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ComicBookNetworkEmag Archives Index
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| << April01, 2006 - [ComicBookNetwork E-Mag] CBEM 569.9 |
April01, 2006 - [ComicBookNetwork E-Mag] CBEM 569.8 >> |
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Vertigo Cover Shuffle Josh Middleton will be the new cover artist on American Virgin starting with issue five, while Frank Quitely (current American Virgin cover artist) will become the regular cover artist on another as of yet unnamed Vertigo series. This Has A "But Where Is The Latest All-Star Superman?" Factor Of Seven Out Of Ten Ode to an Artist Billboard is reporting that an album inspired by the work of Neil Gaiman will be released by a Philadelphia based independent record label called Dancing Ferret Discs. The album (tentatively titled "Where's Neil When You Need Him?") is expected to arrive in stores (both comic book and traditional music outlets) on July 18th. Contributors include Tori Amos, Tapping the Vein, Cruxshadows, and Lunascape. Neil Gaiman will be writing the liner notes, while his frequent collaborator Dave McKean will be creating the artwork for the album. In related news, me and Blair will be recording a duet inspired by John Byrne at Abbey Road Studios in London. (just kidding!) This Has A "Sing Along With The Sandman" Factor Of Nine Out Of Ten Unstoppable Engine Warren Ellis' message board - the ENGINE - is a hub for creators and intelligent discussion about the industry (no superhero talk though - Ellis feels that there are enough other message boards dedicated to capes and tights, so the ENGINE focuses on other genres and creator owned work). Numerous creators contribute to the board and a recent thread asked them what they are currently working on. Some responses include: Warren Ellis: I'm trying to wrap DESOLATION JONES 7 today, and then I need to get into another issue of FELL, and then I need to wrap WOLFSKIN, and I also have some videogame work to do for next week, and I need to develop three new serials, and do a tv thing, and also die. Antony Johnston: Started scripting the adaptation of POINT BLANC, the sequel to STORMBREAKER, today. Also designing ads and issue templates for WASTELAND. Need to plot #7, which is a one-shot story issue, some time this month. I also just this minute got word that Benito El Templesmith is on board for the WASTELAND covers, which is ever so slightly awesome. Oh, and I'm partway through a prose novel, STEALING LIFE, which has the same goddamn deadline as POINT BLANC. It never rains, etc. Jamie S. Rich: The big final edit on my novel The Everlasting before sending it to the copyeditor. Continuing to write the next novel, Have You Seen the Horizon Lately? Tinkering with a short prose story that's giving me trouble. Starting the initial stages of my next graphic novel with Joelle Jones, for when we're done with 12 Reasons Why I Love Her. I've also done one manga/manwha rewrite already this month (though, slightly bled over from last), and should do a couple more by the end of it. This Has A "Die Puny Humans" Factor Of Ten Out Of Ten The Amazing Adventures of Steve Rolston Steve Rolston recently confirmed on his website that he will be working on the relaunch of Michael Chabon's Escapist comic book series: Based on the mythology created by writer Michael Chabon in his Pulitzer Prize winning novel THE AMAZING ADVENTURES OF KAVALIER & CLAY, this comic will follow the lives of three young comic creators as they breathe new life into a golden age superhero, both on the page and in real life! THE ESCAPISTS will be coming at you this summer as a six-issue monthly mini-series from Dark Horse Comics. Penned by top writer Brian K. Vaughan (Runaways, Y the Last Man, Ex Machina), the first issue will be illustrated by Philip Bond and Eduardo Barreto, with issues 2 through 6 illustrated by Jason Shawn Alexander and myself. Our story was originally slated to run in the quarterly anthology THE AMAZING ADVENTURES OF THE ESCAPIST but Dark Horse is currently restructuring the Escapist books to benefit more readers. While this does mean you'll have to wait until the summer, it also means you won't have to wait as long between issues and the price tag will be much more affordable for those who weren't keen on the anthology format. This Has A "Why Doesen't Anyone Buy Anthologies Anymore?" Factor Of Ten Out Of Ten That's it for this week. Blair will return next week as me and C.B. Cebluski unveil our new rap album inspired by the work of George Tuska. Yes, I made the same joke twice in one column - these things aren't easy to write people! +++++ Items found in Rich Johnston's "Lying in the Gutters" column at http://www.comicbookresources.com/columns/ which are all rumors or gossip so take any of it with a BIG bucket of salt! Write to Rich at: richjohnston@gmail.com Rich heard rumors . . . Marvel Comics characters smoking on panel, bad example to children. Marvel Comics characters licensed as online gambling games, clearly designed to appeal to an adult audience. Or something. Place your bets as to how long it takes for someone to have a word with whoever signed off on this one... I hear a potential return to the Onslaught/Heroes Reborn is being planned by Marvel to follow up their recent "Age Of Apocalypse" revisitation. Along with an insanely-demanded TPB collection of the ten year old crossover, it looks like Rob Liefeld will be revisiting the world he recreated. In "Civil War," Speedball dies. In the June Marvel Previews, the 'Young Avengers" #12 and "X-Men" #187 listings include a sidebar with a sketch of a character, and the text: "Includes an 8-page bonus story featuring the first appearance of the Masked Marvel!" This new character is a young guy with blonde hair who wears a costume that covers his hair, and has an energy signature that's circular, with a couple smaller circles coming off it... and sports the name "Masked Marvel" - the same name Speedball originally used for himself back in the first Steve Ditko series years ago... And finally... a Superboy/Robin OYL spoilery report http://favyan.livejournal.com/177683.html and the art that proves it, apparently from a pulled DC preview http://www.comicbookresources.com/news/preview.php?image=litg/rob inspoiler.jpg click if you dare. _________________________________________________________________ ----------------------------------------------------------------- COMICS OBSCURA Mike Curtis shandafa@cyberback.com [COMICS OBSCURA are facts Mike Curtis has dug out during his 30 years of collecting Superman and writing about comics. His website for his comic imprint is www.shandafantasyarts.net ] EVERY WONDER WHERE BATMAN LIVES? SO DOES HE. The 1943 movie serial BATMAN brought many innovations to the still new comic book hero, such as the Bat's Cave and the slimmer Alfred. But while the first chapter identifies Batman as operating in Gortham City, in Chapter 5, he receives a secret government communique though the mail. The envelope is addressed to BRUCE WAYNE 906 HUNT ROAD LOS ANGELES CALIFORNIA. _________________________________________________________________ ----------------------------------------------------------------- [5] Interviews Richard Vasseur richardv@sympatico.ca Becky Grutzik comic book creator/artist/writer from Planet Doom Studios interviewed by Richard Vasseur www.jazmaonline.com RV: What is "Peep Lite" about? BG: Peep Lite is a little chicken that likes to cause mischief. The book will be very similar to "Peep", however, Peep Lite doesn't kill anyone. When we were advertising Peep at the comic book conventions, many children were drawn to Peep's cute character design and wanted to get the book. Matt Wendt and I couldn't sell the "Peep" book to small children in good conscience so I came up with "Peep Lite" as a book that the kids could read. It's more of a kid friendly book. RV: What is "Aegis: Reluctant Heroes" all about? BG: Aegis: Reluctant Heroes is a complete overhaul of the complete Aegis series as a whole. Aegis originally started out as a four panel comic STRIP in the college newspaper The Pointer. It was the wrong format to do a superhero story and subsequently lots of important plot points and character development was cut. When I decided to do the first comic book, I pretty much started where the comic strips left off- a fact which has left many people confused. I tried to fix the comic strip debacle with Aegis: Prelude. Prelude was supposed to be a retelling of the comic strip stories leading up to issue one, but this still confused readers. I was sick of trying to fix plot holes and previous storylines. Not to mention that by this time, my characters had grown far beyond their original comic strip selves. Something drastic needed to be done. And that drastic something was starting over. Completely. For the last time (Jeez I hope so). This will be a complete telling. It will tell of how they met, who they were before, and even more about the forces that guide and hinder them. Aegis: Reluctant Heroes is very much a superhero book with strong ties to magic and all the trouble that comes from it. For those of you that haven't been muddied by the previous