ComicBookNetworkEmag Archives Index | RSS
<< February04, 2006 - [ComicBookNetwork E-Mag] CBEM561.5 February04, 2006 - [ComicBookNetwork E-Mag] CBEM 561.6 >>

Subject: [ComicBookNetwork E-Mag] CBEM 541.5 - February04, 2006



+++++
[ALL THE RAGE and LYING IN THE GUTTERS are originally posted
online on Sunday and Monday respectively so the information here
is almost a week old. Other items above are more current.-  D.L.]


From Blair Marnell in his ALL THE RAGE Gossip Column at:
http://www.SilverBulletComicBooks.com
Write to him at: blairm@silverbulletcomicbooks.com

                          RUMOUR BARRIER

"I accept that the following material is rumour and gossip,
intended to entertain only. I won't repeat the information
inside as fact. I understand if I want the truth, I will go to
Silver Bulletins. I enter freely with my mind open and my
blinkers off."

Now, on to the rumours . . .

[NOTE: this column may be slightly edited for language. - D.L.]

Circling The Wagons
 By Blair Marnell

Welcome back to another edition of ATR.

Got a lot to talk about this week, so let's get to it...

Superman Confidential

The long rumored Superman special edition DVDs have been
confirmed by an unexpected source: Ilya Salkind. Superman
Homepage broke the story late this week, with some particularly
interesting tidbits:

The biggest revelation of the interview concerns plans for
Superman II. Scenes shot by fired director Richard Donner (who
directed Superman: The Movie), including all of Brando's work for
the second film, may finally see the light of day. "There will be
a Donner cut [of Superman II] from what I hear," Salkind said.
"There will apparently be an original cut with the original music
and more stuff." Whether the extra footage will be presented as
an alternative version of the film or included as a supplement
has not yet been determined.

Actor Jack O'Halloran, who played mute super-villain Non in
Superman and Superman II confirmed that Time Warner interviewed
him about his work on both films. Like Salkind, O'Halloran
believes there will be a Donner version of Superman II. "I
understand they [Time Warner] are letting Donner do his cut of
Superman II, O'Halloran said. "We spoke a lot about Donner, whom
I like a lot."

The theatrical version of Superman II that Richard Lester
directed will also receive special attention on the new DVD.
Though Lester - who also directed Superman III - has steadfastly
refused to give interviews about his work on the Superman movies
over the years, Salkind believes that "Lester might make an
interview," he said. "[Apparently] Pierre convinced him to
[consider it]," Salkind explained.
As you may recall, Richard Donner was originally removed from
Superman II after clashing with the Salkinds. For years, fans
have gone to great lengths to see some of Donner's footage
restored to the film, most recently in last year's unofficial
Superman II Restored International Cut which was quickly shut
down by Warner Brothers Home Video. But now it appears that fans
will finally get the chance to see the film as it was meant to
be. Additionally, the Superman films (including Supergirl) will
all be revisited, with the possible inclusion of deleted scenes
from all five movies.

This Has A "Fortress of Solitude" Factor of Ten Out of Ten

Fall of The Watchtower

Earlier this week on his blog, Paul Dini shed some light on the
fate of Justice League Unlimited:

I did an on camera interview with Bruce, David (Jimmy Olsen)
Kaufman, Glen Murakami and Alan Burnett last night for the next
(and last) SUPERMAN DVD set. Afterwards we went to dinner where
Glen confirmed the end of TITANS, and Bruce said pretty much the
same about JLU. There has been some talk about the JLU episodes
airing earlier in the states, but that was still being debated at
Cartoon Network. I forgot to ask Bruce how my Supergirl episode
came out. Maybe I can get a preview if I'm at WB any time soon.

I had heard people were getting more territorial with certain DC
characters (no more Joker in JLU, for instance) but I didn't know
the details. I knew two years ago when I left, that as heroes
(and their villains) got snapped up in live movie options, it
tended limited their appearances elsewhere.

This pretty much confirms what I've been hearing since last
summer. But shortly after I read this, I received information
from another source, that contrary to previous rumors, Bruce Timm
is still developing programs for Warner Brothers Animation. If
this is true, it marks a shocking turnaround. Almost everyone I
had previously spoken to was certain that Timm was leaving. As
for Timm's latest project, it's not clear if it's DC related or
something else entirely, but we may know more soon, when the
revamped CW Network (along with Cartoon Network) unveils their
latest programs at the network upfronts...

