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| << September26, 2005 - [ComicBooknet E-Mag] CBEM 542.02 |
September26, 2005 - [ComicBooknet E-Mag] CBEM 542.11 >> |
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------------------------ Yahoo! Groups Sponsor --------------------~--> Get fast access to your favorite Yahoo! Groups. Make Yahoo! your home page http://us.click.yahoo.com/dpRU5A/wUILAA/yQLSAA/bGIolB/TM --------------------------------------------------------------------~-> RUNEMASTER STUDIOS LEAVES ALIAS Press Release Studio Responsible for Lions, Tigers and Bears and The Gimoles Parts Ways With Publisher Runemaster Studios, Inc. has announced that it is severing ties with Alias Enterprises, effective immediately. Runemaster's partnership with Alias produced the sold-out mini-series Lions, Tigers and Bears, published through Image comics, as well as the debut issue of The Gimoles. The trade paperback collection of Lions, Tigers and Bears, also produced in partnership with Alias, sold out of its initial printing. "Our relationship with Alias initially seemed like a match made in heaven," stated Runemaster's President Mike Bullock. "However, the current direction Alias is pursuing no longer fits with our vision for Runemaster Studios, so we have no choice but to part ways." According to Bullock, Runemaster is terminating the licensing agreements for Lions, Tigers and Bears and The Gimoles for cause, due to material breaches committed by Alias. "It's unfortunate the situation has come to this," Bullock said. "We've exhausted every avenue of reconciling our differences with Alias and securing what is owed to us. This is a last resort, but we've been left with no other option." As for the future of Runemaster's properties, a new publisher has already been secured for a second Lions, Tigers and Bears mini- series, with the first issue of the series already nearing completion. Fans can expect to see it in stores in early 2006. The Gimoles #2 was delivered to Alias in mid-July for release in August, but has yet to appear in stores. According to Bullock, Runemaster has yet to receive a satisfactory explanation from Alias for the delay, nor has a new release date been established. "It's frustrating. I'd like to personally apologize to the fans who supported us by picking up the first issue of Gimoles," Bullock said. "This is something that's out of our hands right now, but I promise you, the story will be finished, one way or another." and this posted Response, 9/22/05 We at Alias are saddened to see this happen. Our relationship with Runemaster was positive overall, and we regret losing them as a client and a partner. The simple fact of the matter is that both series took a major loss. Gimoles sales were so low that we had no choice but to cancel funding on the project. We gave Runemaster the option of finishing out the series without advanced funding, and were awaiting their response when we read this PR on Newsarama. There was no material breach of contract. Obviously we hope for the best for Runemaster and its partners, and good luck to whatever publisher decided to pick them up. RE: Penny and Aggie, I personally hated to have to cancel that book, but it just came down to numbers, and they graciously understood. We're working on some other avenues of publishing that may allow us to pick it back up in the near future. I'd love to see us continue the series as an ongoing. __________________ Mike S. Miller Executive Director Alias Enterprises, LLC +++++ From the DC Comics Online Newsletter at http://www.dccomics.com DC's JUSTICE SELLS-OUT; CAVALIERI PROMOTED Press Releases JUSTICE PREVAILS AS JUSTICE #1 SELLS OUT AT DC JUSTICE #1, the debut issue of the new blockbuster maxiseries by Alex Ross, Jim Krueger and Doug Braithwaite, has sold out at DC Comics. The issue arrived in stores on August 3. "This is the best reaction I've had to any work of mine in the last ten years," says Ross. "I'd like to think I'm giving people what they want from me, and hopefully the sales show that. The first issue is really just a way to start us getting into much more cliffhanger-like moments of this war we're setting." "Alex, Jim and Doug have done a tremendous job getting this series off to a strong start," says Bob Wayne, DC's VP - Sales. "We urge retailers to increase their orders now on the next issue, so they'll have enough copies for all their customers." JUSTICE #2 (AUG050223) is solicited in the August Previews (Volume XV #8) and is scheduled to arrive in stores on October 19. DC Comics has no plan at this time to go back to press on this issue. Copies still may be available at retail. JOEY