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* Quesada then turned his attentions to the audience members, who were never short on questions. Among his first confirmations, the EIC responded affirmatively to a question about whether new characters will enter Ultimate X-Men. "Ultimate Cable is on his way," he noted, and nodded to query about the future of the Marvel MAX line. * "There are some more MAX titles in the works," he said. * Tom Brevoort handled questions about the role of Blackbolt in Civil War. "It will move from a cold war into a hot war," Breevort reported, adding that Blackbolt would be central to "another project that we have in the works later." * Dan Slott was on hand to talk about his work on She-Hulk and plug the end of his run on Thing. "Once Thing #8 goes away I'm really putting my energy into doing She-Hulk." He said that he'll be exploring She-Hulk's role in a world missing her male counterpart where Hulk villains are still running rampant and unchecked. * One fan brought up a peculiar absence in the Marvel U. "No one sports facial hair," he proposed to Quesada, asking whether there was an unpublicized editorial edict on the subject. * Quesada seemed to genuinely appreciate the insight and took it lightheartedly. "We got an email from Mark Millar a couple of months ago saying characters with facial hair don't sell," he stated, confirming that the topic has actually been discussed around the Marvel offices. "There is not a 'no facial' hair rule at Marvel," he said. * Another fan questioned the future of the internet as a vehicle for Marvel comics' distribution. "I do foresee a day when people are reading all of their comics online," said Quesada. Although he would not comment about any specific plans, he spoke about his personal views on the subject, nodding that he definitely expects the future of comics distribution to be chained to the 'Net. * As to whether Marvel had plans to do any 'cleaning out' of old, irrelevant characters to make room for future changes, he said, "I don't have to kill characters to make room for more." He said he wants Marvel to remain focused on telling good stories and not get distracted by concepts rooted in continuity management. * Regarding large company-wide crossovers, Quesada expressed pride in the Civil War project, but also tackled the issue of entangling multiple editorial offices in such an event. "We're concerned on a number of levels," he stated, citing editorial coordination, stress on editors and the potential for single late issues to derail broader plans for participating titles. * Among characters receiving solo treatments, Quesada included, "Brian K. Vaughn has got a Dr. Strange miniseries planned for fall." * In probably the least anticipated topic of the day, Quesada responded to questions about the possibility of a "Marvel Monkeys" book in the spirit of Marvel Zombies. * "I've been pushing Marvel Apes for a long time, since February actually," said Quesada, saying he thinks the concept has a lot of potential. * As to whether or not Nick Fury will appear in Civil War, Brevoort: "Maaaaaybe." Vertigo Panel DC's Sales VP Bob Wayne manned the mic along with Editor Will Dennis. * Expect to see the film adaptation of Vertigo's V for Vendetta on DVD coming August 1st. * This October will see the debut of the first Fables original graphic novel, Fables: 1,001 Nights of Snowfall. Interior art for the book includes a collection of Vertigo's finest, including Fables vets Mark Buckingham and cover artist James Jean as well as Charles Vess, Brian Bolland and John Bolton. The story focuses on Snow White's early years away from Fabletown in the lands of the Arabian Fables, mirroring the classic Arabian Nights stories, with Snow White playing the role of Scheherezade. * Finally, Fall plans for the main series include the "Sons of the Empire" arc, starting in issue #52, during which Geppetto mobilizes his imperial leaders for conflict with Fabletown. Look for a backup story in issue #53 with art by Joshua Middleton. * Also on the original graphic novel slate comes Pride of Baghdad, Brian K. Vaughan's tales of a family of lions released during the American invasion on Baghdad, which destroyed the Baghdad Zoo. "On some levels it's an adventure story, but on other levels its a parallel of things like Animal Farm," said Dennis, who added of Niko Henrichon's art, "It almost looks like an animated style, but is a very strong subject." The book debuts in September. * Acclaimed British writer Mike Carey teams with painter John Bolton for God Save the Queen, a miniseries hitting shelves in January. After reading a description of the story's