And there's more... World's Finest Online has posted the loglines
for the final nine episodes of JLU. Spoiler text follows for
those who want to be surprised:

Episode #31 - Flash and Substance
Original Airdate - February 11th, 2006
Batman and Orion see a different side of the Flash when a rogues'
gallery of villains attacks the museum that is opening in his
honor.

Episode #32 - Dead Reckoning
Original Airdate -
The ghost of a circus performer convinces Superman, Batman and
Wonder Woman to help him retrieve the stolen souls of a mystic
order of Monks.

Episode #33 - Patriot Act
Original Airdate -
When an out of control super soldier threatens Metropolis, Green
Arrow leads seven non-powered Justice Leaguers, including Crimson
Avenger and Shining Knight, in a battle they can't hope to win.

Episode #34 - The Great Brain Robbery
Original Airdate -
A mystical accident leads to Lex Luthor and the Flash's minds
being swapped into each other's bodies.

Episode #35 - Grudge Match
Original Airdate -
Roulette starts Metabrawl ("Cat and Canary") again, this time
with an all-female fight card made up of Justice Leaguers.

Episode #36 - Far From Home
Original Airdate -
Supergirl, Green Lantern and Green Arrow travel into the future
where they meet the Legion of Super Heroes and their enemies The
Fatal Five.

Episode #37 - Ancient History
Original Airdate -
The Shadow Thief returns and so does Hawkman as more mysteries
from "Shadow of the Hawk" are explored.

Episode #38 - Alive (Part 1)
Original Airdate -
In a knock-down drag out battle on Earth and in space, the power
moving behind the scenes of the villains is revealed leading to
the most unexpected team-up in Justice League history.

Episode #39 - Destroyer (Part 2)
Original Airdate - - Series Finale
In a knock-down drag out battle on Earth and in space, the power
moving behind the scenes of the villains is revealed leading to
the most unexpected team-up in Justice League history

Incidentally, I should mention that the final two episodes are
rumored to deal with the "Source Wall" from Kirby's Fourth World
books. Usually, that entails an appearance by Darkseid...

This Has A "Hunger Dogs" Factor of Eight Out of Ten

How I Learned To Love The Hulk

Over at Toonzone, a couple of clear screenshots from the upcoming
Ultimate Avengers direct-to-DVD animated have been released.
http://marvel.toonzone.net/avengers/media/gallery/

The film should be out next month, with a preview screening
scheduled for Wonder Con. The second Ultimate Avengers movie is
said to coming out in August of this year.

This Has A "Grand Theft America" Factor of Nine Out of Ten

Issues With Authority

From the preview art in the latest Wizard, it appears that Grant
Morrison and Gene Ha's Authority relaunch will build on the
characters introduced in the Ed Brubaker/ Dustin Nguyen run.
Additionally, there's a rumor that the first storyline in
Morrison's Wildcats relaunch (with Jim Lee) will deal with The
Authority and pave the way for the new series.

This Has An "Earth Inferno" Factor of Seven Out of Ten

Amazon Princess

Regarding the pending Wonder Woman relaunch, there's an
interesting rumor going around that Gail Simone might be the new
writer teaming up with Terry Dodson for the new series. Honestly,
I'm not really sure on this one, as I don't have confirmation
either way...

***UPDATE***

Just heard from a reliable source that this isn't happening.
Simone would have been a good choice though...

This Has A "Mission of Peace" Factor of Four Out of Ten

Master Skeptic

I hear that Phil Hester's The Atheist #3 is at the printer and
should be out shortly. Additionally, I'm told that John McCrea
will stay on through the fourth issue (and conclusion of the
first story), but that a new artist will be handling the second
story, Will Volley (Negative Burn). McCrea is still the co-
creator/owner of the book, and will return to it when his
schedule permits.

Also, I'm told that the name of the series will eventually be
changed to Antoine Sharpe: The Atheist. The rumored reason behind
the switch is that "Hollywood types are interested in the series
but afraid to put a TV series called The Atheist on the air."
Kind of like the switch between Hellblazer and Constantine.
Incidentally, the next story arc is said to be called Antoine
Sharpe: Effigy.

