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+++++ Comic Book Breaks New Ground In Use of Interactive Online Content! What if the fictional characters of the story you were reading suddenly began to contact you, through phone calls, email and instant messages, and even at actual real world meetings? What if they presented themselves as real and involved you in their lives and struggles, so that you actually changed the world in which they lived? What if there were items that you found or that arrived at your home, that were important to those characters and their stories, and vital to the things they were trying to achieve? Would it still be just a story? Or would it become something more? Many comic fans looking for something for something new in the world of comics. Not just new characters, or flashy graphics, but a level of interactivity never before attempted in the medium. After breaking new ground with Audi's Art of the Heist, the original online Chasing The Wish game, and many others, Dave Szulborski is at it again. New Fiction Publishing is proud to announce the release of Chasing The Wish Book One, the first of a three issue graphic novel series based on the 2003 campaign by the same name. Chasing The Wish set new standards for realism, creativity, interactivity, and immersion in the newly developing genre of interactive online entertainment. The first game lasted six months and incorporated three dozen fictional websites, as well as dozens of real world items, interactions and events. Throughout the campaign, over 10,000 people were attracted to and played the game, and Chasing The Wish received international press coverage in magazines, newspapers, and television reports. Now, the Chasing the Wish comic book will be supported by and fully integrated with the most extensive and interactive online presence ever created for a comic book project, featuring multiple fictional websites, completely interactive and responsive characters, real world events, and items created especially for the game. The script is by Jason Stackhouse, adapted from the original story and notes of Chasing The Wish creator Dave Szulborski, with creative direction and coloring by James Curcio, and artwork by comic veteran P. Emerson Williams. The book will be released for purchase online on May 8, 2006, at a retail price of $8.00. It is scheduled to be released in comic and book stores in June of 2006. www.chasingthewish.net Chasing The Wish : Book One (of three) by Dave Szulborski, James Curcio, Jason Stackhouse, P. Emerson Williams, Additional content by Jessika Kaos, and William Hamilton. > 48 pp full color covers and interior, glossy paper, saddle stitched. > Intended for mature audiences due to language, no nudity or graphic violence. > Release date: May 8, 2006. > New Fiction Publishing ISBN 0-9773511-6-4 > $8.00 US retail (May be purchased at bulk rates, contact chasingthewish@new- fiction.com) +++++ THIS HALLOWEEN, ARCHIE COMICS OFFERS SOME TREATS... AND A FEW TRICKS, TOO! Put on your costumes, grab your goody sacks and get set for some tasty treats! It's Halloween and once again, Archie Comics is serving up a cauldron full of delicious morsels sure to tantalize the most ticklish taste buds! The magic all starts where else but with everyone's favorite teenage witch, Sabrina. In "Trick or Trick?" from SABRINA THE TEENAGE WITCH #79, Sabrina is let in on a secret that will make this the best Halloween ever: Halloween is the one day that witches and wizards are allowed to freely use magic in the mortal realm! Of course, as with any privilege, there are rules that must be followed... is Sabrina up to the task of this new responsibility? She'll find out when she joins Llandra, Shinji, and Gwen at the local theme park's "haunted house!" But the tricks are on them, as they soon learn the exhibit REALLY is haunted! Next, in "The Big Prize" from BETTY & VERONICA #221, Veronica pulls out all the stops to make sure she is the center of attention on a day where there's a lot of competition! Veronica has entered herself in a Halloween costume contest judged by renowned luminaries from the fashion and entertainment worlds and you know what that means - more costume changes than a diva in concert! Will Veronica's tenacity help her "scare up" the prize? Don't just gobble down your Halloween candy without something fun to read while you're doing it... order your copies of these spooktacular issues today! SABRINA THE TEENAGE WITCH #79, ships 9/13. 32-page, full color comic, $2.25 US. SCRIPT AND ART: Tania del Rio. BETTY & VERONICA #221, ships 9/20. 