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| << November26, 2005 - [ComicBooknet E-Mag] CBEM 551.05 |
November26, 2005 - [ComicBooknet E-Mag] CBEM 551.07 >> |
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------------------------ Yahoo! Groups Sponsor --------------------~--> Get fast access to your favorite Yahoo! Groups. Make Yahoo! your home page http://us.click.yahoo.com/dpRU5A/wUILAA/yQLSAA/bGIolB/TM --------------------------------------------------------------------~-> ----------------------------------------------------------------- COMICS OBSCURA Mike Curtis shandafa@cyberback.com [COMICS OBSCURA are facts Mike Curtis has dug out during his 30 years of collecting Superman and writing about comics. His website for his comic imprint is www.shandafantasyarts.net ] PERILS OF LIVE TELEVISION Lee Marvin had one of these experiences in the 1950's. He was playing a detective in a live drama and the script called for a rapid scene change. Marvin finished his dialogue in a room, as the view faded, and then ran across the set to a telephone booth for his next scene. He hit the booth running and began the scene. Meanwhile the false booth began to roll across the studio, picking up speed as the camera followed until both Marvin and the booth hit a wall. _________________________________________________________________ ----------------------------------------------------------------- [8] ComiX-Fan Reviews Eric J. Moreels x-fan@bigpond.net.au http://www.comixfan.com/xfan [Editor's note: Some of the following reviews have spoilers to plot details. This is a TEXT ONLY newsletter so those spoilers are not hidden by HTML code as they are on the ComiX-fan site.] X-MEN: DEADLY GENESIS #1 Reviewer: Robin Lewis, lucillerobin@aol.com Story Title: Deadly Genesis: Part one (of six) Just when you thought the X-Men had run out of skeletons in the closet... Writer: Ed Brubaker Penciler: Trevor Hairsine Inker: Kris Justice Colorist: Val Staples Letterer: Dave Lanphear Production: Brad Johansen Assistant Editor: Nathan Cosby Editor: Mark Paniccia Editor In Chief: Joe Quesada Published by: Marvel Comics Not for the first time, I have been proved wrong. Here was I, happily content in thinking that the energy signature at the end of House of M was that of the returning Phoenix, when along comes the first issue of Deadly Genesis to ruin my comfortable mood of resigned irritation over the umpteenth resurrection of Jean Grey. It wasn't her. I'm not entirely sure who it is that's risen from the grave (though with the links to Giant Size X-Men I'm sure you can take an educated guess - it'll be wrong, but it's fun to guess), but finding out it isn't Jean robs me of some righteous anger I'd been storing away for the occasion. Dammit. Then again, maybe I should have expected to be surprised. This is Ed Brubaker, after all. The man who made Sleeper the most convoluted sequence of table-turning double-crosses since The Big Sleep. Not to mention the astonishingly stylish way he's resurrected Bucky (apparently, anyway - Brubaker may have a few twists and turns left there), one of the few characters (along with Uncle Ben and, uh, that's it) people thought Marvel could never bring back from the dead in a way that wouldn't immediately result in the EIC being burnt in effigy throughout the land. Actually, considering the job he's done with Bucky, when Marvel do get around to resurrecting Jean they could do a lot worse than put the story in the hands of Brubaker. But that's a tale for another day. Deadly Genesis is about something else entirely. I'm just not sure what yet. There are clues scattered around the book to give us hints, and there's enough here to come up with a decent theory, but I'm not betting on anything just yet. The solicitation for the book hinted that there would be ties back to the beginnings of the modern X-Men and the revelation of something Professor X has been keeping hidden for several years, so we might be on the way to another clanging retcon that will enrage continuity wonks the world over. I doubt it, though. Brubaker has seamlessly introduced Bucky into Captain America, making everything click into continuity as if it were part of Marvel's plan since the creation of the character. I think he can be trusted to come up with something that blends in with the X-Men's history, rather than a rewrite of it. There will probably be fans of Xavier that baulk at yet another skeleton in his closet, but personally I'd welcome a bit more colour into a character that's always struck me as being rather bland and po-faced. I'm not saying I'd welcome ol' Charlie being unmasked as the guy on the grassy knoll, but I think I could buy him as more driven and ruthless than he's been shown in the past. Anyway, the