This Has A "Rising Dead" Factor of Eight Out of Ten

The French Connection

Word out of Angouleme is that there will be an original Wolverine
story by French comic creators Jean-David Morvan and Philippe
Buchet called Wolverine: Saudade. Panini Comics will be
publishing it in issue 145 of their Wolverine book (currently
reprinting the Mark Millar/John Romita JR run).

I don't know if this is going to make it stateside... but what
really has my attention is the fact that Lee Bermejo did five
Marvel covers for Panini, which I would really like to see... So,
I'm gonna have to ask our overseas readers to help me out here.
Bermejo is one of my favorite artists and I would really
appreciate it if someone sent me some high quality scans of those
covers.

Thanks in advance.

This Has A "Best There Is... In Any Language" Factor of Seven Out
of Ten

The Wedding Is Still On

Remember the Uncanny X-Men Annual I mentioned last week? Marvel
confirmed it in one of their press conferences this week, though
they neglected to mention who the artist was. I hear that it's
Clayton Henry (Alpha Flight) who will be teaming with Chris
Claremont on the aforementioned Black Panther/Storm story.

This Has A "Something Borrowed" Factor of Nine Out of Ten

Vengeance Rides Again

In an interview posted here on SBC earlier this week, Mark
Texeira revealed that he is working on NEW Ghost Rider project.
According to the interview, Texeira will provide the covers and
"finish inks" over Javier Saltares' breakdowns. From the way he
described the book, it sounds like it might be an ongoing series...

This Has A "Penance Stare" Factor of Seven Out of Ten

And that's a wrap. See you in seven.

Later,
Blair

PS If anyone has any rumors, stories or news to share, please
email me at blairm@silverbulletcomicbooks.com. Thanks to everyone
who has been sending stuff in. It's greatly appreciated.
 +++++
Items found in Rich Johnston's "Lying in the Gutters" column at
http://www.comicbookresources.com/columns/ which are all rumors
or gossip so take any of it with a BIG bucket of salt!
 Write to Rich at: richjohnston@gmail.com

Rich heard rumors . . .

This week, I've been hearing a lot about the troubles at
TokyoPop. Original English Manga, OEL, the name given to new
works created by Anglophonic creators, rather than translated
works from Japanese and Korean creators, is not selling anything
like the East Asian work. The kids want the real stuff, dudes. So
there's been a slashing of that line, with repercussions on the
TokyoPop shop floor.

We know that Theresa Russell has been cast as the wife of Flint
Marko, The Sandman. But her character's identity hasn't yet been
divulged. It's Felicia Hardy. The Black Cat.

Thankfully, the Countdown-similar "DCU: Brave New World" is just
a dollar. Should top off the whole "Infinite Crisis" and define
the emerging new DC Universe.

Newsarama updated their story that Paul Dini would be writing
Batman with info from Dini's LiveJournal:  "I'll be writing a ton
of new Batman comics this year, along with a very special graphic
novel starring two DCU darlings near and dear to my heart," Dini
posted.

It's Black Canary and Zatanna, okay? Okay.

"The blade that you see 'Nightwing' with on his OYL first issue
cover, is the same blade that Jason Todd was stabbed with in one
of the most recent issues of Batman, (only turning out to not be
Jason Todd...) It also seems to be Jason's Blade of Choice,
considering Dick Grayson has always been more for the batarangs
than knives.

Talking of which, I've heard that for a while the new series
"Flash: The Fastest Man Alive" was called "Jay Garrick: The
Fastest Man Alive" internally at DC.
Panini Comics Italy are promoting the new French Wolverine book
by Jean-David Morvan & Philippe Buchet  The full interview is
here.  http://www.paninicomics.it/News.jsp?Action=Carica&Id=12897
The book is scheduled for next year's Angloueme festival.

Amazon USA has handily put up dates for all your Alan Moore
needs. The last DC volume of the "League Of Extraordinary
Gentlemen: The Black Dossier." May for the standard hardcover,
September for the absolute version. These will come with CDs
featuring recordings created by Moore and others.  In May,
Complete Future Shocks from Rebellion, featuring all of Alan
Moore's "Future Shocks" tales for "2000AD." Expect a "Complete
Time Twisters" to follow. And Albion from DC/Wildstorm in
October.

