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posted 02-22-2006 THE PULSE learned today that iBooks Inc., and Byron Preiss Visual Publications have filed for bankruptcy. SF/F & Publishing reported: Ibooks Inc., the electronic book seller, and Byron Preiss Visual Publications filed for bankruptcy, today, February 22, 2006. They will be vacating their offices this evening. The companies were founded by Byron Preiss, who passed away on July 9, 2005. Creators working with Preiss received an electronic notice of the bankruptcy today noting a "bankruptcy trustee" would be contacting certain parties soon. Jim Steranko wrote of the late Preiss in his Tribute Piece on PULSE: For more than three decades, he spearheaded a multiplicity of mediaforms, from comics and ebooks to electronic games and CD-ROMs, that fused words and images like few other individuals would achieve in the entertainment arts. As an author, he generated dozens of books, from hard science and history volumes to profusely-illustrated children's literature. As a packager, he produced a stream of quality fiction and nonfiction titles for almost every primary publishing house, including HarperCollins, Penguin Putnam, Simon & Schuster, Random House, Rizzoli, Scholastic, and Oxford University Press, in addition to developing projects with numerous institutions, including Microsoft, Forbes/American Heritage, Fox Interactive, Comedy Central, MSNBC, Imax, Scientific American, the Grand Ole Opry, and Yahoo!. The company eventually published an extensive range of material, including many authored and co-authored by Preiss, such as: 1973 The Electric Company Joke Book 1973 The Silent "E"'s from Outer Space 1976 One Year Affair 1977 Weird Heroes (several volumes of pulp-related stories illustrated by top comics artists) 1977 Son of Sherlock Holmes 1979 Dragonworld 1979 The Beach Boys 1981 The Art of Leo and Diane Dillon 1981 The Dinosaurs 1982 The First Crazy Word Book 1983 Not in Webster's Dictionary 1984 The Bat Family 1985 The Planets 1987 Paul Revere and the Boston Tea Party 1987 The Universe 1990 First Contact: The Search for Extraterrestrial Intelligence-with Ben Bova 1991 The Ultimate Dracula 1991 The Ultimate Frankenstein 1991 The Ultimate Werewolf 1992 The Vampire State Building 1993 The Ultimate Zombie, The 1993 The Ultimate Witch 1994 Instant American History 1995 The Ultimate Alien 1996 Best Children's Books in the World, The 1997 The Rhino History of Rock 'N Roll: the '70s with Eric Lefcowitz 1999 Are We Alone in the Cosmos? 2000 The New Dinosaurs 2003 The Ultimate Dragon 2003 The Ultimate Frankenstein 2003 The Little Blue Brontosaurus Additionally, he edited hundreds of others. Always on the leading edge of trends, he moved into interactive books, CD-ROMs, virtual comics, and online entertainment, generating a staggering volume of product, including many Marvel-related items. His audiobook The Words of Gandhi snared a Grammy Award in 1985. No other details about this event have been reported yet. +++++ From THE BEAT by Heidi McDonald at http://www.comicon.com/thebeat/ NYCC: DC lineup DC will be fielding a HUGE team for this hometown show. Here's the line-up: DC is bringing a number of guests to the convention, including: Brian Azzarello (100 BULLETS, LOVELESS) Keith Giffen (52, BLUE BEETLE) Dean Haspiel (THE QUITTER) Phil Jimenez (INFINITE CRISIS - Saturday only) J.G. Jones (52 covers - Saturday only) Adam Kubert (DC Universe artist) Andy Kubert (DC Universe artist - Saturday only) Jim Lee (ALL STAR BATMAN AND ROBIN, THE BOY WONDER) Brad Meltzer (JUSTICE LEAGUE OF AMERICA, IDENTITY CRISIS - Friday and Saturday only) Douglas Rushkoff (TESTAMENT) Brian K. Vaughan (EX MACHINA, Y: THE LAST MAN) Brian Wood (DMZ) Other DC talent scheduled to be at the show include: Daniel Acu?