Aegis books to date, here's the synopsis. Aegis is about seven young people with powers or Gifts left to them by the gods. These Gifted, as society calls them, are brought together by a mysterious man named Ethan. The purpose for this team is yet unclear, but they soon find that they are a magnet for trouble from their pasts and worlds beyond. This leads to almost constant tension between the group as they fight off evil, try to go to college, and live together under the same roof. The characters' interaction is akin to that of siblings- lots of bickering, but deep down they really begin to care about each other. RV: Your first self published comic was "Aegis # 1" how did it feel to finish it? BG: It felt great! It felt even better that I had talked my college professor into doing the completed book for credit. It really was amazing to see the book in print for the first time. RV: Where does your inspiration come from? BG: My inspiration comes from anything and everything. Seriously, no lie. The smallest, and oddly sometimes, the most mundane things will give me a great idea for a scene, a character or even an entire storyline! It could be as simple as the way someone carries themself, a particular inflection in someone's voice, or even a kick ass song on the radio that sounds like the soundtrack to a fight scene. RV: Why do you enjoy working on comics? BG: There's so much you can do with the comic book medium, both with subject matter and with what you use to create the art itself. You can create comics not just for kids, but for adults. Not all comics need to be watered down and hokey. You can tell an intelligent story through words and art. The bottom line is that I have tons of stories in my head and I love to draw. Comics give me the ability to do that. Also, you can be as weird or serious as you need to and there will usually be at least one person who gets it and wants more. RV: Outside of Planet Doom Studios what comic would you most like to work on? BG: Hmmm...that's a tough one. My knee jerk answer is Teen Titans Go! Actually I want DC to bring back the Impulse and Young Justice books. I loved those books! RV: Are you proud of the work you did for Inkwords, doing sketch cards of the Family Guy? BG: Yes. I'd never thought I'd have people coming up to me at conventions asking for a sketch of Stewie. RV: What is it like teaching kids to draw? BG: I gotta admit, it can be real frustrating at times, but then you get one or two kids that make everything worth it. They're the ones that really get it. I can't tell you how great it is to see a student progress in technique or just overall artistic ability. It's amazing. I've always felt that if I can help someone else avoid the mistakes I had to make to get where I am and know what I know, that that's exactly what I'm going to do. BG: Your husband Matt is also involved in drawing comics does this bring you two closer together? BG: Absolutely. Finding Matt was the best thing that ever happened to me. We gel on a wavelength that few people do. We completely understand each other in relation to comics and everything else. We may have slightly different work habits, but we know what the other person will need the most at each particular stage. If I desperately need a new perspective on a page, Matt's always there with the answer. It's like I've got a live in editor. He's there to make sure my comics don't start to suck. RV: What future projects do you have planned? BG: Besides, "Peep Lite" I'm working on my new "Aegis: Reluctant Heroes" book. After that, I'm going straight to the second issue before cycling back through my other comic book titles. It's been far too long since the last Aegis book and I want this one to make up for it. Other than that, I'm planning on throwing the new "SAM" book in there somewhere before the year is over. After that, I'm moving onto "Vendetta" # 3, which Matt will be writing. He's way excited. So am I. RV: What comics do you read now and did you read as a child? BG: Actually I didn't get into comics until I was a senior in high school and that was completely by accident. The first comic I ever bought was X-Men # 38. I was instantly hooked. At first, yes, I was a child of Marvel and was collecting many Marvel books, especially X-Men. When I got into college I started hanging out with the Comic Art Society and my friends there opened me up to stuff like Strangers in Paradise, old New Mutants, and a great book called "Batman: Arkham Asylum". And then it happened. Someone introduced me to anime and manga. It was a done deal after that. I really got into the Ranma 1/2 