's receiving the ultimate in pre-release marketing -- an advertising spot during this weekend's Superbowl. Stephen Stern, writer/creator of Zen Intergalactic Ninja, is adapting Best Sellers Illustrated's War of the Worlds graphic novel, which will be illustrated by Star Trek comic book artist Arne Starr and will feature a cover by legendary artist Frank Brunner. The new War of the Worlds graphic novel is the first U.S. comic book version since the memorable Classics Illustrated adaptation which came out in 1955, just two years after the original Paramount film version. Stan Lee Feels 'Vindicated' Interviewed on '60 Minutes II' February 03, 2005 Described by Bob Simon "as a man whose ship has come in," Stan Lee told the CBS correspondent that his victory in the first round of a legal battle with Marvel left him with a sense of "vindication -- just like every superhero story should have a bit of vindication." In his second stint on 60 Minutes II, Stan reflected at some length on his decision to sue Marvel, which he called: "very emotional. I was really hurt...We had always had this great relationship, the company and me. I felt I was a part of it... Don't forget I've written about superheroes all my life, and they are the good guys and they always do the right things, and I always though our company was the good company and we always did the right thing -- that we always treated the artists and writers well -- and suddenly I felt I wasn't being treated well, and it really hurt." Shortly after he appeared on 60 Minutes II in 2002, Lee filed suit against Marvel claiming that he had not received what his contract stipulated, 10% of the profits from the movies, television and licensing of the characters he helped create. A recent court ruling was largely in Lee's favor, and although some licensing issues remain undecided, the 82-year-old Lee, who has received a million dollar per year salary from Marvel since the 1990s, could receive a substantial award if the initial ruling holds up through Marvel's subsequent appeals. Still the 60 Minutes piece with its continual mentions of the $800 million that each of the Spider-Man movies has earned at the box office worldwide was more than a little misleading since, even if the initial court decision is upheld, Lee will only be entitled to 10% of Marvel's share, which itself is only a small percentage of the total take. +++++ From The SCOOP! at http://scoop.diamondgalleries.com/ In Memoriam: Daniel Branca Industry News, Scoop, Friday, February 04, 2005 It is with sorrowful hearts that Scoop reports the passing of veteran Disney Comics story and cover artist Daniel Branca. Below is an obituary provided by Egmont Creative Director Byron Erickson: It is with great sorrow that we have to inform you that Daniel Branca passed away from a heart attack Friday, January 28, at his home in Buenos Aires, Argentina. He was 53, and is survived by his mother and his sister Silvia. Branca is well known amongst Disney enthusiasts as a highly- accomplished Donald Duck and Uncle Scrooge story artist and a cover artist without peer. But Branca as a person was much more than his artwork, but it is for that art he will be remembered by the world at large, both for his fine-art paintings and his marvelous and inimitable Disney comic book work. Every page he drew was simultaneously attractive and exciting; every character alive and infused with emotion, every layout carefully considered and composed, every line evidence of a master's studied hand. In short, he brought the same passion with which he lived his life to his artwork, but ruled that passion with an intellect honed through years of observation and carefully learned technique. He will be missed as a man by those who knew and loved him. His wry smile and ironic comments on the passing parade of life and the entire history of comic art-sometimes enthusiastic, sometimes acidic, and yet somehow almost always gently delivered-were uniquely Branca. We can think of no greater praise than to have been judged worthy of his critique. That he will be missed as an artist goes without saying-his pen is still and we are left only with a longing for "what might have been." That he will be missed as a teacher is not so apparent, but for those of us who had the pleasure to watch him patiently and surely impart his knowledge to the next generation of cartoonists-and came away in awe at the hitherto-undreamt-of possibilities he disclosed-the loss is enormous. But there is no reason to miss him as an inspiration, for Daniel Branca's spirit lives in every page he ever drew. Whenever we have a need for that inspiration, we have only to open a comic containing a Branca story to feel his passion and his talent wash over us. That thrill will never fade away. As a tribute to Branca's work and legacy, we have included a few of his stellar comic book covers to accompany this news. +++++ From Blair Marnell in his ALL THE RAGE Gossip Column at: http://www.SilverBulletComicBooks.com Write to him at: BlairM@silverbulletcomicbooks.com RUMOUR BARRIER "I accept that the following material is rumour and gossip, intended to entertain only."I won't repeat the information inside as fact. I understand if I want the truth, I will go to Silver Bulletins."I enter freely with my mind open and my blinkers off." Now, on to the rumours . . . [NOTE: this column may be slightly edited for language. - D.L.] Where There's A Will... By Blair Marnell The Boy of Steel There's a rumor going around that a new Superboy ongoing series is in the works for later this year. Which, given the Lex Luthor/Superman dual parentage issues introduced in Teen Titans, would have a pretty strong hook for the series. However, while following up on this rumor, some