story: as the Beast points out, in a closed universe all the energy that's been taken from the world's mutants has to go somewhere, and it looks like it's been transformed into a wake up call for some faces from the past. Whether or not they're faces we've seen before isn't yet clear, but it's someone who's familiar with the X-Men. Memories from their past are haunting the X-Men, whether it's Nightcrawler's angry mob or Moira making an appearance to Sean Cassidy and leading him to the first clue in the puzzle. A small team go out to investigate the space shuttle that a disabled Emma Frost has seen plunging to the Earth, and end up getting their butts handed to them by ... someone. We're in set-up country here, but it doesn't feel drawn out yet. The pace isn't powering along on all cylinders, but this isn't Ultimate Nightmare. Trevor Hairsine does a nice job on the art, though Kitty's face occasionally looks a bit skew-whiff. Hopefully he'll keep the book on schedule for its run. I'll believe it when I see it, though. Marvel's late books have long since crossed the line from 'occasional and irritating' to 'laughably amateurish and horrifically embarrassing'. There's a back up story here too. Petra, written by Brubaker, drawn by Pete Woods and colored by Brad Anderson. It provides a fairly large clue as to what might be the dark secret Xavier's been hiding for all these years. A young mutant with the power to control the earth around her gets in trouble with the law, only to be released into the custody of a mysterious benefactor. Well, I say mysterious, but it's pretty obvious who it'll turn out to be. Unless Brubaker is really planning on pulling the rug out from under me. Her power makes an appearance in the main story, so we'll no doubt be seeing her again soon. The great thing about this book is that it feels like it's actually going somewhere. Since the House of M finished the mutant books have been given something that's eluded them for years: a sense of direction. The feeling that there's a plan behind the line gives one hope for the future, as well as driving home the fact that the X-Books have been waddling around for a couple of years with no hint of anything in particular driving the action and no over-arcing plan behind the skipfull of satellite books that were launched after Morrison left. You might not like where the books are heading, but you can't deny that it feels as if there's at least someone behind the wheel these days. The proof in the pudding will come during the rest of the series, the other books of Decimation and the stories that follow it, but this is a good start. ART: 4.0 STORY: 4.0 OVERALL: 4.0 X-MEN #177 Reviewer: Robin Lewis, lucillerobin@aol.com Story Title: House Arrest: Losing It (part one of three) Another X-Man joins the list of the de-powered. Writer: Peter Milligan Pencils: Salvador Larocca Inkers: Danny Miki with Allen Martinez Colorist: Liquid! with Avalon Letterer: VC's Cory Petit Assistant Editor: Sean Ryan Associate Editor: Nick Lowe Editor: Mike Marts Editor In Chief: Joe Quesada Publisher: Marvel With the newfound sense of direction in the mutant line of books I had hopes for Milligan's run on X-Men to pick up the quality. The book has meandered through a few mediocre stories, lacing the usual mutant soap-opera with some (but, disappointingly, not enough) of Milligan's trademark oddness and black humour. Those who had their doubts about Milligan being the right guy to put in charge of one of the core X-Books were finding themselves to be a an ever growing number. There's no question of his talent and ability, but the number of people who've been able to take on an X-Book and make it work since Claremont redefined them way back when have been few and far between. Recent evidence hadn't suggested Milligan was one of these happy few. In fact, every new issue of X-Men seemed to drive home the point that the boundaries and conventions of the line were stunting the very qualities that made Milligan's most enjoyable books so good. But with some new ideas thrown his way with the Decimation Milligan might yet make his tenure on X-Men successful. Things pick up where Chris Claremont's House of M epilogue left off. There's some mutant-hating thugs hiding in the woods just outside the mansion, and Sentinels have landed on the front lawn. It's not a good day to be an X-Men. Especially if you're Bobby Drake. Or, as it turns out, Lorna Dane. Frankly, this isn't much of a change in either of their cases. Neither of them has had much cause to be cheery for a fair length of time now. Bobby Drake has been the mansion's resident sourpuss for so long he's become a frosty version of the Grinch, and Lorna has had to cope with being inexplicably written as if she were