There's also an Absolute Kingdom Come planned for September, All
Star Superman trade for September and All Star Batman for
October.
_________________________________________________________________
-----------------------------------------------------------------
COMICS OBSCURA                                        Mike Curtis
                                           shandafa@cyberback.com

[COMICS OBSCURA are facts Mike Curtis has dug out during his 30
years of collecting Superman and writing about comics. His
website for his comic imprint is www.shandafantasyarts.net ]

IT'S NOT UNUSUAL

While J'ONN JONZZ, MANHUNTER FROM MARS occupied the second spot
in DETECTIVE COMICS, on one occasion he was visited by his
younger Martian brother T'OMM JONZZ.
_________________________________________________________________
-----------------------------------------------------------------
[5] Interviews                                    Richard Vasseur
                                            richardv@sympatico.ca

Payton Gauldin letterer  on "ANT" from Image Comics and various
other comics interviewed by Richard Vasseur www.jazmaonline.com

Rich: How did you get hired at Image and Blue Water Productions?

Payton: For Image, I did a fan piece of Mario Gully's Ant over at
his official forum. It was a page from Ant #2 and featured the
Savage Dragon and the Arachnid. Mario saw it and really liked it.
At the time he couldn't use me but when his letterer left, he
gave me a call and the rest is history. It's been a blast to work
with him.

With Blue Water (published under Alias Comics), I was emailing
out my portfolio to any and everyone. Eventually my efforts paid
off and my name was passed on to Darren Davis, the creator of
Isis and Tenth Muse. I lettered a ton of books for him and
designed logos for many of his comics.

Rich: Do you need any special training for lettering?

Payton: I've studied graphic arts, typography, desktop publishing
and traditional art in college and find that I use them every
time I letter a comic. Coming from a graphic arts background, I
tend to think visually. When I look at a comic page, I see it in
terms of negative and positive space. The places that a word
balloon or sound effect should go just pop right out for me.

If you're going to letter comics using a computer, really get to
know the computer and the software you're using. Over the past
seven years, I've must have spent anywhere between 15,000 -
20,000 hours sitting in front of my computer. At one point a
typical day for me would be to work a full-time job, come home
and spend another 8-10 hours on my computer learning. A lot of
times I would crawl in bed at 2am and then do it all over again.

Also, learn more than just Illustrator. Over the years I've
become skilled at many different programs. Programs like
Photoshop, CorelDraw, Freehand, Flash, QuarkXpress, Pagemaker and
Dreamweaver. Just don't limit yourself to one or two different
pieces of software. Round yourself out.

Rich: How did you get to have a career as a letterer?

Payton: That's sort of a funny story and it all was a result of
doing a fan piece for Devil's Due. I was a big G.I.Joe fan
growing up and was blown away when I ran across the new G.I.Joe
by Devil's Due in 2002. I wanted to do something to show my love
for the comic and ran across two Joe wallpapers on their web
site. I pieced them together and lettered it. It was a funny
little piece about Snake-Eyes waiting for his latest issue of
G.I.Joe.

Well, Brian Peterson (aka "Sgt Savage") of Devil's Due saw it and
said that I might have a future as a comic letterer. I don't know
if he was being kind or really serious but I started looking into
what a letterer was. After a little searching, I came across
Digital Webbing's lettering forum and started learning the trade
of the craft. I really owe a lot to those guys (Thanks Kep!). I
also bought books on lettering and asked other letterers for
advice. Richard Starkings was kind enough to give me a few
pointers and I'm really appreciative for that.

What's funny to me is that I never started out with the intent of
lettering comics. I just sort of fell into it. Before the fan
piece, the extent of my involvement in comics was reading them as
a kid and young adult. Looking back, I can see where reading
comics gave me a good starting point.

Speaking of reading comics as a kid. My dad grew up reading
comics in the 60's and I really wanted to get into them as a kid
also but my mom was against it. She thought comics were a bad
influence. Well, one summer I stayed with my dad's parents for a
week and my grandmother let me buy a Star Wars comic I wanted
badly. I was so excited about it until I realized that I would
have to go home with it. She called my mom and changed her mind
about comics. My mom is now one of my biggest fans.

Rich: What other companies have you worked for?

Payton: I've worked for some small indy comic companies and
Golden Goat Studios but before that I worked as a freelance
graphic artist.

Rich: Do you go to many conventions?