reliable sources have said that there aren't any plans for a Superboy ongoing. At least, not at this time... This Has A "Project Cadmus" Factor of Three Out of Ten Lost Highway Viper Comics has just landed The Middleman, a new creator owned series by one of the writers from the television series, Lost. The writer in question is Javier Grillo-Marxuach, who in addition to being a writer/supervising producer on Lost, has also written for Jake 2.0, Boomtown, and The Dead Zone. The artist is Les McClaine, whose previous work includes writing and penciling Highway 13 for SLG. The Middleman is expected to launch this summer, possibly in time for the San Diego Comic Con. This Has A "We've Met Before, Haven't We?" Factor of Seven Out of Ten Mech Life Ivan Brandon and Miles Gunter's NYC Mech will be returning later this year, as Brandon elaborates: Basically we're premiering this year's NYC Mech series in May. It's called NYC Mech: Beta Love, and it's a romance story in the traditional NYCM style: add guns and a Brooklyn ghetto and the white of winter and you're on your way. For those unaware: NYC Mech is a look through different windows in NYC into the homes and lives of the millions of robots who live there.It's a genre-less moving target through sci-fi, crime, romance and anything else we can strafe on the way, and it deals with the last things you'd expect from a robot. (There are no laserbeams in NYC Mech save the ones that leave Andy MacDonald's eyes as he draws.) Our robots are more gunmetal than shiny chrome, and they live in a New York City you can see today if you walk down the wrong street. For this series we've got the amazing ERIC CANETE doing art for the covers and the interiors have also been optimized by the ever-evolving Andy MacDonald and our amazing new colorist Nick Filardi. It's head and shoulders above anything we've ever done and it's a real kick to write. This Has A "More Than Meets The Eye" Factor of Eight Out of Ten Dialing For H.E.R.O.E.S. Will Pfeifer has a steadily growing fanbase in comics due to his commercially and critically acclaimed runs on titles like Aquaman and H.E.R.O. He also has a slew of new projects lined up for DC in 2005. Earlier this week, ATR Associate, John Voulieris caught up with Pfeifer for a quick Q&A. John Voulieris: So, how did you break into the comics business? Will Pfeifer: My first official paid comic book gig was Finals, a four-issue mini-series that Vertigo published in 1999. Jill Thompson was the artist and co-creator of the book, which took a light-hearted, fun-loving look at college at the turn of the century. Actually, it took a darkly humored, violent look, and almost every single character was dead by the last page, but it was fun while it lasted and I still look back on it fondly. Didn't sell that well, but people seem to remember it. So check those quarter boxes for back issues, or try and locate the Spanish trade paperback collection, which I hear exists somewhere over in Europe, though I've never actually seen a copy. So heck, if you find one, send one my way. I'll pay you back. I'm good for it - I promise. The series came about when Jill and I pitched it, way back in early 1998. It took a long time for anyone to check out the proposal, even though Jill by then had Wonder Woman and Sandman under her belt. Finally, Joan Hilty took a look, liked it, and after some refinements, it hit the stands just before the turn of the millennium. The lesson to all the aspiring comic book creators out there is this: be really, really patient. My first DCU work was actually a text piece in a JSA Secret Files. Editor Ivan Cohen wanted something that sounded like it was written by a real journalist, and since I spend my days working at the Rockford Register Star here in Illinois, I got the gig. After that came a Secret Files story, where I had to sum up that whole "Worlds at War" maxi-series, (plus a lot of other stuff), in a mere 22 pages. Then came Hero, Aquaman, Swamp Thing, and my current gigs, Catwoman and Blood of the Demon. JV: News that you are the new Catwoman writer has readers buzzing - what are your plans for the feline fatale? Will you be keeping the existing cast of friends and villains or bringing in new faces? WP: One thing we're not doing for a while is moving Catwoman out of the East End. To me, it's her Gotham, her Metropolis, her Opal. She sees herself as its protector, especially after the events of War Games, and will fight tooth and nail to keep its streets (relatively) safe. Trouble is, after War Games, everyone knows that she's the only protector it has - Batman has his own troubles in Gotham, the cops are mostly corrupt and no one else is capable. That means in our first story, every super villain with dreams of striking it rich descends on the East End, and Catwoman has to come to a big decision: Should she fight them, or should she revert to her criminal roots and join in. The answer might not be what you think. JV: You're also working "Marvel style" with John Byrne on Blood of the Demon - how is that different from writing full script yourself? Do you have any input on storylines? WP: For the time being, this is John's book, and I'm just along for the (wild) ride. As someone who grew up reading John's X-Men and Fantastic Four, it's quite a kick to get that package of photocopies of the pencils and the plot, then know I'm the guy who gets to figure out what everyone is saying. The trick, of course, is to not overload the dialogue - to not get bogged down showing off my prose abilities and make sure whatever I write serves the story. Believe me, this is a fast- paced, slam-bang, action-packed book, and I think people are going to have a lot of fun with it. I've been reading the old issues