teenage protagonist stepping into the world of Faerie, Wayne said, "I, for one, am really interested to see what 'slacker faeries' look like." He also noted that the series was originally planned as an entry in the "Sandman Presents" line, but as Carey developed the book, it worked its way out of the universe which his soon-to-be-ended Lucifer series found its home. * Artist Cameron Stewart returns to Vertigo with the October miniseries The Other Side, a pairing with new writer Jason Aarom. The tale of an American GI and his Vietnamese counterpart in the Vietnam War marching towards an inevitable meeting was praised by Dennis because it "gives both sides of the conflict." * "Loveless will keep going as long as people buy it, but the final number of issues has not been determined," said Dennis of the gritty Western series whose decapitation- depicting cover inspired clapping. Dennis joked that the cover for issue #10's "subtle, quiet tale" featured Dick Grayson's head, much to the chagrin of a Nightwing fan who had sparred with Wayne earlier in the day. "Can I get one of those 'One Year Later' stickers?" continued the editor before going into detail on the story of the return of Confederate soldier Bloody Bill. "Wes has to face down his old friend who doesn't like taking 'no' for an answer." * The story of journalists in a war-torn New York, DMZ jumps to fill-in issues with September's #11, with Brian Wood taking over art duties in addition to scripting a "guide to the DMZ," said Dennis. Issue #12 features the art of Chris MacDonald who pencils IDW's Supermarket, before a new arc following a well-known journalist through the zone begins. Asked to explain the genesis of the book, Dennis gave some background on why he wanted to publish the series. "When you've been in comics a long time you start forgetting what it's like to read a comic and just be able to enjoy comics and get lost in comics," explained Dennis. "So when I started reading DEMO two years ago I reall had that experience of just reading it and enjoying it and thinking 'This is why I started reading comics in the first place.'" * Along with DMZ, a slate of new Vertigo books get the trade paperback treatment this July including Testament, The Exterminators and American Virgin. For more on these inventive Vertigo series, check out Wizard #179 next month for a special "Book of the Month" report and commentary from their creative teams. * August sees the release of a new Deadman series by Bruce Jones and John Watkiss. Described as a series "about sex and string theory, parapsychology and political conspiracy," Wayne jokes that those topics would be covered in "just the first issue." When fans inquired as to whether this version of the series would feature main character Boston Brand, Wayne said it would star an all-new alter-ego for the classic DC character. The series will be previewed in next month's Y: The Last Man #48. * Sandman Mystery Theater relaunches for a 5-issue miniseries set in the 21st century. Written by John Ney Rieber with art by newcomer Eric Nguyen and Tim Bradstreer on covers, the series follows a new dreaming detective embroiled in a conspiracy in the Middle East. * 100 Bullets #75 drops in August, although Dennis claimed to have no idea what happened in it. "I better get working on that," joked the editor. Wayne said that the one-shot issue focuses on the nature of the "irrefutable" evidence in the briefcases, giving their validity a second look. Dennis claimed it was good to "take a breath" before the book zooms through it's last 25 issues. * Y: The Last Man #48 is the final secret-origin issue, featuring Altar, the former Israeli fighter on the trail of Yorick. After that, the Y gang splits between China and Paris while "heading towards the grand finale." * When asked about the impending finish for two of the imprints biggest book, Dennis joked that he felt capable of talking both Brian Azzarello and Brian K. Vaughan into more issues of their respective series. "When things get closer, I'll really start to work my magic," said Dennis. * In speaking on 100 Bullets and Y: The Last Man, Dennis explained that the two series are planned to end with issues #100 and #60, respectively. Neither end number is set in stone, Dennis said, but both creators have previously expressed that's where they plan to wrap their acclaimed series. * Harvey Pekar returns to the Vertigo imprint with a new American Splendor series. Legions of former Splendor artists rejoin the writer this time around, including The Quitter collaborator Dean Haspiel and Gary Dumm, and talents such as Ty Templeton, Chris Weston and Leonardo Manco, with covers