¤a (JLA, OUTSIDERS covers) Neal Adams (GREEN LANTERN, ALL STAR SUPERMAN covers) Ramon Bachs (DETECTIVE COMICS) Al Barrionuevo (BATMAN: GOTHAM KNIGHTS) Chris Batista (HAWKMAN, 52) Philip Bond (THE EXTERMINATORS covers, VIMANARAMA) Giuseppe Camuncoli (CAPTAIN ATOM: ARMAGEDDON) Cliff Chiang (CRISIS AFTERMATH: THE SPECTRE) Ian Churchill (SUPERGIRL) Becky Cloonan (AMERICAN VIRGIN) Carlos D'Anda (OUTSIDERS) Dale Eaglesham (VILLAINS UNITED) Ale Garza (SKYE RUNNER) Justin Gray (CRISIS AFTERMATH: THE BATTLE FOR BLUDHAVEN, JONAH HEX) Karl Kerschl (ADVENTURES OF SUPERMAN) A.J. Lieberman (BATMAN: GOTHAM KNIGHTS) Jos??? Luis Garc??a-L??pez (JLA CLASSIFIED) Ron Marz (ION) Tara McPherson (THE WITCHING covers) Rags Morales (IDENTITY CRISIS, JSA WONDER WOMAN) Mike Norton (TEEN TITANS GO!) Jerry Ordway (INFINITE CRISIS, TOP 10: BEYOND THE FARTHEST PRECINCT) Howard Porter (THE FLASH, JONNY QUEST) Jesus Saiz (CHECKMATE, THE OMAC PROJECT) Damion Scott (ROBIN, SOLO) Cameron Stewart (SEVEN SOLDIERS: THE GUARDIAN, SEAGUY) J. Torres (TEEN TITANS GO!) Dexter Vines (SUPERMAN/BATMAN) Scott Williams (ALL STAR BATMAN AND ROBIN, THE BOY WONDER) Led by Paul Levitz, President & Publisher, DC will have numerous staffers in attendance. DC's New York Editorial offices will have a full contingent of personnel at the booth. The DCU will be represented by Dan DiDio, Senior VP - Executive Editor, Mike Carlin, Senior Group Editor, Eddie Berganza and Bob Schreck, Group Editors, Joey Cavalieri, Matt Idelson and Peter Tomasi, Senior Editors, Joan Hilty and Stephen Wacker, Editors, and Ivan Cohen, Coordinating Editor, as well as the group's Associate and Assistant Editors. Karen Berger, VP - Executive Editor, Vertigo, will be there, as well as Shelly Bond, Group Editor, Will Dennis and Jonathan Vankin, Editors, and the Vertigo Associate and Assistant Editors. Georg Brewer, VP - Design & DC Direct Creative and Jim Fletcher, Senior Art Director, DC Direct, will be at the convention on behalf of DC Direct. The Sales & Marketing department will be on hand as well, including Stephanie Fierman, Senior VP - Sales & Marketing, John Cunningham, VP - Marketing, Bob Wayne, VP - Sales, Rich Johnson, VP - Book Trade Sales, David Hyde, Director of Publicity, Fletcher Chu-Fong, Manager - Events & Retailer Services, Matt Keller, Manager - Marketing, Vince Letterio, Manager - Direct Sales, Adam Philips, Manager - Marketing Communications, Alex Segura, Publicity Manager, Stuart Schreck, Administrator - Direct Sales, Dan DiGiacomo, Representative - Marketing Publications, Michael Freeman, Representative - Direct Sales, Sierra Hahn, Publicity Coordinator, and Jenna Sices, Coordinator - Book Trade Sales. Also at the convention will be Patrick Caldon, Executive VP - Finance & Operations, Richard Bruning, Senior VP - Creative Director, Paula Lowitt, Senior VP - Legal & Business Affairs, Terri Cunningham, VP - Managing Editor, and Jack Mahan, Executive Director - Editorial Administration. DC will host several panels at the con, including: Vertigo: Sharper Than Ever > Friday, Feb. 24, 5 - 6pm With the success of the movie Constantine and top sellers THE QUITTER, WE3, FABLES and Y: THE LAST MAN, Vertigo had an awesome '05. When Karen Berger, VP - Executive Editor Vertigo, is joined by Brian Azzarello (100 BULLETS, LOVELESS), Dean Haspiel (AMERICAN SPLENDOR, THE QUITTER), Douglas Rushkoff (TESTAMENT), Brian K. Vaughan (Y: THE LAST MAN) and Brian Wood (DMZ) to reveal what '06 has in-store from DC's mature titles imprint, you'll be astounded and amazed! Crisis Counseling: 52 Pick-Up Saturday, Feb. 25, 12 - 1pm Dan DiDio, Senior VP - Executive Editor DCU, returns to counsel the convention circuit in 2006. Dan is joined by superstar artist Phil Jimenez (INFINITE CRISIS, DC SPECIAL: THE RETURN OF DONNA TROY), Keith Giffen (52, BLUE BEETLE) and 52 cover artist extraordinaire J.G. Jones! You've got questions - we've got answers! DCU: Better Than Ever! Saturday, Feb. 25, 2:30 - 4 pm Join Dan DiDio, Senior VP-Executive Editor DCU, when he is joined by writers Brad Meltzer (JUSTICE LEAGUE OF AMERICA, IDENTITY CRISIS), Paul Levitz (JSA) and Keith Giffen (52, BLUE BEETLE), and artists Adam Kubert (DC Universe artist) and Andy Kubert (DC Universe artist) for a panel that's not to be missed. Catch up on the secrets of 52, the outcome of INFINITE CRISIS, who's who One Year Later and more! WildStorm: A Universe Reborn Sunday, Feb. 26, 12 - 1pm With so much exciting news coming out of DC's Californian cousin you won't want to miss Editorial Director Jim Lee (WILDCATS) when he is joined by superstar writer Brian K. Vaughan (EX MACHINA) to map the changes to the WildStorm Universe! For more information on the New York Comic-Con, visit their website at