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Subject: [ComicBookNetwork E-Mag] CBEM 573.03 - May06, 2006



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 +++++
NAVARRE'S BCI LANDS DEAL WITH HEARST ENTERTAINMENT FOR
DISTRIBUTION OF CLASSIC TELEVISION SERIES

"THE LEGEND OF PRINCE VALIANT"

First Official Release Under BCI's "Ink and Paint" Brand;
Volume One, Five DVD Set Available July 4th for $29.98

"...lush animation, great voices, soulful music...make this one a
hit!"
-Amazing Heroes Magazine, Oct. '91
"...an appealing mix of dramatic entertainment and accessible
animation."
-Animation Magazine, Dec. '91

Los Angeles, CA - One of the animation world's oldest, most
classic characters is heading to DVD for the first time as BCI, a
wholly-owned subsidiary of Navarre Corporation, in its initial
venture with Hearst Entertainment, will release "The Legend of
Prince Valiant-The Complete Series, Volume One" on July 4th, at a
suggested retail price of $29.98.  This 33 episode, five-DVD set
is the first of two volumes (a total of 65 episodes) to be
released under BCI's newly-created Ink and Paint Brand which will
focus on licensed animated content, and is the first in a full
line of titles licensed from the Hearst catalog.  The
announcement was made today by Jeff Hayne, Director of
Acquisitions, BCI.

"The Hearst animation library goes back to the early part of the
20th Century, and we're proud to be releasing this series on DVD
for the first time in the United States," said Hayne.  "Prince
Valiant is one of the most recognized names in the animation
world, and the popularity of the character and classic nature of
this series make it ideal to be the first entry from our Ink and
Paint Brand."

"The Legend of Prince Valiant" is based on the popular comic
strip character created 69 years ago by Hal Foster, and continues
to be a popular, weekly newspaper comic strip read by over 44
million people.  The Prince Valiant character reached the big
screen in 1954, starring Robert Wagner in the title role.  The
television series aired on the Family Channel, 1991-1993, and
featured the voices of Robby Benson (Beauty and the Beast), Tim
Curry (Rocky Horror Picture Show), Alan Oppenheimer (He-Man),
James Avery (Fresh Prince of Bel-Air) and Efrem Zimbalist, Jr.
(Babylon 5).

Volume One will include the first 33 episodes of the television
series, and will also include special features produced by Andy
Mangels, including:

Interviews with the creators and comic strip historians

Two episode-commentaries with creator/producer David J.
Corbett, writer Brooks Wachtel, voice artist Noelle North
and moderator Andy Mangels.

Storyboard gallery (episode #32-"The Flute"), featuring a
slideshow of approximately 170 images, set to music from
the original soundtrack

User-navigated slideshow of character paintings and
background drawings with musical soundtrack accompaniment

DVD-ROM Feature: Five complete episode scripts

The Legend of Prince Valiant begins with the quest for Camelot,
amidst a gallery of brave knights, shadowy practitioners of evil,
high honor, deep magic, and a thrilling and treacherous journey
from boyhood to manhood.  In a time when people still believed in
wizards, Prince Valiant fulfills his dream of becoming a Knight
of the Round Table, as he has his friends uphold the ideals of
Camelot.

"The Legend of Prince Valiant" won the 1993 Humanitas Award in
the category of Children's Animation (awarded by The Human Family
Institute in recognition of television shows that explore human
values and enrich audiences), and a Silver Angel at the 16th
Annual Angel Awards (recognizing productions that uphold the
highest moral, ethical or social impact for families and children
of all ages).

About Navarre Corporation
Navarre Corporation is a publisher and distributor of a broad
range of home entertainment and multimedia products, including PC
software, CD audio, DVD video, VHS video, video games and
accessories.  Since its founding in 1983, the company has
established distribution relationships with customers across a
wide spectrum of retail channels which includes mass merchants,
discount, wholesale clubs, office and music superstores, military
and e-tailers nationwide.  The company currently provides its
products to over 18,000 retail and distribution center locations
throughout the United States and Canada.  Navarre has recently
expanded its business to include the licensing and publishing of
home entertainment and multimedia content, primarily through the
acquisitions of Encore Software, Inc., BCI Eclipse Company, LLC,
FUNimation Productions, Ltd. and The FUNimation Store, Ltd.  For
more information please visit the company's web site at
http://www.navarre.com.

About BCI
BCI, a wholly-owned subsidiary of Navarre Corporation, is an
independent entertainment video and audio supplier.  BCI has
continually redefined the standards and concepts of this
industry, often introducing national success categories through
its intuitive mass marketing skills.  Its vast collection of
titles represents both exclusively licensed titles from around
the world, as well as in-house produced CDs and DVDs.