by Glenn Fabry. The series starts in October. * The first Absolute Sandman will feature 18 issues out of 25 recolored as well as writer Neil Gaiman's original proposal and character designs. Wayne showed a bit of the recolored art to an impressed audience. * Finally, Wayne noted that Karen Berger contacted him yesterday to note that a softcover edition of Darren Aronofsky's The Fountain graphic novel in October to coincide with release of film. WIZARD WORLD PHILADELPHIA 2006 DAY 3 REPORT Compiled by Zachary J. Morrison Today was the final day of Wizard World: Philadelphia 2006, at the Pennsylvania Convention Center in Philadelphia, Pennsylvania. Today's panels included the WildStorm Panel, the relaunch of WildC.A.T.S. with Grant Morrison, Top Cow Panel, Aspen Panel, and much more. Wildstorm Panel Rounding out an exhausting weekend at Wizard World Philly was a reenergizing panel on upcoming events in DC's premiere scifi, superhero imprint. DC's VP of Sales Bob Wayne was joined by Wildstorm Editorial Director Jim Lee, who continued his Q&A from earlier in the con as a number of fans questioned him on the gamut of his work and methods. * With a massive relaunch heading to shops this September under the "Worldstorm" banner, many of the books discussed revolved around the characters that Lee helped create as part of Image Comics in the mid-90s. When asked about the genesis of the universe and company, Lee related his reasons for selling the company to DC, which included the financial stability the company could provide for himself and his employees as well the the ability to collect books in trade paperback form without much overhead. Lee also joked that he came up with the Wildstorm name at 3 am at a Denny's. * After announcing that the first issue of he and Grant Morrison's WildC.A.T.S. relaunch would feature a variant cover by Lee's old friend Todd McFarlane and inked by Lee, he also opened up on the origin of the bi-monthly book. Set for a 12-issue run, Lee called this version of the team "a reboot, but a soft reboot," adding that it is "not a book that picks up from any particular moment in the Wildstorm Universe." However, the interpretations of the characters were left largely up to Morrison, he explained. [* "Grant's probably the most creative guy out there in what he's able to do with old concepts like X-Men," said Lee, who was particularly impressed with "the way he incorporated a lot of old, pre-existing stuff and added a lot of his own nuances to it. And he's done the same thing with WildC.A.T.S.. He basically came out with a blend of the old and new so it really picks up on the pacing and energy of the original mini-series and still incorporates a lot of the themes from the latest incarnation of the team in WildC.A.T.S. 3.0." Lee noted that the new series "picks up with the team in disarray. They're not even a team." And when asked whether or not his original issues of WildC.A.T.S. would see new trade editions, he would only say "We're rescanning all the original stuff for a purpose that can not be explained." * The rest of the "Worldstorm" relaunch was previewed with many, many concepts both new and old seeing the light of day during the hour-long panel. September also sees the release of the long-awaited Wetworks relaunch by Mike Carey and co-creator Whilce Portacio, followed in October by the bimonthly The Authority, which serves as Morrison's Wildstorm sister book with artist Gene Ha and a new take on Gen13 by Gail Simone and Talent Caldwell. November drops Stormwatch: PHD by up-and-comer Chris Gage with Seven Soldiers: Frankenstein artist Doug Mahnke (for more info on the series check back to www.wizarduniverse.com soon for an interview with Gage!) as well as The Midnighter by Garth Ennis and the art team of Chris Sprouse and Karl Story, which follows the Authority's reigning tough guy in his globe trotting, bone crunching adventures. "I'm sure his passport gets lots of interesting stamps that way," laughed Wayne. December finishes out the universal relaunch with a Deathblow series by Brian Azzarello and Carlos D'Anda and brand new series Tranquility by Gail Simone and Majestic artist Neil Googe focusing on the residents of a superhero retirement community who can "retire in peace without being hounded by enemies, fans and the Wizard staff" said Wayne. * On top of the mainline revamps, Wayne and Lee covered the status of many current and upcoming non-WSU projects. Along with a preview of upcoming Ex Machina stories, the continuation of popular Wildstorm properties saw the light of day as Garth Ennis preps A Man Called Kev taking off from this off-the-cuff Authority series, classic