32-page, full color comic, $2.25 US. SCRIPT: George Gladir. ART: Jeff Shultz. For more about Archie and his friends go to www.archiecomic.com +++++ IAN CHURCHILL FLIPS OVER ELEPHANTMEN! Acclaimed artist creates flip cover for ELEPHANTMEN #2 http://www.hipflask.com/issues/elephantmen02/altcover_450.jpg Los Angeles, CA -- June 12, 2006 -- ELEPHANTMEN #1 will be charging into stores this July courtesy of Image Comics, and with #2 following right behind in August, what better way to draw more converts than with an Ian Churchill flip cover! That's right, Active Images has paired Churchill (of Prelude to Infinite Crisis and Supergirl fame) with HIP FLASK and Eisner-nominated artist Ladronn to provide two stunning covers. "Can it get any better than this?" asks Richard Starkings, President & First Tiger of Active Images and the writer of ELEPHANTMEN. "Ian [Churchill] and I have been friends for years and as long time fans of HIP FLASK know, Ian has had a hand in the creation of the character since the very beginning. Ian finished this piece for us as a special favor and I couldn't be happier. It's the perfect complement to the interior art by Moritat and Henry Flint -- this will be one beautiful book!" Check out both covers, from pencils to colors, here: http://www.hipflask.com/issues/elephantmen02/cover2.html http://www.hipflask.com/issues/elephantmen02/cover.html Elephantmen: genetically engineered to be supra-human weapons of mass destruction, now they must live with the very people they were created to destroy. Hip Flask and Ebony Hide count amongst their number. BEHEMOTH AND LEVIATHAN Story by Starkings, art by Henry Flint, cover by LADRONN. HENRY 'JUDGE DREDD/ALIENS' FLINT delivers eight pages of all-out action as Hip Flask takes on the Croc Elijah Delaney above and below the waters of the Los Angeles canal! SHOCK CROC Story by Starkings, art by Moritat, flip cover by IAN CHURCHILL. Mouth Almighty Herman Strumm and his delectable sidekick, Rabbi, entertain satellite radio listeners when Elijah Delaney stops by Dogstar Radio to deliver an exclusive interview! ELEPHANTMEN #2 -- look for it in June Previews page 151 (Image Comics, $2.99, 32 pages, ongoing monthly series begins this July), for more on ELEPHANTMEN, go to HYPERLINK http://www.hipflask.com/elephantmen/ HIP FLASK: UNNATURAL SELECTION, the book that started it all, has now sold over 26,000 copies. HIP FLASK: ELEPHANTMEN and HIP FLASK: MYSTERY CITY are still available in finer comic book stores. ABOUT ACTIVE IMAGES Active Images (www.activeimages.com) is the publishing arm of COMICRAFT, the lettering and design studio founded by President & First Tiger Richard Starkings and Secret Weapon John 'JG' Roshell in 1992. Active Images entered the world of print publishing in 2002 with Hip Flask: Unnatural Selection and in only a few short years became a publisher of great note, putting out a compelling and eclectic line of graphic novels featuring some of the most talented and up-and-coming creators in the industry, including: Solstice (Steven T. Seagle & Justin Norman), The Spiral Cage (Al Davison), Ballast (Joe Kelly & Ilya), Strange Embrace (David Hine), Temptation, Skidmarks, Gunpowder Girl and the Outlaw Squaw, The Fly Chronicles, and Brickman Begins. Industry legends Dave Sim, Alan Moore and Will Eisner are just a few who have sung the praises of Active Images's lineup. Active Images's most recent graphic novel. THE NIGHTMARIST, by Duncan Rouleau, has received high praise. +++++ ORLANDO CON WEB SITE GOES LIVE Details of Newest Convention Available Now at www.OrlandoCon.net June 13, 2006, Orlando, FL - Set for August 19-20, 2006 at the Caribe Royale Convention Center in Orlando, Florida, Orlando Con is gearing up to become a must-go destination for fans of all entertainment. Its official web home at www.orlandocon.net offers all the details potential convention goers will need to learn about this exciting new event. The web site features the con's latest news, guest list, information for potential exhibitors and dealers, hotel information and rates, a programming schedule, online ticket ordering capabilities and much more. Members of the press who are interested in attending can also learn the criteria for receiving a Press Pass. "It's taken us a bit longer than we'd hoped to get this new web site up, but we believe it takes time to make sure it's done right," said Orlando Con co-promoter, Sara Murray. "The new site has plenty of information and is a great way for people to learn about our convention. I really hope you'll stop by and check it out." Sponsored by Coliseum of Comics, Bad Apple Comics and A Comic Shop, Orlando Con features over 25,000 square feet of space at the beautiful Caribe Royale Convention Center at the Caribe Royale Resort located one-and-one-half mile from the Walt Disney World theme parks. The convention will feature a wide selection of items including comics, toys, cards, games, anime and more. Ticket prices for the two day event are: $10 for a one