About Hearst Entertainment

Hearst Entertainment has an extensive award-winning movie
library, representing the work of more than 75 top independent
producers in more than 250 films.  In addition, Hearst has a
variety of reality and lifestyle series and specials and an
animation catalog of over 600 half hours of programming including
such classic characters as Popeye, Flash Gordon, Prince Valiant,
Betty Boop and Blondie.  Hearst Entertainment Productions has
become one of the leading producers of documentary and reality
programming producing over 100 hours of award-winning and highly
rated shows each year.  Through its wholly owned subsidiary,
Actuality Productions, HEP has structured a creative unit that
produces top-flight entertainment in a number of genres.  Among
the new projects on the company's slate are "The Big Build," and
"Sahara," for The History Channel, "The Newspaper" for Bravo,
"Garden Police" for Discovery Home and "Anatomy of a Natural
Disaster" for The National Geographic Channel.  Returning shows
include The History Channel's "Modern Marvels," one of the
networks highest rated series and "Engineering Disasters."  For
more information, please visit http://www.hearstcorp.com/.
 +++++
Power Pacts
By EMILY  BRYSON YORK - 4/24/2006
Los Angeles Business Journal Staff

In 1938, after being unable to sell their Superman story for
newspaper syndication, Jerome Siegel and Joe Shuster sold their
first Superman story for $10 per page, and all rights to their
character to DC Comics for $130.

In 2004, Frank Miller received a seven-figure upfront payment to
bring "Sin City" to the big screen from Dimension Films, as well
as a share of profits from the film. He wrote the screenplay and
co-directed the movie, which took in more than $160 million in
worldwide box office and was a DVD hit. Then he signed to do two
more installments of the series for Dimension. He's
conservatively estimated to have made more than $10 million for
the package.

The anti-heroes at the center of today's graphics novels like
"Hellboy" and "Sin City" are far more complex and nuanced than
classic characters like Superman and Batman. The same could be
said of deals for the rights signed by their creators. And the
deals are far more lucrative for the creators, as well.

The deal cut by Miller, a comic book icon, was an exception. But
savvy modern comics writers, enlightened in part by the financial
struggles of their predecessors, have cut broad and creative
rights deals covering not only film and TV, but video games and
DVDs, as well as emerging platforms like wireless and broadband.

In addition, they're going through independent publishers, rather
than working with the majors.

Siegel and Shuster, who worked in the Great Depression, never
thought about television rights, much less iPod broadcasts.

"When Siegel and Shuster created Superman, they didn't think it
was going to become an icon and part of the nation's mythology,"
said comic book creator Marc Andreyko, 35. "It's like saying John
Wayne didn't know his movies would be out on DVDs. The
opportunities created by technology and how small the world has
become and the output for entertainment are so much more vast
than they were 60 years ago, even 20 years ago."

While the creators never cashed in, the Man of Steel nonetheless
changed the contract landscape for comics creators.

"It really wasn't until the first 'Superman' movie (in 1978) that
people started looking at comic books in a whole other way," said
Steven M. Weinberg, a partner at Greenberg Traurig LLP, who has
represented Marvel Comics founder Stan Lee. "'Superman' was a
blockbuster (the three films grossed more than $300 million for
Warner Bros.). I don't think that had been seen before."

Hollywood achieved more comic-based film successes, including
Superman's DC Comics stable mate, Batman. Warner Bros., like DC
under the Time Warner Inc. corporate umbrella, reaped $700
million on three films based on the Caped Crusader. However, it
was the incredible box office grosses realized by Sony, when it
produced two films featuring Marvel's Spider-Man, which kicked
the comics-to-film biz into high gear. The first "Spider-Man"
recorded the biggest box office opening in history, with $114
million in three days in 2002. Overall, Sony reaped more than
$1.6 billion on that film and its sequel, and millions more in
ancillary receipts.

Platforms proliferate
Along with the box office numbers - comics-based films have
brought in $14 billion since 1978 - the proliferation of media
platforms has also upped the ante for comic book creators.

"I think what's really happened over the last 20 years is,
especially with the explosion of cable TV and the Internet, that
animation has risen to new heights as has the popularity of
various characters," Weinberg said.

All of which provides potential for revenue streams, for the
owner of the characters.

"Rights are very important," Andreyko understated. He and his
partner, Brian Michael Bendis, have a film project based on one
of their comics ("Torso") in development at Paramount Pictures
Corp.

"If I have an idea that I think is a viable commercial idea, I
instantly think if it has life elsewhere. Do I want to pitch it
to a major publisher or keep it for myself and have more
control?"