DC Sword & Sorcery series Claw the Unconquered lives on past his Red Sonja crossover from earlier this year and an Ennis-penned series based on a classic British IPC property (a la Albion) - Battler Britton with artist Colin Wilson. * Perhaps the most exciting original series announcement for fans at the panel was Garth Ennis and Transmetropolitan artist Darick Robertson's The Boys which according to Wayne is promised by Ennis to "out-Preacher Preacher" adding "I'm not sure if you'll need asbestos gloves to handle this." * In the arena of science fiction and fantasy, Wildstorm begins to develop a stable of titles with this Wednesday's release of Manifest Eternity #1 by Scott Lobdell and Dustin Nguyen, which Wayne said contains "a rich cast of characters in the storytelling tradition of Dune." The title follows on the heels of Ale Garza's Skye Runner whose July debuting fourth issue continues with an array of variant covers, including an entry from Art Adams. The final new series in this vein will be Rokkin by Danger Girl team of Andy Hartnell and Nick Bradshaw. * When Lee was asked about Wildstorm's plans for the new non- universe series, the studio head said that their choice to create more new properties as a publisher was part of "a conscious decision to step away from having all these different imprints and solidify on a grand level what Wildstorm means. Even though those types of series don't happen in the Wildstorm Universe per se, they'll still have a lot in line in terms of tonality and the kinds of creators we work with." * Despite Alan Moore's decision to move to other publishers, Wildstorm will still publish The League of Extraordinary Gentlemen: The Black Dossier, a multimedia graphic novel following Alan Quartermain and Mina Murray's investigation into the history of the League that Wayne jokes would be "amazingly heavy. It will take years to lift it." When asked by a fan, Lee and Wayne confirmed that there were plans for more mini-series based on Moore's Top Ten currently under development. * Finally, the announcement was made of a new Ninja Scroll series by writer J. Torres and artist Michael Chang coming in September. Lee will provide a variant cover for what he described as an "anime from 10 or 15 years ago that's been very successful." Top Cow Panel Top Cow president Matt Hawkins made use of a multimedia presentation to get Top Cow's panel event rolling Saturday, running down the company's list of upcoming projects while a series of trailers displayed the highlights of each work in progress. * The first video to go up on the screen was a series of scenes from Aphrodite IX, an animated film based on the series of the same name by David Finch and scheduled to be released first in Europe and Japan. Hawkins projected a late-2006 to early-2007 date for a new comic series launch. * Hawkins, a self-proclaimed gaming enthusiast, voiced a great deal of pride in the trailer for the upcoming Darkness video game for the PS2 and X-Box 360 gaming consoles, which is aimed at a February 2007 release date. Hawkins said there are no specific plans for a release on the Nintendo Wii but said a simplified version is not out of the question for future development. In addition to a "Best of E3" award and preliminary praise from other sources, the game has the pedigree of having been developed by Starbreeze, who was responsible for the Chronicles of Riddick game, said Hawkins. * Among its features, Hawkins cited a first-person shooter concept utilizing the darkness as a weapon. Players must figure out how to utilize unlit areas to kill enemies and reach objectives. A 20-person enclosed booth is planned for San Diego's International Comic-Con this year where Darkness fans and gamers will be able to see the game's demo. * Another trailer followed for a Witchblade game now in the early stages of development. The basic renderings showed the game's heroine walking around in a simple bare-bones environment. * In other Witchblade developments, Hawkins discussed the Witchblade anime, which is currently showing in Japan. He stated that the series will probably be available in the U.S. in April '07, though it will first be released as a seven-issue DVD set in Japan with no subtitles. He acknowledged that the Japanese episodes are available illegally online on many BitTorrent peer-to-peer sites. * Hawkins also talked about Top Cow's plans to begin an entirely new format of distribution this year. "Starting in September we're going to be offering digital downloads of our comics," he explained, elaborating that they took careful note of comic company CrossGen's failures using such a subscription model. "We've