day pass or $17 for a two day pass when ordered in advance via the web site. Tickets purchased the day of the show are $12. Children six years old and under are admitted for Free. The current guest list for Orlando Con includes: Greg Land Ron Marz Billy Tan Tony Bedard Paul Pelletier Mike Perkins Mike S. Miller Barbara Kesel Mario Gully Pablo Marcos John Taddeo Chasen Grieshop Tom Fleming Austin Janowsky Ben Hunzeker Robert Rhine Arthur Ball And many more to be announced. Exhibitors scheduled to attend include: CGC Alias Enterprises Superverse Particle 9 Productions Wet Ink Studios Students of the Unusual With more still to come. A limited number of exhibitor and dealer booths are still available. Log on to the web site to download the Application Package or call G and S Events at 321.453.2246. "The con is shaping up nicely," co-promoter Glynn Adkins noted. "Our guest list is coming along and the hall is filling up quickly with dealers and exhibitors. This is going to be a fun time. We have lots of special things planned for our attendees that we hope will make their time here memorable." For more information on Orlando Con be sure to check out www.orlandocon.net. About G and S Events: Merritt Island, Florida-based convention promotion company, G and S Events, is the brainchild of Glynn Adkins and Sara Murray. Orlando Con, scheduled for August 19-20 at the Caribe Royale Convention Center in Orlando, Florida, is the company's second comic book convention. For more information, be sure to log onto www.orlandocon.net or email comicmaster76@netscape.net. +++++ http://www.publishersweekly.com Abrams Signs Wimpy Kid Abrams has announced the signing of its second graphic novel taken from a Web comic, Diary of a Wimpy Kid by Jeff Kinney. by Heidi MacDonald, PW Comics Week -- Publishers Weekly, 6/13/2006 Abrams has announced the signing of its second graphic novel taken from a Web comic, Diary of a Wimpy Kid by Jeff Kinney. The story follows the daily travails of a kid named Greg Heffley as he tries to get through seventh grade, despite his brothers, classmates and parents. The strip has been running since 2004 on Funbrain.com, a children's site. Abrams has signed Kinney to a three-book deal, with the first expected to appear sometime in 2007 through its young adult imprint Amulet. Acquiring editor Charles Kochman also oversaw Abram's first Web comic graphic novel, Brian Fies's Mom's Cancer. Kochman first became acquainted with the project when Kinney approached him at the New York Comic-con earlier this year. Kinney was showing around a spiral-bound version of the strip and Kochman was instantly hooked. "This is the kind of book you dream about acquiring as an editor," says Kochman. "Not only is it smart, funny, and well drawn, but it comes with an already-established fan base online. Jeff perfectly captures childhood, and his ear for dialogue is uncanny, his art simple but not at all simplistic-his work instantly relatable to kids of all ages, bringing us back in time with a line of his pen and the turn of a phrase. He sees the series as an opportunity for Abrams to expand upon the success the Amulet Books division has had with New York Times best-sellers like The Sisters Grimm, this time with a book that has great graphic appeal." Kinney already has some 1,000 pages of the story online. At Funbrain, Wimpy Kid has already had some 15 million unique readers. "It's a site that reaches tons of reluctant readers," says Kochman. "Kids look at it and teachers really get behind it, too." Kitchen, Lind Debut Agency, Packaging House This story originally appeared in PW Comics Week on June 13, 2006 by Heidi MacDonald, PW Comics Week -- Publishers Weekly, 6/13/2006 Comics veteran Denis Kitchen has teamed with book designer John Lind to form Kitchen, Lind & Associates, a new book packaging and talent management concern that will put together graphic novel projects, with an emphasis on young adult titles. KLA is offering a soup-to-nuts range of services representing properties to publishers and a complete array of book-packaging support, from original concepts to production, marketing and distribution. Their initial projects include works by Eleanor Davis, Drew Weing, Bernie Mireault and Todd Hignite. Davis and Weing are both up-and-coming artists known for their mini-comics and Web comics. Hignite is the editor of Comic Book Art magazine and the author of the forthcoming In the Studio: Visits with Contemporary Cartoonists from Yale Univ. Press. Mireault is a comics veteran whose The Jam is highly regarded. KLA launched at this weekend's MoCCA Festival, and both Lind and Kitchen were on hand to talk about the venture and accept submissions. According to Kitchen, they have already been inundated with manuscripts from cartoonists who are looking to