a cross between a lunatic and a teenage moron. These haven't been the best of times for anyone who remembers their glory days (I can't remember Iceman's glory days myself, but I have fond memories of Lorna Dane in Peter David's X-Factor). Also, her costume makes Lorna look like some unhappy cross between a dominatrix and a circus clown. Now that she's lost her powers one hopes that she'll choose to walk around in something sensible. Hey, maybe Decimation isn't all bad news for her. With two members of the team now depowered it looks like Milligan is going to have plenty of material for delving into the psyches of a newly vulnerable mutant. This isn't a completely new idea, of course, but it's still potentially a very good one. When Storm lost her powers many moons ago it was the making of her character. It might be that Decimation will provide the same new lease of life for Bobby and Lorna. Lord knows they could do with it. Aside from the discovery of Lorna's sudden normality, most of the issue is simply a knockdown fight with the Sentinels, who seem remarkably restrained. Emma Frost discovers the reason for this, and it lays to rest one of my fears for the X-Books that came into being after reading the House of M epilogue: that of the Sentinels being let loose on mutantkind and a sudden return to the days of the X-Men being hunted across the land. We've been there and done that. Happily, it seems that these particular giant mutant-killing robots didn't turn up to cause havoc. I'm not sure what they are there for, but for now I'm just glad we're not going to be getting yet another re-run of the classic Days of Future Past. Giant mutant-killing robots only work when they're killing lots of mutants. If they're continually beaten with little or no cost to the X-Men they cease to be scary, and since Marvel aren't going to suddenly wipe out half the team in a Sentinel attack they're going to stay unscary and uninteresting unless someone can do something new with them. During the fight one of the Sentinels manages to crush a large section of the mansion. Rant time. I've had it with this. How many times over the past year or so has the mansion been destroyed? It gets blown up in this book, but in that book everything's fine. It's long since lost any impact it should have as an event, because it has no consequences and no reason for happening beyond a cheap way of cranking up the tension. Stop blowing up the damn thing unless it's going to stay blown up. The same thing goes for the Blackbird. They go through those things like normal people go through Pringles. Anyway. The art is still very pretty, though someone went overboard on the green this month. Almost every page is smothered in shades of the stuff, making everybody look slightly travel-sick. Everything's rendered very nicely, though. The issue doesn't breathe fresh life into Milligan's run as much as you might hope, but it's a hell of a lot better than most of the stories he's been putting out in this title recently. It's a competent start, and, as with the other mutant books, the feeling that this is all going somewhere is a new and comforting one. It's mostly just set-up for future stories we're seeing here (and my guess is that's what we'll be seeing in most of the other X- Books until the new year), but for the first time in a long time I'm interested in the line as a whole. ART: 3.5 STORY: 3.0 OVERALL: 3.5 WEAPON X: DAYS OF FUTURE NOW #5 Reviewer: Brian Wilkinson, bewilkinson@yahoo.ca Story Title: Days of Future Now: Part 5 of 5 Around and around we go, where we stop, only the future knows. Tieri's dark and visceral future-imperfect story concludes! Written by: Frank Tieri Pencils by: Andy Smith Cover by: Bart Sears Inks by: Mark Pennington Colors by: Michael Atiyeh Letters by: Dave Sharpe Editor: Sean Ryan Supervising Editor: Mike Marts Editor in Chief: Joe Quesada Published by: Marvel Comics Weapon X: Days of Future Now seemed an underdog book from the outset. Set around the final events of Frank Tieri's ongoing series Weapon X, fans were given this homage of sorts to what was deemed an unfair and cruel editorial decision to can the book. Towards the end of Weapon X it seemed a sort of kindness as every attempt being made to drum up more sales and interest only made it more convoluted towards the end. With this series, we get to see how the famous events of 'Days of Future Past' came to be. A future, not too far from now, where mutants are hunted and executed by robotic killers. After the events of last issue which set up Magneto as a mutant hero after the tragic deaths of some of Earth's mightiest heroes, it seemed almost as though that issue in itself is the optimistic conclusion. As I read this issue, particularly at the end, I