CAVALIERI PROMOTED TO SENIOR EDITOR Joey Cavalieri, editor of DCU projects including BATMAN: LEGENDS OF THE DARK KNIGHT, PLASTIC MAN, and the upcoming WARLORD, has been promoted to Senior Editor. Cavalieri is also the writer of THE FLASH #227-230. "I'm speechless," says Cavalieri. "No, really, speechless. Now I have nothing to complain about!" Dan DiDio, VP - Executive Editor, DCU, says, "Joey's promotion is much deserved. He is one of the most experienced editors in the business, able to juggle a wide variety of projects, from BIZARRO COMICS to SPACE GHOST to DAY OF VENGEANCE." Cavalieri first joined the DC staff in 1982 as Staff Writer, after three years of freelance writing for DC, including memorable issues of SUPER POWERS and THE HUNTRESS. After serving as Editor at Marvel Comics for four years, Cavalieri returned to DC Editorial. SUPERGIRL #1 THIRD PRINTING CORRECTION Please note that the correct price for the SUPERGIRL #1 Third Printing (JUL058321) is $2.99. Available for advance reorder order now, this issue features a new cover by Ian Churchill and is scheduled to arrive in stores on September 28. +++++ From ICV2.com Joe Quesada to Be Guest of Honor at the New York Comic-Con Terry Chu Will Handle Anime Programming September 21, 2005 Reed Exhibitions has announced that Joe Quesada, Editor-in-Chief of Marvel Comics will be a New York Comic-Con Guest of Honor, and will lead an all-star contingent of Marvel creators who will all be present at the inaugural New York Comic-Con, which will be held at the Jacob K. Javits Center from February 24th to February 26th, 2006. The show will be open to the trade only on February 24th and to the general public on February 25th and 26th. Officials at the New York Comic-Con, which will be a true pop culture convention, covering comics, games, movies, anime and other related industries, also announced several appointments to the staff which will oversee all special events and conference programming for the convention. Terry Chu, who has been involved in event planning and coordination for Otakon, has been given responsibility for all anime programming. In addition to his work on behalf of Otakon, Terry Chu has been involved in a myriad of other duties for several conventions. Chu is also the creator of FlyByNightDesign.com. Chu will work with Milton Griepp of ICv2, who will serve as Program Chairman, and Steve Rosato, Director of Strategic Accounts and Industry Development for BookExpo America (also managed by Reed Exhibitions), who will take on the additional role of Conference and Special Events Director. The number of industry leading companies participating in the New York Comic-Con also continues to grow with Darkhorse Comics, the Comic Book Legal Defense Fund, and the Sci-Fi Channel all signing up for participation this past week. In addition the Licensing Industry Merchandisers' Association (LIMA) has come on board, joining Diamond Comic Distributors, among others, as a co-sponsor of the event. LIMA's participation will open the show to the licensing community. The fact that the New York Comic-Con will have a "trade day," and that LIMA and so many key companies from pop culture-related industries will be exhibiting should make the New York Comic-Con an extremely attractive and useful destination for pop culture retailers. 'Ju-On' Helmer Tackles 'Parasyte' From Manga to Live Action Film September 21, 2005 Takashi Shimizu, who directed both the Japanese horror smash Ju- On and its successful American re-make, The Grudge, has signed on to helm an adaptation of Hitosi Iwaaki's Parasyte manga -- a science fiction chiller about alien spores that land on Earth and take over human bodies. New Line Cinema and the Jim Henson Co. are co-producing the live action Parasyte movie, which won't be able to go into production until Shimizu finishes The Grudge 2 for Columbia. The 12-volume Parasyte manga was one of the first series published by Tokyopop in the U.S. Then known as Mixx Entertainment, Tokyopop published all 12 volumes of Parasyte here in the States between 1998 and 2002. If and when the live action Parasyte film goes into production, don't be surprised to see Tokyopop reissue the Parasyte manga series. NBM Has 'Bluesman' Saga Formerly From Absence of Ink September 21, 2005 NBM has acquired the North American publishing rights to Rob Vollmar and Pablo Callejo's Bluesman graphic novel series. After publishing one volume Absence of Ink Comic Press told the creators that it would not be able to release the second volume. NBM stepped in and will publish the second 80-page installment of the Bluesman saga in January as well as reissuing the first