comics, Battle Angel Alita, and Oh! My Goddess. Because I was so interested in both manga and American superhero books my style of art has taken on an amalgamation of both art forms. Now I read lots of manga such as Tsubusa, Xholic, Chobits, Slayers, and Kingdom Hearts. I also read American stuff too including, Strangers in Paradise, Army of Darkness: Reanimator, the newest Danger Girl mini series, Kabuki, Hsu and Chan, Shaun of the Dead, Living With Zombies, The Ride, Teen Titans Go!, Runaways and Batgirl. Here are a few of my all time favorites: Scud the Disposable Assassin, Johnny the Homicidal Maniac, Squee, Kabuki, Batman: Arkham Asylum, Tank Girl, Impulse, Young Justice, Trigun, Liberty Meadows, Neon Genesis Evangelion, and Chrono Crusade. RV: What would you like to say to the people who have read your comics? BG: Be patient with me. I have too many ideas and not enough hours in the day to put them on paper. That and I have that nasty thing called a day job. Eeew! RV: How can someone contact you? BG: Telepathically. Or...you could just write me at contact@planetdoomstudios.com. RV: Any last words of advice? BG: Read more comics! Take chances on indy books. You'll never know when you stumble upon that great book. And oh yeah, watch out behind you! Heh. Made you look ***** A. David Lewis writer, Marvin Perry Mann artist and Jennifer Rodgers colorist on "The Lone and Level Sands" from Archaia Studios Press interviewed by Richard Vasseur www.jazmaonline.com A. David Lewis, Writer RV: What is the story about? A. David Lewis: Frankly, we're stealing from one of the best- known sources on the planet: The Bible. It's essentially the story of Exodus, except spun so as to watch the events unfold from the perspective of the Egyptian royal family. On top of that, though, the goal was to build in as much historical data on Egypt as possible---not to contradict the biblical story but to refashion it. It's not a preachy book; it's not a "religious" comic. It's a story about people---leaders and family members--- and how they react to extraordinary times. RV: How did you come up with the title? ADL: Again, I'm stealing from an earlier source. (It's something I love to do: literary homage, which is much fancier and more polite than "stealing.") The title comes from a line of poetry written by Percy Blysshe Shelley. The name of that poem is "Ozymandias," the Greek name for Ramses II, and it basically tells of his downfall. "Round the decay / Of that colossal wreck, boundless and bare / The lone and level sands stretch far away." The trick here, though, was that I loved the romantic sound of even that bleak setting, but what I had read about Ramses II historically didn't suggest his kingdom actually fell to ruin. It's an excellent metaphor created by Shelley of the fleeting power held by rulers, but I got more interested with how the legendary, "evil" Pharaoh may have actually experienced the plagues. RV: What is Pharoah Ramses II like? ADL: Don't ask me---I've never met the guy. ;-) The character of Ramses in our book, though, is pretty human and humane. He doesn't seem to buy into much of the worship assigned to him, and he is committed to his family almost above all other things. Ramses is a fairly good ruler, even though, like Thomas Jefferson or even early Lincoln, he doesn't really put his mind to "the slave issue." It's as though he has only long-term and immediate vision: the future of Egypt and the immediate well- being of his family and friends. When things finally boil over and he has a crisis on his hands, Ramses II has to radically alter his perception. All in all, we certainly gave the "evil Pharaoh" of the Bible and Qu'ran a really fair shake. But, in terms of his being a real, historical figure, I think we showed him as human, both noble and failed. RV: Why did you and Marvin Perry Mann decide to do this specific book based on the Book of Exodus? ADL: When I first started talking with Marv about collaborating, I told him that I had a few ideas that I had been slowly developing; which of them, if any, appealed to him? He was intrigued, I guess, by this sort of up-ending of the biblical myth, so we did a small, test story, which became the 8-page Prologue to the book. It turned out so well, and we got along so nicely, that we just kept on going. RV: Are you religious? ADL: No, not in any affiliated way, really. I find religious stories fascinating, mostly for their mythic value, their imagery, and their storytelling. But they don't really impact any belief system I have. And keep in mind, I'm as intrigued by biblical narrative as I am by Greek