couldn't help but think of Wolverine's line from the first issue: "Some futures are just meant to be." It's a sad ending in many ways, but it's also a great twist ending on the scale of an M. Night Shamalama- ding-dong b[]i[]Sixth Sense[/b][/i] guy. Readers won't see it coming, but after I put down the issue, I couldn't see it working any other way. There's no real resolution here to sink your teeth into, but you don't really get the feeling that the book is poorer off because of it. It shows how a few events can change the course of history in these books, and none of it for the better. There are some great Wolverine moments, some amazing revelations regarding Phantomex, Master Mold (which gave me chills) and even Malcolm Colcord. The only real let-down was the use of Brent Jackson as it felt forced and unconvincing. Jackson was barely used in the issue, and the one-off panel describing his involvement didn't live up to the hinted promise in the last issue. All told, this has been an excellent mini-series and is a must- have for any X-Fan. Lots of excitement, twists, and character development. It's also particularly gratifying to see Tieri write Wolverine again as he's one of a handful of writers who has ever done him justice. I'd love to see Tieri on an X-book again sometime in the near future. The book and the series have its flaws, but it's hard to pin them down as this was an ambitious project in the first place. Taking five issues and spanning more than 30 years is a feat and not many could have pulled it off as well as Tieri. That said, it's hard to really get into the meat of the characters in so short of a space which is this books only real downfall. It's like a history lesson without any deep background on the generals. It still works well and you get the highlights, but only an extension of the series would have afforded fans the closer look this book deserves. I don't want to give away the ending, but so much of it reminds me of Stephen King's epic, The Dark Tower. If that gives away too much, forgive me, but I couldn't help but point it out as it's an amazing device that serves both that series and this one remarkably well. Go out and pick it up. ART: 3.0 STORY: 3.5 OVERALL: 3.5 ULTIMATE X-MEN #65 Reviewer: Kevin Sutton, kevinsutton@cheerful.com Story Title: Magnetic North Part Five If Alex does end up in jail, Scott probably won't finish that sentence. Writer: Brian K. Vaughan Penciller: Stuart Immonen Inker: Wade vonGrawbadger Colorist: Justin Ponsor Letterer: Chris Eliopolos Production: Jacob Chabot Assistant Editors: John Barber and Nicole Wiley Editor: Ralph Macchio Editor in Chief: Joe Quesada Published by: Marvel Comics Brian Vaughan's run concludes not with an explosion or a whimper, but rather in a rush of intrigue and revelation. The grand finale contains some resolutions for plots Vaughan or other writers began, but other matters are still left unresolved. But while the conclusion doesn't attempt to finish off every single plot thread Vaughan began, this finale proves that there's no reason that Kirkman or others can't in turn take care of Vaughan's leftovers. Unfortunately, the reader may still feel a little cheated by the way some minor issues are just dealt with in an all-too quick manner. As usual this issue features great dialogue, including the usual strong one liners, but the dialogue can also be quite meaningful as well. But there are also less obvious advantages to Vaughan's dialogue. Unlike some writers Vaughan can create different vocabularies and speech patterns for his characters. Could anyone other than Magneto refer to Polaris' supple neck in this comic? (Well okay, at least one other person...) Would anyone other than Kitty be willing to refer to Iceman as 'cool' without it being a too obvious pun? The plot of this issue is itself quite surprising, and very well put together. Magneto's immediate plans are realistic and conservative by his usual standards. The prison break doesn't lead immediately into a attempt to crush the world. Instead, he's keeping it simple and keeping to one goal at a time. I'm sure he still has his planet smashing temper, but things are currently going far too well for him to lose his patience now and jump straight into a crazy scheme. The cliffhanger from the previous issue is resolved in a more than satisfactory manner, as Vaughan takes advantage of the earlier Longshot story's ironic twist to provide a karmic balance in this one. In what was no small coincidence I'm sure, Dazzler and Angel's went off on their own against orders, which easily parallels the events of the Longshot/Mojo story in behaviour if not specifics. It seems all too appropriate then that the two misadventures would end up inherently linked. While I was made