volume at the same time. Vollmar and Callejo received an Eisner nomination for their first graphic novel collaboration, The Castaways, but the two Bluesman volumes are even more worthy of acclaim. Structured like a traditional twelve bar blues, with three sections each made up of four chapters, the Bluesman saga follows the harrowing adventures of the itinerant blues musician Lem Taylor as he flees across Arkansas in the late 1920s, hunted for a crime he did not commit, roaming from one juke joint to another. It is easy to see why this series is a hit in Spain and France (countries where blues music is more popular than in the U.S.) -- Vollmar's writing demonstrates a great affinity for the country blues medium as well as a good deal of historical research that grounds the Bluesman graphic novels in the hardscrabble realities of the deep South during the brutal Jim Crow era, while Callejo's graphic style interprets the visual aspects of the saga with an authentic feeling for the music and the period unmatched since R. Crumb drew his classic Heroes of the Blues cards. Comics Get Good Grades Again From 'Entertainment Weekly' September 21, 2005 In this week's edition of Entertainment Weekly's "Comic Books 101" four different reviewers gave good grades to four new comic book and graphic novel releases. Chris Ware's Acme Novelty Library hardcover from Pantheon got an "A" from Nisha Gopalan, who couldn't resist the "meticulously detailed comics of unmistakable Ware-iness" mixed in with those inimitable faux ads, "like the one touting feudalism." Abby West gave Kyle Baker's self-published Nat Turner comic book, which is based on Turner's own account of the slave revolt he led, an "A-" calling it "a hauntingly beautiful historical spotlight. Andrew Crosby's Damn Nation, published by Dark Horse, also received an "A-" from Marc Bernardin, who loved the "sharp political satire" and the zombie saga's familiar feel -- "the really good stories always feel like they've been around forever." Joe Casey and Tom Scioli's Godland (from Image) got the lowest grade in the class, but, what the heck it was a "B+" and reviewer Tom Sinclair said that "anyone who gets all misty thinking about Stan Lee and Jack Kirby's classic run on Fantastic Four will love Godland -- not exactly a bad recommendation. +++++ From The SCOOP! at http://scoop.diamondgalleries.com/ Baltimore Comic-Con Attendance Doubles Industry News, Scoop, Friday, September 23, 2005 Marv Wolfman was the Guest of Honor, the Teen Titans were the theme, and comics were the subject as the Baltimore Comic-Con celebrated its sixth annual show with this year's event at the Baltimore Convention Center September 17-18, 2005. The two-day show, which was followed by a Diamond Comic Distributors/Alliance Game Distributors Retailer Summit, enjoyed its best attendance ever. Marc Nathan, the show's promoter, said that attendance at this year's sixth annual show doubled the previous record. "I don't want to get into the new math that conventions seem to be using in determining numbers lately, but I will say, based upon how packed the show was, and retailer response on both Saturday and Sunday, I am very grateful to have had such great guests to help double attendance at the Baltimore Comic-Con," he said in a press release. Many of the creators, retailers and publishers echoed the estimation of the crowd size. "We had a fantastic time in Baltimore," said Shi creator Billy Tucci. "It doesn't surprise me at all to hear that the attendance increased substantially. Combine that with the wonderful fans and the great way Marc and the con staff treat everyone and you can see why this show is a hit. We had a line at our booth for almost the entire show." "It was definitely easy to see that the show was more crowded, particularly on Saturday, which was really packed," said John Clark, Editor-in-Chief/Disney Comics for Gemstone Publishing. "Don Rosa was set up right next to us and had a line for the entire show. It was really enjoyable to see first hand the reaction to The Life & Times of Scrooge McDuck from the Baltimore fans." Next year's Baltimore Comic-Con is set for September 9-10, 2006. +++++ From Blair Marnell in his ALL THE RAGE Gossip Column at: http://www.SilverBulletComicBooks.com Write to him at: blairm@silverbulletcomicbooks.com RUMOUR BARRIER "I accept that the following material is rumour and gossip, intended to entertain only. I won't repeat the information inside as fact. I understand if I want the truth, I will go to Silver Bulletins. I enter freely with my mind open and my blinkers off." Now, on to the rumours . . . [NOTE: this column may be slightly edited