www.nycomicon.com Baker to MC Harvey Awards This is gonna be fun! Kyle Baker, recently named as a guest of the 2006 Baltimore Comic-Con, has been announced as the Master of Ceremonies for the Harvey Awards, to be held Saturday night, September 9 in Baltimore, Maryland. Kyle Baker is a Harvey and Eisner Award winning author and illustrator. Baker is the creator of nine Graphic Novels: YOU ARE HERE, WHY I HATE SATURN, THE COWBOY WALLY SHOW, KING DAVID, I DIE AT MIDNIGHT, UNDERCOVER GENIE and Plastic Man On the Lam for Vertigo/DC Comics and CARTOONIST VOLUME 1 & 2 through his own press, KYLE BAKER PUBLISHING. FEBRUARY 24, 2006 NYCC: Day Zero Our day began with crosstown traffic before hitting the Javits for a first ever PW Comics Week editorial meeting. In attendance were Calvin, myself, Douglas Wolk, Kai-Ming Cha, Sunyoung Lee, Laurel Maury, Peter Sanderson, Tom McLean and our crack intern Ada Price. Go Team Comics Week! Then it was off to the ICv2 graphic novel conference. This was the first "all-pro" day we'd attended since...oh well, whenever the last ProCon was, 7 or 8 years ago. What was of most interest was the fact that the crowd -- librarians, book sellers, book buyers, comics retailers and manga publishers along with folks from DC, Dark Horse and Diamond -- was a "comic book elite" unimagined only a few years ago. In the first session, Milton Greipp outlined some statistics, estimating 2005's graphic novel sales at $245 million at retail. He gave figures for the past years as follows: 2001 -- $75 mil 2002 -- 110 mil 2003 -- 165 mil 2004 -- 207 mil 2005 -- 245 mil When you put these on a chart, the growth is a nearly straight line. He estimated that 1/3 of the sales are through comics shops, 2/3rds through bookstores. Perhaps the most interesting chart to us was a breakdown of the roughly 2500 graphic novels published in '05 by genre: Manga -- 1000 American genre -- 815 Fiction -- 101 Kids -- 64 Humor -- 56 Other -- 353 Considering that Kids and Humor are the two genres where comics have traditionally had their greatest strength, it would take a lot of denial to say that those two categories don't hold the potential for explosive growth in the future. That's thrown into sharper focus when so many panelists used variations on the phrase "Graphic novels are a medium not a genre." Wasn't this for so many years the battle cry of those who dreamed of breaking out of the confines of the superhero? It's not a little ironic that the smash success of manga is creating a bit of the same feeling in the book channel. Speaking of manga, the manga panel had many of the usual suspects -- TPop's Mike Kiley, Viz's Liza Coppola, CPM's John O'Donnell, Del Rey's Dallas Middaugh and ADV's Mike Bailiff. The two unfamiliar faces (to the Beat) were Tomoko Suga, who manages the foreign licensing for Kodansha, and Al Kahn, the CEO of 4Kids Entertainment, which offers a ton of manga programming in the US. Kahn, in particular, was something of a shock to the attendees. Brandishing the kind of bravado only found in self made Hollywood moguls, Kahn let loose frank comment after frank comment like "Teenage Mutant Ninja Turtles was created by two drunks in Massachusetts." Kahn's biggest salvos were saved for literacy itself, when he declared "I don't care about printed stuff at all" since America is a nation of non-readers. He got some bristling response from Suga-san on that. Kahn softened the blow a bit by saying he liked manga, but the world is going to a standard of electronic literacy, warning that five years from now the entire delivery system is going to be different. Those are words to heed, we think. Anyone who isn't planning for a world of ever increasingly electronic gadgetry is already living in the past. But when did anyone in comics really show vision. The rest of the afternoon was a comforting blend of familiar faces, all busy and bustling with new projects and ventures. The conference could have been a bit longer believe it or not -- the one hour cocktail schmoozer wasn't really enough time -- but the overwhelming feeling was of to infinity and beyond. And what is that beyond? Comics as learning tools, comics for young readers, the increasingly crossover between book world authors and graphic novels. That is where the action