aware of Magneto's specific escape plan prior to reading this issue, the individual scenes were so compelling on a page by page basis that I momentarily forgot where everything was going. Vaughan has proven here to be capable of creating action sequences that are event and character driven rather than art driven. That's a definite plus, because some artists are incapable (or perhaps not allowed) to go beyond a script to create something worth studying. There's no generic fight pin ups here. The colours continue to be the strong point of this comic's art team. The effects are eye catching, the colour schemes create a strong sense of atmosphere, and there's even some symbolism. But the latter appears in this issue in the for of the large oddly coloured 'money shot', which seemed designed to reflect Magneto's dominant colour scheme somewhat. Usually I like stuff like that, but in this case the colours seemed too inappropriate for the subject. The pencils and inks were a little choppy, and there were varying degrees of evocative strength in the images. It's hard not to notice in the inherent weakness of the Immonen's work, but overall it's still a positive display with some great little details and expressions. Notable weak moments include Lorna's inexplicably huge hair, and the X-team's all-too-cliche sad reaction shot. I should also mention the Vision backstory in this comic. It's the second of six, but it's surprisingly accessible. The story is quick and to the point. The colours are kind of boring, and the art a little simple; but it's a strong story for four pages. The final words are foreboding, but I feel common cause with the subjects in feeling as if my efforts, (to read the story in my case) were a little pointless. As a story on its own, this might be worth reading, but I wouldn't go out and collect other titles I don't want to see this tale come to its completion. (Especially when I know it won't be really resolving what was foreshadowed in this segment anyway) Vaughan's run in general seemed to bend the relations between all of the main characters, with several bonds being forged or broken here and there; and all the while the X-men amassed a small array of enemies most of which appeared in this final story, even if they weren't necessarily important to the final plot. After exposing the X-men to a new rogue's gallery, Vaughan brings the X-men back to their roots with their oldest adversary in this finale. Only occasionally was Vaughan's run truly focussed on the mutant mythos, instead relying more heavily on personality conflicts within the stories to drive interest and events. This stands in contrast to the politically outspoken Millar and conspiracy minded Bendis and their runs which reflected this. I'm sure many X-fans will differ on the value of Vaughan's individual interpersonal machinations, but overall I think it provided a good contrast to the previous runs and a strong undercurrent to all of the stories. Additionally, Vaughan established certain behaviours and motivations in the protagonists and antagonists, and that obviously serves the title well as it did earlier in its life. This final issue is not everything the build up would suggest it should be, but it was just about everything it could have been. So while I am disappointed that some plotlines came up short, this is a more than satisfactory climax. Vaughan has closed a chapter but left much still open for the next writer. I often enjoy reading into the dialogue for a message from the author, and Magneto's words in the final two pages are as clear an example of that as you will find anywhere in Vaughan's work. Hopefully the next author(s) are prepared to follow that advice. ART: 3.5 STORY: 4.0 OVERALL: 3.5 _________________________________________________________________ ----------------------------------------------------------------- COMICS OBSCURA Mike Curtis shandafa@cyberback.com [COMICS OBSCURA are facts Mike Curtis has dug out during his 30 years of collecting Superman and writing about comics. His website for his comic imprint is www.shandafantasyarts.net ] IT MIGHT HAVE BEEN A DIFFERENT STORY IF THEY WEREN'T WRITTEN BY EDITOR FORRY Comic book fans in the early 1960's first learned their heroes had been on film in the magazine SCREEN THRILLS ILLUSTRATED, published by FAMOUS MONSTERS mogul James Warren, with help from FM editor and notorious punster Forry Ackerman. One section of the publication was PRIVATE SCREENING, an offshoot of FM's YOU AXED FOR IT, where readers requested seeing stills from films. In reading issue 3 of SCI, one sees the fine hand of Forrest Ackerman in some of the fan names requesting looks at their favorite movies. A still of someone being cremated was asked for by "Moe Fisto". A still