Payton: Last year was my first year going to a con. I've always
wanted to go to one but never really got around to doing so. I
almost didn't make it to the 2005 Heroes Con in Charlotte, NC but
at the last minute my schedule opened up. It was a blast and I'm
looking forward to going again this year. It was fun putting
faces to people I've known for years and getting to meet a lot of
people whose work I admire. I found that my favorite thing to do
at a con is looking through the original comic art. I just love
that stuff.

Rich: Would you like to try your hand at any other part of the
comic business?

Payton: Yeah. I'm scripting my first action comic right now and
I've also created a daily comic strip that I'd like to get off
the ground this summer. I'm still looking for a full-time artist
for that. I've got about a half dozen other comic ideas that are
waiting in the wings and ready to go. I would like to eventually
write a How-To Lettering Guide that explains the art of comic
lettering in detail.

Rich: About how many comics per month do you have to do to earn a
decent wage?

Payton: It all depends on how fast you are at lettering. If you
treat lettering like a full-time job and are able to punch out a
comic in about a day or so, then you're going to do well. But if
it takes you a week or more to letter a book, don't quit your day
job. Lettering is a competitive business but I've found that
we're a close bunch.

Rich: Do you use a computer to letter or do you pen letter?

Payton: I use a computer to letter my comics. I find that it
gives me a lot of freedom to be creative and the turnaround time
is amazing. You should see the template I use to letter with. I
have all my fonts laid out by category on the left side and I
just drag and drop the one I want to use onto the page.

My favorite program to letter with is Adobe Illustrator. I've
been a big fan of Adobe's software and found the switch from
graphic artist to letterer an easy one. I have a ton of
Illustrator actions that I use in my lettering too. Stuff like
Bring to Front, Select Master Balloon, Make/Release Compound
Shape but my favorite is an action that helps me create a word
balloon. It takes about a second for it to create one and it
saves me a lot of time.

I also use the Nostromo Gamepad by Belkin to letter. It's a
gaming device that allows me to map keys and commands to its
buttons. I have over 40 commands mapped to mine with little
stickers all over the keys. It took me some time to get use to
but it speeds up my work and saves on my left wrist. A true life
saver.

Rich: What do editors look for in your work?

Payton: A professional style that matches the look of the book or
publisher that I'm applying to. My style is a traditional
Marvel/DC/Image style. It wouldn't make sense for me to submit my
work to a publisher like TokyoPop. Editors are also looking to
see how you deal with negative space, over crowding, sound
effects and how you lead the reader's eye with your balloon
placement.

Rich: Do you read any comics now?

Payton: I read a few but not as much as I did in the 80's and
90's. I just don't have the time. When I do get to sit down, I
read Superman/Batman, Danger Girl, G.I.Joe, Fantastic Four,
Daredevil, Spider-Man and the Green Lantern Corps. There's a lot
more I'd like to get into. When I do read them, I tend to look at
the lettering first and then go back and read it like normal.
Besides comics, I also read a lot of graphic arts magazines and
books. I really can get into them and find them a great resource
on tips and tricks.

Rich: Who influenced you as a letterer?

Payton: Richard Starkings, Chris Eliopoulos, Rob Leigh, John
Constanza, John Workman, Jr. and Jim Davis. I'll buy any books by
them and will sit down and dissect their work from cover to
cover. I learn something new every time I read a book that they
worked on. I bought two comics yesterday (Superman/Batman #23 by
Richard Starkings and Ultimate Spider-Man #88 by Chris
Eliopoulos) and learned some new things about SFX and balloon
design.

Rich: Do you have your own website?

Payton: Yeah. It's www.ninjalettering.com. It has examples of my
work, current (or semi current) news, tutorials and downloads.
It's a fun little site.

Rich: How can someone contact you?

Payton:
contactpaytontoletteryourcomicbookbecauseyoulikehisstyle@ninjalet
tering.com . Seriously, you can email me at
contact@ninjalettering.com.

Rich: What advice would you give to anyone just starting out as a
letterer?

Payton: Hang around people who have been lettering awhile and ask
them a lot of questions. A great place for this would be Digital
Webbing's lettering forum (www.digitalwebbing.com).

  Buy comics lettered by people whose style you like and start
examining the way they do it.

  Don't get discouraged if your lettering isn't looking
professional yet. It took me almost few years before I felt
really comfortable with my lettering.