for language. - D.L.] Exile On Main Street By Blair Marnell Welcome back to another edition of ATR. Alright, enough talk. Let's rip this joint. Grr... Argh... There's some surprising news from the House of Marvel this week. It seems that there will be a new five issue miniseries spinning out of Mark Millar and Greg Land's current Ultimate Fantastic Four story arc. As readers of that title already know, it deals with Ultimate Reed Richards journeying to an alternate Earth overrun by zombie versions of Marvel's superheroes. The way I hear it, the new miniseries is called Marvel Zombies and takes place entirely on Earth 615, Earth Z, the Zombie world... whatever they're gonna call it. Someone will probably come up with a new name for that world. As for the creative team, the mini is being written by none other than Robert Kirkman, who's had a lot of zombie experience on his creator owned title, The Walking Dead. Sean Phillips (Sleeper) is said to be the artist attached to this project. The early word is that the Marvel Zombies miniseries will be out in December. If so, I think we can expect an official announcement sometime soon... This Has A "Hulk Is The Hungriest One There Is!" Factor of Ten Out of Ten Amazon Rumors On The Moon Over at his Yahoo group, Adam Hughes had some strong words regarding Rich Johnston's latest LITG, in which Hughes was said to be two issues in on All Star Wonder Woman: Quick rumor control: I'm not two issues into ANY project right now. I'm busy trying to repair some corrupted files from a complete computer crash and subsequent (semi-successful) data rescue that happened right before Dragon*Con. I just finished my SERENITY cover, trying to polish off CATWOMAN 48 touch-ups, gotta start CATWOMAN 50, and a million other things. REPEAT: I have not started any interior work yet. I have no reason to lie. I would LOVE to brag that I'm 2 issues into a project. LYING IN THE GUTTERS is fabricating lies and falsehoods. I have never spoken to that guy, he's never e-mailed or called us to do any kind of fact-checking whatsoever. He's never responded to Allison's offers to provide fact-confirmation. He's also gotten the details of our SERENITY raffle WRONG. Please tell everyone you know that this guy is not a journalist, don't think you are getting facts from him. Johnston replies: Never had an email from Allison that I recall, and I never write unfounded stories. This came directly from someone at DC. Which means something is odd here. Someone is spinning. And I don't know why. Will amend and retract based on what you've posted here, Allison. Many apologies. Just so you know though. I never make up stories. To be fair, the rest of Johnston's report appears to be solid. While Terry Dodson neither confirmed or denied the rumor that he would be the artist on a relaunched Wonder Woman book, he did say that he has just received a synopsis for the first issue of his next project. So, interpret that as you will... This Has A "Hippolyta's Belt" Factor of Seven Out of Ten Cybertronian Horizon There have been a few rumblings about "a big weekly Transformers event" next summer from IDW. Details are sketchy at the moment, but I'm told that it's not a crossover. So don't expect 30 Days of Transformers or anything like that. But then again, that could have been fun too... This Has A "Space Bridge" Factor of Six Out of Ten Harsh Light of Day One of our ATR Associates at Harris has passed along some tidbits about the upcoming Vampirella: Revelations maxiseries. SPOILER WARNING! Peruse the text below with your cursor if you don't mind spoilers. Mike Carey's arc destroys Vampirella's identity and forces her to start establishing a new one virtually from scratch. Over the course of the maxi-series she's overwhelmed by feelings of isolation and helplessness which she overcompensates for with a new meanness and arrogance she throws up as a shield. In the second arc written by Priest, as part of establishing a new identity she adopts a civilian persona where she'll put on civilian clothing when she's not fighting evil. Eventually though these harsher feelings break down when she discovers she does have family left: her old companion Pendragon. Thing is, he may or may not have just been murdered and she goes off in search of the truth.... This Has A "Blood Flow" Factor of Nine Out of Ten All Lost Souls Sign In Here As a creator, Colleen Doran is best known for A Distant Soil, though her collaborations with Warren Ellis on Stealth Tribes and Orbiter have earned her several new fans. For her latest project, Doran is teaming with J. Michael Straczynski on The Book of Lost Souls, a monthly book under Marvel's