myth, Native American folklore, or Muslim writings. It's all so rich that, as a writer, I find it very tantalizing. RV: Where does your inspiration come from? ADL: Part of it is a need to create. I love wrapping my brain around an exciting concept, then doing research, finding sources, and building up plot and characterization to make it a full, entertaining story. The process is very satisfying and challenging to me. And all that is fueled from a passion for stories---that is, from the pleasure of being audience to an excellent story, whether it's a comic, a movie, a book, a poem, a play, or what-have-you. I've been a fairly carnivorous reader all my life, not just glossing through a story but really devouring it. To become enrapt in a piece, to want to dissect it, and to want to play with it further in your head even after it's long over: That's always been hugely appetizing to me. RV: If you could have one super power what would it be and why? ADL: Speed, man, speed all the way. Not only might you be able to do all that weird Flash-stuff (e.g. vibrate through walls, create cyclones, travel through time), but there would finally be enough hours in the day for everything! RV: Would you like to work with Marvin Perry Mann again? ADL: Absolutely. Marv's a gem, truly. His willingness to take on a story of this size and commitment is nothing short of extraordinary. Combine that with both his immense level of talent and the intellect he brings to storytelling, and you'd have to be insane NOT to want such a gifted collaborator. And don't forget Jenn or Archaia, for that matter. They say lightning doesn't strike twice, but I got good and fried a few times on this one. I'm happily crispy! :-) RV: What future projects do you have planned? ADL: My next project (which should come out this Fall from a publisher that will presently remain nameless---shh!) is a major change of gears. Before The Lone and Level Sands, I was primarily working on my Twilight Zone-esque, dark suspense MORTAL COILS book. Now, I'm hopping from biblical fiction over to action- espionage with artist Jason Copland. We are currently completing a two-issue mini-series entitled EMPTY CHAMBER that promises to be a lot of fun. After that, there are other projects that I'm already discussing with publishers. One would be my first Arthurian story for comics; the other is a return to my religious research, but in a whole new modern arena. Working with Marv and Jenn again in the future would be excellent, as would returning to Archaia somewhere along the line! RV: What comics do you read now? ADL: It'd be easier to discuss what I don't read, but... ;-) I still dig the superheroes, truth be told. NEW AVENGERS, SHE- HULK, JSA, BATMAN, THE ULTIMATES, TOM STRONG, and so forth. I also try to keep abreast of my indy brethren, like Sean Wang's RUNNERS, Jennie Breeden's DEVIL'S PANTIES, Josh Fialkov's ELK'S RUN, Jetpack Press' JOHNNY RAYGUN, etc. (Don't want to list too many or I'll start accidentally offending folks by excluding them!) Then, there are the wonderful, challenging books---the ones I wish I had written: FINDER, REX MUNDI, ARTESIA, BOX OFFICE POISON, and the like. I'm weak on manga, though I have read all of AKIRA and most of LONE WOLF & CUB, and there are only so many webcomics I can get to, though GIRLS WITH SLINGSHOTS and BORED AND EVIL spring to mind. If anything, I try to just be a booster for the overall medium, sampling as much as I can regardless of genre, era, or style. It's the only way to grow potentially as a comic writer myself. RV: How can someone contact you? ADL: Come on over to either my website (www.CaptionBox.net) or my blog (http://loosepgs.blogspot.com) -- Either hit the Contact button on the Caption Box site or directly comment on one of my latest posts. RV: Any last words of wisdom? ADL: Damn, I'm really bad with these -- being pithy or witty isn't my strong suit. How about I steal one more thing, a good quote from Kurt Vonnegut? "Be careful what you pretend to be, because you are what you pretend to be." Marvin Perry Mann, Artist RV: How does it feel to be nominated for the Glyph Award and the Howard E. Day Memorial Prize? Marvin Perry Mann: Win or lose the nominations alone feel like a validation of the work. We have been fortunate with a number of very positive reviews from both the comics and religious press. We have been blessed that Mark and Aki thought enough of our original black-and-white effort to invest time and money in a colored hardcover version. Our Moms like it. I told Dave early on that this could be a breakthrough project for us and the reception