decided to go more with iTunes digital download model," he stated. In addition, he talked about an innovation the new strategy is going to allow them to do that hasn't been practical previously. "We're going to be offering the digital downloads in multiple formats," he said, listing off packages readers will be able to download including un-inked or un-colored pages which will allow glimpses into the creative process of Top Cow talent. * The trailer for Tomb Raider: Legend was up next, showing the game that reinvigorated the franchise. The game is selling so well, in fact, that they are bringing the Lara Croft series back in 2007. "We're very excited to be back in business with Lara Croft," said Watkins. Eidos, the company that produces the Tomb Raider game, has an equity stake in Top Cow, an arrangement that gives the company full access to the games company's properties. Watkins revealed that Top Cow is currently looking at the titular character from "Hitman" for his own series. * Another surprise, introduced without further details, was a project Hawkins framed as being in the same spirit as Michael Turner's Civil War cover for Marvel, which he was allowed to distribute himself. "Marc Silvestri is working with Bendis on a new project," he said, continuing that the details are not yet public, but that Top Cow is shooting for a 2007 release. Top Cow will also be working with Marvel on two upcoming series, one X-Men: Phoenix - Warsong series (see WIZARD WORLD PHILADELPHIA 2006 DAY 1 REPORT) and a new X-23 series. There's also a Witchblade/Punisher crossover by Ron Marz and Mike Choi that will team the two sort of heroes up for the first time. * The next DVD included images from the Cyberforce relaunch, and Watkins told the crowd about the plans for an X- Men/Cyberforce crossover. One of the original criticisms of Cyberforce was that Silvestri, going straight from X-Men to Image, had simply recreated the X-Men. By having the characters in a story together they hope to show people how different the characters really are from Marvel's Merry Mutants. * That won't be the first Top Cow movie to make it to the silver screen, though. In September, Screen Gems will release Covenant, directed by Cliffhanger director Renny Harlin, based on one of Top Cow's lesser known properties. * There are also plans to bring back "Weapon Zero," and Watkins was up front about the reasons for it. Top Cow has shifted over the years from being a comics company to more of a multimedia company, developing properties to be made into videogames, movies and television shows. Because of this, they are bringing back old properties, which were mostly visually impressive but lacking in story, and relaunching them as something that could be viable for development. * Robot Chicken and Buffy star Seth Green's Freshmen comic book series was a huge success, selling lots in singles and ten of thousands of copies of the trade- so naturally, they're going to do some more of them. They're looking for a name right now, deciding not to go with "The Sophomores" in spite of the fact that it is, indeed, the characters' sophomore year. Aspen Panel "Exclusive" was the name of the game at Saturday's Aspen Entertainment panel at Wizard World Philadelphia. The first 100 fans to cross the threshold into the auditorium were greeted with a coupon for a free, Philly-only Aspen print, and when the panel itself got underway a multitude of convention-only variant covers were highlighted along with a first look at the latest Aspen statue. VP of Publishing Peter Steigerwald was joined by head honcho and comic art superstar Michael Turner, publisher Frank Mastromauro, artists Micah Gunnell and Marcus To and writer J.T. Krul with the entire studio crew spending most of the afternoon hamming it up for the audience and taking lighthearted digs at each other. * The latest Aspen series Shrugged written by Turner and Krul with art by Grunnell was featured with Steigerwald showing multiple upcoming covers. Many jokes were had at Turner's expense as new covers were shown--to his constant surprise. Steigerwald joked that "this is how we get Michael's approval on covers. We just show them at panels." Playing along, Turner noted, "We're having a lot of fun with this book." When asked what he enjoyed most about working on the series as opposed to Soulfire: Dying of the Light, Grunnell said, "I don't have to draw armies of flying people." "Not yet, dude," interjected Krul to a big audience laugh. Gunnell continued, "The cool thing about it is that there's so many things to draw. We have a lot of real world stuff and the magical stuff. There's two different worlds, and