ICON imprint. While this is their first time working together, Doran's association with Straczynski goes way back, as she elaborates: I first met J Michael Straczynski about ten years ago at a Wizard World convention in Chicago. I was a major Babylon 5 fan and Walter Koenig was there also, so I was in giggly fangirl mode. I went to one of the event parties and got them to sign my name badge. I was so nervous to meet Straczynski and he was very gracious and tolerant because I was an utter boob. Completely enamored of his work. He mentioned that he liked my work too, but I was sure he was just being polite. Then about a year ago, I was having a professional problem and out of the blue, I got this very kind note from him. He had tracked down my email and taken the time to jot me a little letter to pep me up. That was incredibly decent of him. I couldn't believe that someone I admired as much as Straczynski was taking the time out to drop me a line like that, especially since I have had no contact with the guy except for saying "Hi!" to him at a couple of conventions. He went on to mention that he had a project in mind and wanted to keep the lines open in case I might be interested. I didn't want to get my hopes up, but when a script showed up some months later, I was drooling at the chance to get the gig. It was such a great concept! I really, really wanted this job! I went ahead and did some audition pages, and then I waited a very uncomfortable time to hear the news. I knew they had some other real talents up for the gig, but I got the call from The Great Maker and I was just squealing into the phone! I was so happy! I think I blew Straczynski's eardrums out. I had a look in mind for the work, a style I have not really used before. I always change my art style to fit the project, so there are some similarities in the work I am doing on Lost Souls to the look I came up with for Orbiter, but Lost Souls is more developed and in some ways, more detailed. And it was very important that I do the inks as well. Inkers have a terrible time with my work because a lot of my stylistic quirks are unique to me and some inkers don't understand what I am doing. Sometimes they just get frustrated and take the details right out, going over large areas with flat black to save time. Moreover, my hatching techniques are almost impossible to draw in pencil, so it's murder trying to draw them so an inker can go over them and match them. It just seems like an enormous waste of time for me to work with an inker when I can do all the work myself faster than I can pencil a book alone. Since I am doing all of my own art on this book, I don't have to worry about adjusting a style to match the inker's expectations. For example, I can work with my customary tools and at my own preferred size original art which is quite small at less than 8"x12". This saves a lot of time. And I just do quick breakdowns and go straight to ink, so I can complete a full issue in a month, with a few days left over for fudge factor. This project has pretty much convinced me that I won't be working with inkers anymore. As good as Bob Wiacek was on Reign of the Zodiac inks, the book would have gone much faster with me doing the inks and pencils alone. In a couple of issues, there are fantasy sequences, portions of the story that take place outside of reality, and I use another art style on those sequences. Part of it is printed directly from pencil. This is easy for me to do myself, not so simple with an art team. And of course, the colors just make the thing pop. It looks so gorgeous. I am really excited to see my work with this fancy computer process color in a monthly book. The Book of Lost Souls is about as Vertigo a project as Marvel has attempted in many a year. It's not a superhero book. It's gothic in tone. I am really in love with this project. Jonathan is the main character, a young man who, in 19th century London, decides he has no future after being rejected by his only love, rejected by his family, pushed aside at University. He's standing on a bridge when we meet him, ready to dive off. A man approaches, a man carrying a large book. He blithely tells Jonathan he can have the book as a dead weight. It will help him sink when he drops off the bridge. Nice. Anyway, Jonathan takes the book and takes the plunge. When we next see him, it's the 21st century and he goes on to meet the extremely creepy Dark man, Mystery the talking cat, and is saddled with his tasks in the afterlife: affecting the destinies of Lost Souls like himself. Jonathan is a romantic figure in the classical sense. Not a sappy bodice ripper from a romance novel, but