of Red Barry as RED RYDER was requested by Eliot Laine (Will Bill Elliott and Rocky Lane also played Red Ryder) and the name A.C.TOEN appears below a photo of Charlie Chaplin. _________________________________________________________________ ----------------------------------------------------------------- [9] Rich's Reviews Richard Vasseur richardv@sympatico.ca http://www.jazmaonline.com [Rich has been collecting comic books for about 25 years. He belongs to two comic book clubs Jazma and ORCA. He has been writing reviews for Jazma's paper newsletter for about 2 years and has his own review page at www.jazmaonline.com] SPOILER WARNING: Some plot details may be revealed in these reviews! Title: Kolchak: Tales of the Night Stalker # 7 Publisher: Moonstone Writer: Dave Ulanski Penciler: Kirk Jarvinen Inker: Keith Williams Price: $ 3.50 US Rating: 5 out of 5 stars Comments: The story starts off nice and calm with Kolchak just a reporter wanting to do his job. That is investigating shadow and plant monsters. As we watch Kolchak we can see him using his investigative skills to track down the story. He also uses the help of anyone around him. He knows how to use any resource available. Saggoth the shadow monster isn't really a monster he is just protecting his city. His shadowy form is a menacing creature of the night. Poor Kolchak he does the right thing. He tries to help. He goes after his story but he suffers for it. But he still goes on. Title: Legion of Super-Heroes # 11 Publisher: DC Writer: Mark Waid Penciler: Barry Kitson Inker: Mick Gray Price: $ 2.99 US, $ 4.00 Can Rating: 4 out of 5 stars Comments: Invisible Kid gets the chance to shine. He takes command and shows that he is a good leader. Now the art showing the being called Firm Concept is wonderful. You can see the clouds and lightning they look almost as if they are moving. It is also nice to see so many legionaires. They are all well drawn. Brainiac 5 has set himself a near impossible task. We also see him displaying emotion which he rarely does. So seeing tears from him is unbelievable. The closeup of his face is amazing, so full of sadness and frustration. The second story written by Mark Waid, penciled by Dale Eaglesham and inked by Art Thibert is a story full of heroism. As ordinary citizens act with courage. They are inspiring. Title: House of M # 8 Publisher: Marvel Writer: Brian Michael Bendis Penciler: Olivier Coipel Inkers: John Dell, Scott Hanna & Tim Townsend Price: $ 2.99 US, $ 4.25 Can Rating: 4 out of 5 stars Comments: Almost all the mutants have lost their powers. The Scarlet Witch turned all but a handful of mutants to just ordinary humans. Iceman and Magneto are among those left powerless. Even the Scarlet Witch took away her own powers so she can live a life of carefree happiness. But how will this effect the Marvel Universe? There will be ramifications. Seeing Magneto powerless you can see it is the worst thing that could happen to him. He is devastated and a pitiful shell of his former self. Seeing the Scarlet Witch completely cured and happy was the one great thing that happened and it brings a feeling of comfort. Things will never be the same after this. Title: New Avengers # 12 Publisher: Marvel Writer: Brian Michael Bendis Penciler: David Finch Inker: Danny Miki Price: $ 2.50 US, $ 3.50 Can Rating: 2 out of 5 stars Comments: Hundreds of hand ninjas attack the Avengers. Now you would think it would be action filled. But it is boring the fighting. The banter is somewhat amusing. Spidey and Cap seem almost to be competing at it. The Hand, Madame Hydra and a faction of Hydra with the Silver Samurai are all joining together and what a fearsome assemblage they make. We learn the secret behind Spider Woman's secrecy Madame Hydra is in control of whether she keeps her powers or not and Hydra gave her powers back to her. This should be explained more. The Silver Samurai looks fantastic suited back up wearing his armor. And backed by an army of Hand warriors he is formidable indeed. Title: Amazing Spider-Man # 525 Publisher: Marvel Writer: Peter David Penciler: Mike Deodato Jr. Inker: Joe Pimentel Price: $ 2.50 US, $ 3.50 Can Rating: 3 out of 5 stars Comments: This story focuses on Aunt May. She is so strong, so powerful, her inner strength is incomparable. Spider-Man may be dying but May is so brave about it she is braver and more heroic than any super-hero. The art showing her is perfect. A sweet little old lady who is more than a match for anyone. She is one great lady. Watching Spider-Man going downhill is sad. This once great hero has fallen. He's dying yes but its his attitude, his personality that is really deteriorating. Spidey is drawn nice with a dark look. 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