when I get bored of one thing I can switch to another." * The brand new Soulfire: Chaos Reign mini-series saw a issue #0 for the convention with a brand-new story by Krul and To, who shifts over from previous work on the Cannon Hawke mini-series. "It's a really cool story and it explains a lot of things that have happened in the prehistoric magic age of the Soulfire universe," said Krul. Covers for the first two issues were previewed, although the team was reticent to mention any details on the story with To nearly revealing a plot point while describing a recently completed splash page. * The Soulfire: Dying of the Light TPB will have a large cover gallery as well as a new seven-page story serving as a series prelude. * The regular Soulfire series saw issue #7 debut at the con with an exclusive cover. The book will end with #10, a double-sized issue. Next for Turner and crew will be the still-unannounced Marvel project, followed by the completion of the Aspen Ekos concept with writer Geoff Johns. "Geoff Johns and I have been meeting almost every week for the last two or three months," said Turner. "We're going to have the whole thing completely written and done before it comes out." Like past Aspen projects, the series will feature a "Beginnings" issue, a #0 issue and a six-issue mini-series although Turner noted that Soulfire started out as six issues, but was expanded to 10. * Making its debut at the convention was Aspen's variant cover to Marvel's Civil War #1. Like past variant covers for DC's Identity Crisis, the Civil War cover drawn by Turner and featuring Captain America, Iron Man and Wolverine would be printed and distributed by Aspen. "We were really proud that we were able to accomplish that with Marvel," said Mastromoro. Turner added, "They've been really great to work with" and that Marvel has used the cover as a promotional image everywhere, which was very gratifying for the Aspen crew. * When asked by a fan if there were any plans to release any intercompany crossovers matching Aspen characters with big superheroes, Turner said that he was not opposed to the idea, but that he'd rather develope the Aspen stable of characters on their own before allowing that to happen. * After showing images of Kiani, Aspen and Cannon and an webstore exclusive Aspen in black armor bust, Steigerwald took a dramatic pause (with tongue firmly in cheek) before debuting the first images of the company's second statue, which features Kiani. Turner explained that the design of the character riding a wave made for a very tricky production situation. "We're getting letters from the factory in China saying, 'I don't know how we're going to do this.' It's the craziest statue ever,'" joked the creator. "The water itself is not one big piece. He designed it so the clear plastic holds her up. It's the most intricate thing. I was absolutely blown away." The company is shooting for October release for the statue with several variants and interchangable pieces for the final design. * Later this year, the company will release more seasonal specials including a Summer Splash comic with work from Kaare Andrews. * Absent artist Koi Turnbill was discussed with Turner noting the latest issues of Fathom include "some of the most amazing stuff he's ever done. I can't wait for you all to see it." Three issues remain in Fathom vol. 2 with issue #9 out in two weeks. The finale, issue #11, will include extra pages. * As for the larger publishing plan, both Turner and Mastromauro noting that their properties will continue to be released in a "season by season" style with each new mini-series serving as a kind of movie sequel and taking place in real time unlike superhero comics where the characters never age. "Each of our stories will have a beginning and an end. We'll have contained stories and then move on to the next one," added Krul with Turner saying that their slate revolved around keeping one artist on each series for consistency. That's all for now. Stay tuned to Comixfan for more convention coverage when San Diego Comic-Con International comes around mid- July. +++++ ------------------------ Yahoo! Groups Sponsor --------------------~--> Get to your groups with one click. Know instantly when new email arrives http://us.click.yahoo.com/.7bhrC/MGxNAA/yQLSAA/bGIolB/TM --------------------------------------------------------------------~-> Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the Emag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. All contributors are required to use their real name and have a valid Email address for their columns to be published. 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