  Sound effects can be difficult when you first start off. Heck,
they're still a pain in the butt for me at times. Start looking
through your comics to see how the pros did it.

  Buy lots of comics as reference material. I have a whole stack
beside my computer that I refer to whenever I get stuck and don't
limit yourself to one type of genre either.

  Stay away from football shaped balloons. That screams amateur
like nothing else.

  A good letterer never gets noticed if he does his job right.
That's why I named my company Ninja Lettering. I strike without
being seen.

  Never and I mean NEVER use MS Comic Sans to letter a comic. If
you do, I'll come to your house and give you a wedgie. Both
Blambot (www.blambot.com) and Comicraft (www.comicbookfonts.com)
have professional fonts available for free or for sale.

  Use a lettering template. You can download one at the tutorial
section of my web site.

  Have fun. Lettering is what I do for fun. =)
_________________________________________________________________
-----------------------------------------------------------------
COMICS OBSCURA                                        Mike Curtis
                                           shandafa@cyberback.com

[COMICS OBSCURA are facts Mike Curtis has dug out during his 30
years of collecting Superman and writing about comics. His
website for his comic imprint is www.shandafantasyarts.net ]

OKAY, WHO'S HITTING THE SAUCE INSTEAD OF EDITING THE BOOK?

No one can deny that one of the greatest events in comics was the
CRISIS ON EARTH ONE in JUSTICE LEAGUE OF AMERICA #21 in 1963.
But when the roll call is unveiled on page one the heroes are
listed thusly:  SUPERMAN, AQUAMAN, JONN JONZZ, GREEN LANTERN,
GREEN ARROW, THE FLASH, THE ATOM, and WONDER WOMAN.  On page two,
Chairman BATMAN calls the meeting to order, but somehow he isn't
important enough to have his name listed in the roll call.
_________________________________________________________________





Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM)
--------------------------->Disclaimer<---------------------------
This is an ANNOUNCE only mailing list, only the Editor can send
messages to the list.  No one else has access to the subscriber list.
Replies to these messages will be received by the Editor ONLY,
so you must CC: individual contributors if you want them to get
your E-Mail.  The E-mail to the E-mag MAY be used in future issues at
the Editor's discretion UNLESS you specifically request that they not
be.  It is our policy to withhold names and/or Addresses, by request only,
from letters of comment.  All contributors are required to use their real
name and have a valid Email address for their columns to be published.
Send Email comments to: ComicBkNet@aol.com

Material for inclusion in the Emag - press releases, solicitations,
column submissions, Letters to the Editor, guesses for the trivia
contest should be sent to ComicBkNet@aol.com

The EDITOR, not the submitter, has final approval and edit rights on
ALL material.  Printed comic books and advanced copies for review
in the Emag should be sent via US Mail or UPS to

David L. LeBlanc
84 Heather Circle
Jefferson, MA 01522-1419

TO Subscribe send a message FROM the intended address to:

        ComicBookNetworkEmag-subscribe@yahoogroups.com

TO Unsubscribe send a message FROM the address to be dropped to:

        ComicBookNetworkEmag-unsubscribe@yahoogroups.com

You may also unsubscribe from the Egroups Web page at the short cut
below.
            Shortcut URL to the Egroup page:

        http://groups.yahoo.com/group/ComicBookNetworkEmag

All contents COPYRIGHT 2006 The Comic Book Network.
This messages may be reproduced only in its original form, and in its
entirety for non-commercial purposes.  Contact the original author(s)
or the Editor for permission to use individual items.


Yahoo! Groups Links

<*> To visit your group on the web, go to:
    http://groups.yahoo.com/group/ComicBookNetworkEmag/

<*> To unsubscribe from this group, send an email to:
    ComicBookNetworkEmag-unsubscribe@yahoogroups.com

<*> Your use of Yahoo! Groups is subject to:
    http://docs.yahoo.com/info/terms/












<< February04, 2006 - [ComicBookNetwork E-Mag] CBEM561.5 February04, 2006 - [ComicBookNetwork E-Mag] CBEM 561.6 >>
ComicBookNetworkEmag Archives Index | RSS
Google
 
Web http://archives.zinester.com
Archives powered by Zinester's Mailing List Service
Details on ComicBookNetworkEmag
Browse for more newsletters at Zinester's Ezine Directory
Managed by Zinester's Mailing List Management