of Kirby's Demon to get in the mindset for Blood of the Demon, and there's the same off-the-wall, anything-can-happen energy here. JV: You've been giving readers some great takes on DCU titles - any Marvel characters you'd like to tackle? Any artists you'd like to work with in the future? WP: Marvel has some great characters, but since I've got that DC exclusive, I won't be the guy writing them. Truth to tell, there are so many fascinating characters in the DCU - both the big names and the forgotten villains lurking in musty, yellowed coverless comics buried in the back of a quarter box - that I could easily and happily spend the rest of my life telling stories about them. As for artists, well, there are always plenty I'd put on a wish list - Frank Quitely at the top, probably, plus Doug Mahnke, Chris Sprouse, Duncan Fegredo, Kevin Nowlan, and tons of others I can't think of at the moment. I've already been lucky enough to work with people like Jill, my old pal Craig Russell (on a Hellboy: Weird Tales) story, Patrick Gleason on Aquaman, Kano, Dale Eaglesham and Leonard Kirk on Hero and I've got Pete Woods on Catwoman, Richard Corben (!) on Swamp Thing, plus a crafty newcomer named Byrne on Blood of the Demon, so I feel pretty lucky so far. And Chris Weston is doing some amazing stuff on a Batman: Legends of the Dark Knight three-parter. Wait til you kids see it. JV: Any other upcoming work you'd like to plug? WP: Well, we've covered Catwoman, Blood of The Demon, and Legends of the Dark Knight, so I guess that covers my current projects. If you have more free time than you know what to do with, you can always check out my blog, X-Ray Spex, at http://xrayspex.blogspot.com. It's full of pop culture blather, movie reviews and snippets of the embarrassing comics I made when I was a kid. This Has A "Star On The Rise" Factor of Ten Out of Ten Living in Twilight Here's a quick preview of Justin Gray and Jimmy Palmiotti's Twilight Experiment, a six issue miniseries coming out from Wildstorm. The series follows the son of the world's greatest hero, who has been locked away from the rest of humanity... until now. The art is by Juan Santacruz and the first issue hits this Wednesday. This Has A "Serenity's Light" Factor of Eight Out of Ten Gotta Catch 'Em All According to a recently issued press release, scientists have identified a new gene that facilitates the growth of cancer cells: the POK Erythroid Myeloid Ontogenic factor, which the scientists have named "POKEMON." So... Pokemon causes cancer. I suspected as much. This Has A "Kill Pikatu Before Pikatu Kills You!" Factor of Six Out of Ten Bendin' Again Over at Jinxworld, Brian Bendis has posted the cover to New Avengers #7 by David Finch, two of Michael Lark's pages from The Pulse #8 and Mike Mayhew's uncolored cover for The Pulse #9. Enjoy. Time for the week's acknowledgements: John sends his thanks out to Linda at http://www.imwan.com, Cap respectfully dedicates his Arana parody to Tom DeFalco "for all the years of great stories!" and I'd like to thank John and Cap for contributing. Until next time... stay cool. Later, Blair PS If anyone has any rumors, stories or news to share, please email me at blairm@silverbulletcomicbooks.com Thanks to everyone who has been sending stuff in. It's greatly appreciated. +++++ Items found in Rich Johnston's "Lying in the Gutters" column at http://www.comicbookresources.com/columns/ which are all rumors or gossip so take any of it with a BIG bucket of salt! Rich was chosen Best Comics Journalist in the 2003 Usenet Squiddy Awards, his fourth consecutive win. Write to Rich at: richjohnston@gmail.com Rich heard rumors . . . The cover to next week's Intimates from DC/Wildstorm differs significantly from the solicited cover image. There has been discernible retailer disquiet that this features a naked teenage breast on the cover. This is not a Mature Readers series. I understand that Edgar Wright Jr., director of "Spaced" and co- writer/director of "Shaun of The Dead" is to direct a movie based on the Oni comic book "Scott Pilgrim" by Bryan Lee O'Malley, for Universal Pictures. I understand Josh Blaylock, Devil's Due publisher is so pissed off with the creative team over the lateness of "Cannon Busters" from Devil's Due he's threatened to cancel it. I hear the ink is not quite as dry on the "Transformers" license between Hasbro and Devil's Due. Devil's Due may have balked at some of the terms demanded by Hasbro and may have passed on the license. Or at least, passed on it for now. BBC Radio Five Live had film reviewer Mark Kermode talking to Paul Greengrass about his upcoming Watchmen movie. Paul Greengrass describes "Watchmen" as "the greatest graphic novel ever written" with "important things to say about the world." And that "twenty years since, it's a prophetic novel whose time has come." Currently in preparation at Pinewood Studios in London, no one has yet been cast in the movie, because as Greengrass says, "It's an ensemble film. You can't cast them part by part, you've got to cast them all as one." He expects to be able to say more in a couple of months time. First, they've got to construct the sets, which may take six months. _________________________________________________________________ ------------------------ Yahoo! Groups Sponsor --------------------~--> Unbelievable Blog of the Week recommends: The Lincoln Fry Blog. Read all about the French fry that looks like Abraham Lincoln. http://us.click.yahoo.com/bBwbuA/eV0JAA/Zx0JAA/bGIolB/TM --------------------------------------------------------------------~-> Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the E-mag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. 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