is going to be. It isn't a fad. And what of the NYCC itself? The number being bandied about was 10,000 pre reg. That number, not staggering in itself, is still very healthy and probably very close to the break-even point. Just about every living human we've seen in the last two weeks has said they are going to the show on Saturday -- it's going to be mad busy. +++++ From the Comics Continuum at http://www.comicscontinuum.com/: AQUAMAN TV UPDATE Ving Rhames has been cast in Mercy Reef, the Aquaman television pilot for the CW network. Rhames will play McCaffery, a lighthouse keeper who serves as mentor to A.C. (Will Toale). Denise Quinones recently joined the cast as Navy fighter pilot Rachel Starling, a potential love interest for A.C. Rhames will be in the upcoming third Mission: Impossible movie. Last year he played the title role in USA's short-lived Kojak revival. Mercy Reef is from Smallville creators Al Gough and Miles Millar. Gough told The Continuum filming of the pilot should start in March. JIM LEE'S BATCAVE SPREAD All Star Batman and Robin, the Boy Wonder #4, the next issue of the series written by Frank Miller and illustrated by Jim Lee and Scott Williams, will feature a six-page foldout of the Batcave. The illustration will give readers a view of Batman's underground lair in "unprecedented" detail. "As always, the madness started with Frank Miller's script," Lee said. "Always looking for new and exciting ways to frame sequences, Frank called for a 6-page spread of the Batcave. The trick for me was to top the previous shot of the Batcave I had done in Hush. Simply working on six pages made it a challenge because of the dimensions; when a spread is so much wider than it is tall, the art runs the risk of looking like a mundane police lineup of objects in the Batcave. Flat. Small. Lifeless." "Luckily, there's always a way of weaving method into the madness. To create depth, I spotted blacks and shadows on the immediate foreground elements to better pop them off the background. Multiple vanishing points helped create the sense of unending vastness that Frank envisioned for the new Batcave while canting the whole windscreen image with a slight upshot. A fisheye-lens angle helped complete the illusion of size and scope. In many ways, you have to compose the piece more as an abstract piece of art to keep it dynamic and interesting as your eye moves left to right, pulling in and out, taking in the individual parts and the whole all at once. And of course, we all prayed that the computer would be robust enough to handle the metafile for coloring this piece." The issue will arrive in stores on March 22 and will also have a variant cover by Miller. RICHARD STARKINGS' ELEPHANTMEN Comicraft president Richard Starkings in July is launching Elephantmen, a new monthly pulp science fiction series at Image Comics. The book will serve as a monthly companion title to Active Images' title Hip Flask. "Ever since I took on the publishing gig at Image I've been trying to persuade Rich Starkings into coming on over and bringing his books with him," said Image publisher Erik Larsen, "The guys here in the studio are just crazy about Hip Flask and all the other books Richard has published on his own. We've begged, we've pleaded and finally, after all this time, he's caved in and we'll be publishing Elephantmen-- a monthly, ongoing book set firmly in the world of Hip Flash!" "Way back in 2002, it was my intention to take Hip Flask to Image," said Starkings, "but I was so uncertain about the publishing schedule, given that Ladronn was painting every issue, I decided it was best to self publish. Then, at San Diego Comic Con last year, Comicraft's Secret Weapon, John 'JG' Roshell, and I were discussing a big thick one-shot anthology for this coming summer to bridge the gap between issues of Hip Flask: The Big Here & The Long Now. Within a couple of months I had written so many scripts and lined up so many artists that I realized that what I really needed to be doing was a monthly! I'd been having a great time putting Godland together for Image so I dropped Erik a line and boom, we were all set!" Starkings describes Elephantmen as an ongoing monthly which will include one or two Elephantmen stories per issue. "Ace artist