we've received has me testing my powers of prophecy at the racetrack. RV: Did you and A. David Lewis research this book? MPM: Dave did deep research for the book, delving into archeology, history, the Bible, the Koran, and Cecil B. DeMille. I'm lazier, but I bought books on ancient Egypt, poked around the Web and looked at a few movies as well. I was influenced by Egyptian art for more than costumes and buildings, though. We tend to think of Egyptian art as very formal, but walls are often over painted and various hands clearly touched a project, resulting in lots of variation in style and look. I took a relaxed approach to type sizes and drawing styles as a result of this. Think of it as "inspired by wall paintings" more than miming them. But the project took over a year to draw while I did other things as well. The drawing changes, just as it might over time in the old days, and I was happy to let that happen. RV: How would you describe your art? MPM: I've worked hard over many years to give myself permission to drop the comics style I learned as a young man, and loosen up. My drawing is fast and easy and stripped down. It's cartoonish, with a naturalism to it...but not much realism. The comparisons a few reviewers have made to more prominent artists have me blushing. I dare not repeat them. But "a spare graphic style" seemed to hit the mark to me. RV: Do you have any formal training? MPM: Sure. I was an art major at several colleges and universities. Hopping around prevented my graduating. But I did eventually earn an A.S. in Wood Technology and a Certificate in 3D Arts. My great strength when I got into these programs at an older age was that I understood how to put projects together and had a mature aesthetic sensibility. I've had plenty of time to ripen. RV: Have you read the bible? MPM: Big chunks of it. A long time ago. I'm an Agnostic and Secular Humanist. I did re-read Genesis...ummm, but not Exodus...for this project. Well, after this project. I saw the movie. I believe in evolution, and not in the false hierarchical sense, but in the proper sense of an unfolding. RV: Have you worked on any other comics? MPM: I "broke into comics" as the inker on THE TROUBLE WITH GIRLS back in the late '80s. I did about 35 comics during that period. My proudest work was on the GIRLS erotic spin-off, LIZARD LADY. I left the field for about ten years though, only returning after I created a 240-page silent comic strip and two flipbook animations for Mark Stephen Meadows's book, Pause and Effect: the art of interactive narrative all in 3D. Recharged, I did a few shorts for THE GIRLY COMIC, SMUT PEDDLER and my own mini-comics, I also put a year in on Lisa Jonte's ARCANA JAYNE at Girlamatic.com. RV: What do you find hardest to draw? MPM: Getting boobs to look perfectly round and bouncy in approved comics fashion is hard. The ones I draw tend to look like breasts. Machinery, I'm not so good at either. People. I can draw people. RV: If you could draw any other comic which one would it be? MPM: One that I wrote. Seriously, I have ideas and have written some stuff that's not bad, but have trouble bringing it to life. I need a partner. I'm rock solid with a partner. I guess my ancient wish was to draw the Legion of Superheroes. I was a couple of projects in the early stages of development, and I'm always excited about what I'm doing next. RV: If you were not a comic book artist what do you think you would be doing? MPM: I've done a little animation and I currently do book cover designs and illustrations. Maybe I'd get back into furniture making, or acting, or writing. RV: What is the most important thing in your life? MPM: Well, my family. My wife and kids. Not so much the dog. Sorry, dog. RV: What comics did you read as a child and what do you read now? MPM: I was a DC kid. I don't read so much now. Mostly graphic novels. Let's see...a few favorites from recent and not so recent years: SIN CITY and HELLBOY. ROCCO VARGAS. THE BAREFOOT SERPENT. THE BLOODY STREETS OF PARIS. JOE'S BAR. CORTO MALTESE. Eddie Campbell. What does that tell you about me? RV: Any advice for up-and-coming artists? MPM: OOoooo... You mean something that hasn't been said before? Draw from life. No, I've heard that someplace else. Ummm. I still think I'm up-and-coming and I'm old. Okay, how about this: The people who are really good have a clearer idea of just how good they are (and aren't) than the people who aren't so good. Those people think they are better than they are. Or how about this? Make art with verve...cartoonish verve. 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