While the size of the potential payout has increased
tremendously, the emergence of the alternative distribution
platforms hasn't shortened the odds of a comic book creator
reaping a rights bonanza by much.

"They say if you catch the right lightning in a bottle, you can
become exceedingly wealthy," said Andreyko, citing peers Mike
Mignola ("Hellboy") and Todd MacFarlane ("Spawn"). "It's about as
common as becoming a big movie star. It's very rare - but it
happens often enough that it's not completely out of reach."

Characters count
It was natural that publishing and film production companies that
catered specifically to writers from the comic book and graphic
novel genres would emerge. Among the first was Dark Horse
Entertainment, headed by Mike Richardson. Since 1992, Dark Horse
has brought eight films to the big screen, including "The Mask"
and "Sin City," accounting for more than $750 million at the
worldwide box office.

Richardson draws a simple distinction between companies like his
and the major publishers and movie studios.

"It's characters they count on to keep their companies
profitable," Richardson said. "We rely on our writers." The
message is getting through: An estimated 75 percent of today's
writers are published or head to the big screen via independent
firms and retain at least some of the rights to their heroes and
heroines.

Dark Horse has pacts with Miller, Mignola and MacFarlane as well
as Andreyko and Bendis, whose creation "Jinx" will star Charlize
Theron and reach the big screen under the Universal Corp. banner
next year. Those writers will not only receive larger shares of
the royalties than their predecessors (some of whom received
little or no percentage of the box office) but also more say in
the development of the projects. Miller, for instance, is writing
and co-directing all three "Sin City" movies.

"Dark Horse is really good about giving you what you want as far
as creative control and things like that," said writer Eric
Powell, 31. He took out a loan to self-publish a character called
"The Goon," which was a hit online and was later picked up by
Dark Horse. There's been interest, but no deal yet for "The
Goon," but that's OK with Powell.

"I wanted to be at a company that would respect what I was doing
and not just throw it out there," Powell said.

Beverly Hills-based Platinum Studios LLC is another independent
publisher. The firm has an extensive library that increased
greatly in the early 1980s, when the average age of a comic book
reader began to shift from 12 years old to the 26 years of age it
is today.

Platinum Chairman Scott Mitchell Rosenberg said his company
basically caught a wave when he opened his company in 1986. "We
were willing to take some chances."

The first comic the company published was the story behind "Men
in Black," which Rosenberg said the majors had passed on, since
the creator was a first-time publisher. Sony released two "Men in
Black" films, which together grossed $440 million in the U.S.

Platinum works frequently with emerging comic book artists. The
company has an editorial department that works with writers on
their books, making suggestions and exchanging drafts back and
forth. Rosenberg said this enables the company to focus on first-
time writers who usually can't get published anywhere else.

In addition, the writers get a 20 percent take on the book sales
and will have some rights if the creation is sold to a movie,
although terms vary by the contract. Platinum is less concerned
with making money on a comic book than striking movie deals.

"It's a small margin in terms of printing," Rosenberg said. "But
we look at the other markets: developing characters to take them
online, toys, video games, direct-to-DVD, TV series. We don't
care how the comic sells, but how the story goes and how the
characters interact. Then we can figure out these other ways to
go."

Platinum's comic book projects headed to the big and small screen
are: Showtime maxi-series "Jeremiah" with Luke Perry and Malcolm-
Jamal Warner, the NBC pilot "Meet the Haunteds" and two features
slated for 2007, "The Darkness" and "Magdalena." Creator Kevin
Taft will write the screenplay on both films.

Old school
The major comic book companies, DC and Marvel, remain the 900-
pound gorillas in the field. DC owns Superman and Batman while
Marvel controls the rights to Spider-Man and the X-Men. All of
those characters have been at the center of film franchises that
have produced more than $500 million in worldwide receipts.

Today the majors pay contract writers about $250 per page, and
some royalties - but they control the rights to the characters.

Some writers are realizing the best of both worlds, keeping the
rights to some of their characters but while doing some project
work for the majors. Such an arrangement has creative as well as
financial advantages because it allows writers to work with the
major publishers' established characters.

Andreyko, for example, created a character for DC and gladly
signed away the rights, because it allowed his character to "play
in the DC universe sand box" and interact with heroes and
heroines like Superman and Wonder Woman.

There are creative limits, Andreyko said. "It's like writing an
episode of 'Friends.' You can't turn Ross into a serial killer"

Despite the opportunities created by today's production companies
and creative contracts, achieving major Hollywood success remains
a long shot for a comic book creator.