and all around nice guy, Justin Norman, presented me with a beautiful painting of Hip Flask at that same Comic Con last year, as a way of thanking me for publishing his book with Steven Seagle, Solstice, which had been looking for a home for 10 years," Starkings said. "I looked over Justin's online gallery and was blown away by his versatility and range. When I conceived of Elephantmen as an ongoing series, Justin was my first choice. You'll be seeing his work in just about every issue, but I already have some terrific short stories in the can, by artists including Henry Flint, Tom Scioli, Duncan Rouleau, David Hine and a whole issue by Chris Bachalo, all of which mesh with the issue- to-issue continuity." +++++ From Newsarama at http://www.Newsarama.com/ DAN DIDIO ON DC'S BRAVE NEW WORLD AND SIX NEW SERIES In June, DC thematically wraps up what began almost a year ago in Countdown to Infinite Crisis. Like then, the publisher will be doing it with an 80-page one-shot with multiple creators involved, and carrying a $1 cover price. However, while Countdown took the DCU and focused it towards one major story (Infinite Crisis), June's Brave New World will take that single point focus and turn it outward, into the DCU, as it introduces six new series: The All-New Atom, Creeper, Martian Manhunter, OMAC, The Trials of Shazam, and Uncle Sam & The Freedom Fighters. We spoke with DCU Executive Editor Dan Didio for some more information on the special, as well as the six new series. "One of the things that is going to be accomplished in 52 and in the year that the story will be told, is that it reestablishes the tonality and the vision of the DC Universe, and what Brave New World does is it gives a sense of that new direction also, but in smaller bites," Didio said. "There is something running between them all, a theme that is put out there, but more importantly, the special serves as the introduction of characters who will play an important part in the DCU in the years to come." The mix of characters, Didio said, will be some classics getting fresh coats of paint, as well as some all-new characters stepping into a role, or filling a void. "Something like The All-New Atom," Didio said, "I would take that title very literally. For those people who are looking for Ray Palmer, we're not going to be seeing him anytime soon. Running down the list of titles, creators, and launches (and comments from Didio as well) then: The All-New Atom (ongoing, July) - writer/artist: Gail Simone/Trevor Scott Creeper (six issues, August) - w/a: Steve Niles/Justiniano Didio: "It's Jack Ryder, but it's Ryder through the eyes of Steve Niles and Justiniano. You've got something that really plants a new corner. Not only does it put a little air of mystery and horror into the Creeper, which I think he needs to have, but it also plays upon some of the pop culture aspects of the DC Universe, as Jack Ryder is a television personality. How does the world of heroes affect the media? That's one of the thing that we're going to be looking in that series." Martian Manhunter (eight issues, August) - w/a: A.J. Lieberman/Al Barrionuevo Didio: "We loved the work that these guys did on Gotham Knights, and the editor Matt Idelson brought them on over. The good part about it is that it re-establishes the Martian Manhunter as one of the first and foremost characters of the DC Universe. You'll see Martian Manhunter in a light that you've never seen him before. He's not the same character who blended in with the crowd. He's going to be his own character that can stand on his own two feet now." OMAC (eight issues, July) - w/a: Bruce Jones/Renato Guedes Didio: "There are some mysteries that are still to be played out in Crisis, and OMAC, or the OMACs are such key players there, that all I can really say about this miniseries is that it's an extension of what's going on in Crisis." The Trials of Shazam! (twelve issues, July) - w/a: Judd Winick/Howard Porter Didio: "Under penalty of death, I have to keep this story a secret, but I can say that Judd has really been able to find a voice for the character, and a direction and tone. This story plays into magic and how it works in the DC Universe, with Captain Marvel being a focal point of all that is magical in the