a brokenhearted idealist who lives an expansive adventure. It's nice for me as the artist that he is also terribly handsome and wears a cool Victorian coat. My job is a real pleasure, I must say. If you're expecting Touched by an Angel, forget it. This book has references to angelic lore, but not everything about angelic lore is warm and fuzzy. We're not really sure what we're dealing with in this story. We have some happy endings. We have some not so happy endings. Readers are not certain where this book is going to be heading. Lost Souls is a new direction for Marvel and I am anxious to see how this all plays out. As a reader, the project has me hooked. I don't even want to know where it is heading until I get script. I want to have fresh eyes with each book. I am working on issue four right now, so we are really chugging along at a good pace. It's good to have this kind of project as a monthly, too. Reign of the Zodiac involved extensive costume and set design every issue, but Lost Souls is grounded in reality for the most part, so I am not having to invent new styles of architecture and dress on every page, so I can concentrate on draughtsmanship and storytelling. So far, everyone who has seen it says it is my best work. It is atmospheric and textured, and I am happy with the range. It is quite different than the style I use on A Distant Soil, which is more lyrical and pretty, but the figure work is more developed than on Orbiter. I am very excited about this project and am enjoying it immensely! This is the kind of book I would be reading, but it is even more fun to be drawing it!!! This Has A "Dreamtime" Factor of Ten Out of Ten Intimidation Game Neil Kleid (Ninety Candles) is writing a new series for Jim Valentino's Shadowline called The Intimidators, about a 1960s superhero who is brought to the present and stuck with a team of amoral modern heroes in "a world beset by robot mafia, killer models and Republicans." So basically, it's like Captain America joining the Authority. Sounds like fun... And I like the tagline: "Attacking Evil Where It Lives - And Kicking It While It's Down! Repeatedly!" Art chores are being handled by Miguel Montenegro, whose work can be seen here. http://www.miguelmontenegro.com/ Expect this one in December. This Has A "Crash & Byrn" Factor of Seven Out of Ten Cosmic Odinson Michael Oeming has posted some sketches from his upcoming What If Thor Was A Herald of Galactus? one-shot. Oeming will be providing the art and Robert Kirkman is onboard to script it. http://www.606studios.com/bendisboard/showthread.php?t=31736&page =1&pp=10 This Has A "Terror of Terrax" Factor of Eight Out of Ten Who's That Girl? I've heard that Peter Milligan and Duncan Fegredo's Girl, a three issue miniseries from Vertigo (from 1996) might be up for a trade paperback. Which took me by surprise, since I thought that there had already been a trade, but apparently not... This Has A "My Life As A Corpse" Factor of Seven Out of Ten Futurius Tense Daniel Lundie sent us a few preview pages from the Futurius: Tales From The Plex anthology coming out around the end of November. The art is by Pedro Santos and Matt Weldon from stories by Chad Nevett and Blake M. Petit, respectively. Lundie also extended an invitation to ATR readers who might want to be involved with the book. They're actively looking for extra artists, inkers and letterers. Anyone who can contribute those talent are welcome to join up at http://www.futurius.net/plex/index.php and visit the members-only Studio Futurius Plus forum for the FAQs and full info. This Has A "Node Warriors" Factor of Eight Out of Ten Just a reminder before I sign off, the Inkwell Auctions for Hurricane Katrina victims are still ongoing and new auctions were added as recently as last Friday. The newest auctions include original artwork by Lee Bermejo, Mike Mayhew, Michael Gaydos and Tim Bradstreet, along with a signed Stan Lee Spider-Man movie script from the 60s. For more info, please go to http://www.inkwellrelief.com That's all folks. See you in seven. Later, Blair PS If anyone has any rumors, stories or news to share, please email me at blairm@silverbulletcomicbooks.com. Thanks to everyone who has been sending stuff in. It's greatly appreciated. +++++ Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the E-mag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. All contributors are required to use their real name and have a valid Email address for their columns to be published. 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September26, 2005 - [ComicBooknet E-Mag] CBEM 542.11 >> |
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