"It's like those documentaries of the Galapagos Islands, when
they say '3,000 sea turtles are born ... two will grow to
adulthood,'" Andreyko said. "If I ever have my own production
company I want to name it Baby Sea Turtle Productions because the
odds are like that."

Even with his picture in development at Paramount, Andreyko isn't
counting his sea turtles until they're hatched.

"There can always be a shark in the water or a hurricane. Until
I'm at the theater watching it, it could fall apart. But this is
as close and as exciting as it's been."
 +++++
Alias founder, Mike S. Miller signs at Comickaze on FCBD
Free Alias comics, sketches, original art and more coming to San
Diego this Saturday!

May 1, 2006 (San Diego, CA) - Fans of Mike S. Miller and/or Alias
Comics who live in the San Diego vicinity have a rare opportunity
to meet the creator and get a free Alias comic book signed by the
Co-Founder of Alias himself!

A veteran Comic book industry creator, Mike's work has graced the
pages of books ranging from X-Men to Superman, from Wolverine to
JLA. In the last two years, he has been building independent
publisher Alias Comics with his partner, Brett Burner (who may
also make an appearance at the Saturday FCBD event), and where is
the best place in San Diego to hold such an event? Comickaze, of
course!

Comickaze is San Diego's premier independent comic retailer,
centrally located in Clairmont Mesa, Comickaze is within a half-
hour driving distance from just about anywhere in San Diego
county.

If you're a fan of Alias, a fan of Mike's, or just a fan of great
selection, get down to Comickaze on Saturday between 11am and
6pm, and you won't be disappointed!
For artwork by Mike S. Miller, visit his website at http://w
ww.firebrandfantasyart.com.

For more information on Alias comics, visit Alias Comics online
at http://www.aliasc omics.net

For more information on Comickaze, visit http://www.comik
caze.com. Comickaze is located at 5525 Clairmont Mesa Blvd in San
Diego, CA.
 +++++
From: "Wiebke Hess" <wiebke@step-3.com>
Subject: [NEW TRAILER] X-Men: The Official Game -- Nightcrawler
Date: Mon, 1 May 2006 09:29:25 -0700

Happy Monday!

We have a new X-Men: The Official Game Nightcrawler trailer for
you today at the FTP below. Open the "X-Men: The Official Game"
folder, then trailers a Nightcrawler Character Trailer.

X-Men: The Official Game ships to retail stores on May 16th for
PlayStation 2, PC, Xbox 360, Xbox, Nintendo DS, GameCube and Game
Boy Advance.

Let me know if you have any questions!

-W

Using an FTP client:

Location: transfer.activision.com
Login: step3public
Password: wilfee3

Using a Web browser:

ftp://step3public:wilfee3@transfer.activision.com/
 +++++
Destroyer, Created by Wayne Sanders, Hot on the Heels of
Grafenveer

Birmingham, AL, May 7th, 2006 - Birmingham writer Wayne Sanders is
happy to announce his second comic book series coming out from
his publisher, Open Book Press, and it's hot on the heels of the
launch of his first comic series.

       May 1st 2006 saw the new re-launch of SMASH! Comics by Open
Book Press. A big part of the launch was the second issue of
Grafenveer, Wayne's first series. The first issue of Grafenveer
was released as a graphic novel. Now the SMASH! Comics line is
launching another new series called Destroyer, also created by
Wayne Sanders, and shipping to stores in June.  As if that isn't
enough the publisher has stated that they will be launching yet
another new comic series created and written by Wayne Sanders
this year, and that they are considering several others. "It's
safe to say that Mr. Sanders will soon be known as one of the
hardest working writers in the biz." said Open Book Press
Production Manager Mike Gagnon.

       The series is about a young man named Gabriel. For a long
time Gabriel has been troubled by nightmares; nightmares that
seem to affect the waking world around him. Often these dreams
star a strange, taloned being that murders wantonly. When Gabriel
takes his niece Lyla to a football game he and the entire crowd
are stunned when an enormous asteroid blazes its way through the
sky, narrowly missing Earth, and narrowly avoiding the
destruction of our entire planet.

    Somehow this event unlocks something in Gabriel's mind and
unleashes the full potential of his power. Gabriel finds himself
running from mysterious agents after witnessing a crime and is
more than troubled when his dreams of the creature savagely
murdering the agents prove to be true.

       The first issue of "Destroyer" (ISBN: 1-897290-07-1) ships
in June and continues on a quarterly schedule for a total of four
issues. For more info on the sci-fi horror "Destroyer", or
Wayne's medieval fantasy "Grafenveer" check the publisher website
at www.openbookpress.com
 +++++
FANS GET CHANCE TO STAR IN COMIC BOOK
Appear in Zoom Suit #3 with All Proceeds Helping Animals in Need

May 1, 2006, Palm Beach, FL - Comic fans have lees than 24 hours
to carve their name into comic book history. In return for a $100
donation that will be sent to the Florida Humane Society, five
fans will become background characters in Zoom Suit #3.