DCU." Uncle Sam & The Freedom Fighters (eight issues, August) - w/a: Jimmy Palmiotti, Justin Gray/Daniel Acuna Didio: "This also comes out of Crisis, and in particular The Battle for Bludhaven. In some ways, Battle for Bludhaven is a prequel to a lot of things you'll see here, and it plays with the political landscape of the DCU, and how the world addresses heroes on a government level. And of course, in regards to Checkmate, one of the things you're going to find is that Checkmate crosses so many lines, and has their hands in so many cookie jars, that ultimately, these two groups will meet. And as to why only one ongoing series out of the batch? "We're trying a lot of things where we had particular stories that we wanted to tell with particular characters," Didio said. "And since we feel that we're breaking new ground with a lot of them, we wanted to focus on the story in a finite sense, and of course, if the fans like it, we can always make more." DIDIO ON ADAM & ANDY KUBERT ON ACTION & BATMAN And the brothers finally have homes. Speaking to Newsarama, DCU Executive Editor Dan Didio confirmed that Andy and Adam Kubert would be drawing Batman and Action Comics, respectively. The first Kubert issue of Batman hits in July, and the first Kubert Action Comics is issue #841, which puts makes it July as well. Didio said the fits were perfect, indicating that Andy is a Batman fan, and Adam is a lifelong Superman fan. Not to mention, on Batman, Andy is a kindasorta big fan of the writer, the as revealed at Wonder Con, Grant Morrison. "Well, Batman we put Andy on, because of the particular story that he'll be working on by Grant has much more of a superhero twist to it, and we wanted to have him on it in particular," Didio said, confirming that Morrison's story will be a follow-up of sorts to the 1987 formerly quasi-continuity graphic novel Son of Batman, which saw Batman father a child with Talia, Ra' al Ghul's daughter. For Morrison, Didio said, all it took to convince him to write Batman was to hear the artist's name. "Grant is somebody who Andy really wanted to work with, and conversely, Grant really wanted to work with Andy. I gotta say, Grant wasn't necessarily thinking about Batman, but when he heard of Andy's interest, all of a sudden, he had a whole bunch of Batman stories he wanted to tell. They just really clicked really well. They're really seeing eye to eye on terms of tonality and direction, and the editor Pete Tomasi is spending a lot of time and energy on all the classic elements of Batman, which is just what Grant wants to write, and Andy wants to draw." As for Action and who'll be writing the scenes Adam illustrates? Didio isn't squealing. The yet to be named team will be, according to the Executive Editor, working hard to reestablish Action as the premiere superhero book. "Action is the first superhero book, and in many ways, the book from which everything else is judged," Didio said. "We wanted it to be Action Comics and make it special again, and that's the way to do it. "Everything that we've got going on right now with Superman is really trying to reestablish him as the premiere superhero. And what you see with Adam and Carlos Pacheco coming on to Superman - we want to make sure we have the right artists on board to project the strength and power, as well as the sensitivity of the character, which both Carlos and Adam bring out in spades. I couldn't be happier with the level of work they're putting into him right now." As for the brothers' scheduling, as they've been known to, on occasion, take a little longer than the time available to finish an issue? "Well, if you noticed, we haven't seen or heard much of Adam and Andy since they signed with DC last year," Didio said. "And while they had to complete their commitments to Marvel, we've had them working on these titles. We know what our creators' limitations are, as well as the expectations of our fans when it comes to titles like Superman, Batman, Action, and Detective, the expectation is that you have a book on the stands every month, and that's what were going to see." +++++ Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the E-mag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. 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