The last names of five fans will be spoken by a play-by-play
announcer at a football game in the script. Originally the
players were named after the artists on the project - Layton,
Tucci, Sears, Starlin and Patton. However, Team Zoom thought it
would be a fun idea to give fans the chance to be immortalized in
the comic as well as help animals in need.

"I'm always looking for a way to support no kill animal
shelters," said Zoom Suit creator John Taddeo. "It's a fun
opportunity as well as a great cause. Please check out the
auction."

The five fans that make the $100 donation will also receive a
complete set of Zoom Suit #2 comics including cover "A" by Bart
Sears, cover "B" by Keron Grant and both retailer incentive
covers. The Armored Legend Edition features a cover by Bob
Layton, while the Suspended Animation Edition features artwork
directly from the animated short film. All four covers feature
the latest breakthroughs in "Glow in the Dark" printing
technology.

One hundred percent of the proceeds will benefit animal
charities. Taddeo is personally paying the eBay auction fees,
PayPal fees, supplying the comics and paying for the shipping.

"Considering the prices we've seen on eBay for the first set of
Armored Legends books, I think we should be able to raise the
$500 for the shelter," said Taddeo. "Watching the #1 retailer
incentive issues sell between $50 and $300 a set is just amazing.
After seeing that, I came up with the idea of using some of our
copies to help the shelters."

To find the auction visit: http://cgi.ebay.com/Star-in-Zoom-Suit-
3-Your-Last-Name-in-Comic-
Charity_W0QQitemZ6624356776QQcategoryZ972QQrdZ1QQcmdZViewItem

About Zoom Suit:

Zoom Suit #1 shipped April 26, 2006. The comic is based upon the
award-winning animated short film of the same name. To date, Zoom
Suit has appeared in over 78 Film Festivals. To see the short
film or learn more, please visit www.superverse.com
 +++++
Archie Comics artist Dan Parent will be signing copies of
Archie's 65th Anniversary Bash, a special comic created
exclusively for Free Comic Book Day.

On May 6, 2006, the fifth annual Free Comic Book Day event will
be held in comic shops across the country.  This year, the fabled
town of Riverdale will be getting quite a jolt, as a lucrative
job offer for Archie's dad requires the freckle-faced teen to
move to another state!  In "Moving Forward," Archie reflects back
on his "Little Archie" days, and sets off to tell his friends
that he'll soon be moving.  Along the way, he reminisces with
Sabrina, Josie, "That Wilkin Boy," and more.  He even runs into
recent acquaintances, Katy Keene (fresh from last year's "Free
Comic Book Day" appearance) and real-life singing sensations, The
Veronicas!  Breaking the news to his inner circle of friends -
Betty, Veronica, Jughead, and Reggie - is toughest of all, but
the gang relieve the sting by throwing Archie a mega going-away
part at Pop's. Can Archie really be leaving Riverdale on the eve
of Archie Comics' 65th anniversary?  It's a story full of
nostalgia, warmth, heart, humor, and of course, a plethora of
characters that have made the Archie line of comics one of the
most popular for 65 years!

Meet Dan Parent in person and have him sign your copy of Archie's
65th Anniversary Bash
On Free Comic Book Day, May 6, Dan will be at
MAIN STREET COMICS
157 Dolson Avenue
Middletown, NY    10940
from 12:00 to 4:00

If you miss Dan in New York hold on to your copies of Archie's
65th Anniversary Bash and get them signed at
AMERICA'S MOST WANTED COLLECTIBLES
907 Arch Street
Williamsport, PA    43420
On May 20th
from 11:00 to 5:00
or

MCRAE'S L'IL COMIC SHOP
505 Pennsylvania Avenue,
Matamoras, PA  18336
On June 10th
from 1:00 to 4:00
For more about Archie and his friends go to www.archiecomic.com
 +++++
Big Head Press Launches New Web-comics Site

The all-new BigHeadPress.Com (http://www.bigheadpress.com) web-
comics site has now launched. As announced earlier, the indie
publisher of graphic novels is presenting three all-new longform
stories: The Hook (Mike Baron and Gabe Eltaeb), The Architect
(Mike Baron and Andie Tong), and Roswell, Texas (L. Neil Smith
and Scott Bieser.)

The new site also offers a discussion forum, links to blogs by
some of the creators, and of course a "company store" where
readers can order gifts printed with logos and art from the three
stories.
 +++++





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