get into the book market. Although specific projects have yet to be announced, there are several in the works. Davis is working on a children's book with an emphasis on science, and Weing, whose Web comic "Pup" has a devoted following, is working on an new project. Hignite's efforts will be more scholarly in nature. One of the areas that KLA will be concentrating on is books for the YA market, which, as almost every observer has noted, is still underserved by the non-manga genre. Kitchen hopes to give an educational slant to some, as he feels there is great demand for this from educators and librarians. Lind and Kitchen already have some experience working with children's material; and in fact, a child author-Kitchen's daughter, eight-year-old Alexa, who has been cartooning since she was five. Alexa's Drawing Comics Is Easy (Except When It's Hard) debuted at MoCCA, and definitely qualified as one of the biggest buzz books of the show. At 176 pages, it's an exhaustive look at creating comics from a seven-year-old's viewpoint-Alexa notes her work has improved greatly since-covering such topics as making comic strips funny, backgrounds and anatomy. For her part, Alexa had a fine time at MoCCA, signing copies of her book (they blew through nearly 100 copies) and meeting other cartoonists. Father Denis, a cartoonist himself, seems almost bemused by his prodigy. "She'll do it as long as she wants," he says. Asked if she would stop, Alexa said, "Stop drawing comics? Why would anyone ever want to drop drawing comics!" +++++ Marking another bizarre turn in the saga of Georgia retailer Gordon Lee, Rome prosecutors have drawn up a new indictment that replaces the accusation CBLDF lawyers filed motions against earlier this month. The indictment was procured at a special grand jury session earlier this month, and restates the charges from the previous accusation filed in May. This new development marks the third time charges have been brought against Lee for the accidental distribution of "Alternative Comics #2" in October of 2004. The previously announced June 15 motions hearing is cancelled. Lee now must stand before a new arraignment on July 7, after which his lawyers must re-file their motions. Paul Cadle, Mr. Lee's counsel in Rome, says, "We believe this new development arises from our Motion to Quash, which -- in layman's terms -- relied upon Georgia law which requires that the Defendant be re-indicted if new charges are brought out of the same matters which have previously been presented to the Grand Jury. Accordingly, since Gordon was indicted initially by the Grand Jury in the first case which was dismissed, he was entitled to the same protection the second time. The dismissal of the second case embodied in the accusation and the new indictment appear to be consistent with our position in the Motion to Quash. We will now have to again file motions for the new arraignment, some of which may be new motions based upon the continuing developments in the case." Cadle adds, "It is highly unusual to have a single defendant face three arraignments in less than two years for the same alleged criminal conduct. In my fifteen years of practice, I have never seen such an occurrence." Under the current indictment, Lee still faces two misdemeanor counts of distributing Harmful to Minors materials - a charge carrying penalties of fines for up to $1,000 and up to a year in prison. To date, the Comic Book Legal Defense Fund has spent over $60,000 defending Mr. Lee. To support the Fund's defense of Gordon Lee, please make a donation at www.cbldf.org . +++++ From Warren Ellis on his mailing list: BAD SIGNAL BAD SIGNAL meeeeeeeee I have been engaged by the American cable company AMC to write the half-hour pilot for a TV series I created. The contract calls the show "black comedy/science fiction." Christina Wayne at AMC, who, along with Vlad Wolynetz has just been unreasonably good to deal with, recently described it as a "sf/entertainment-industry 'dramedy'." As with all TV Things, everything could go horribly wrong. But this is the deal I've been waiting for, with people who understand the project and format I want to work in. And you know something's going right when people in TV are telling you to go more experimental and take more risks. This isn't your US network TV experience. I'm writing the pilot at the moment. (And I should particularly thank Joss Whedon and John Rogers for their insights into the process.) More details will hopefully follow as the project progresses. Or, you know, a tearstained screed if it doesn't. -- W +++++ TOKYOPOP is now recruiting website content writers! TOKYOPOP.com is looking for individuals over 18 years of age* to be reviewers, columnists and feature storywriters... Reviewers will be needed for the following: MANGA ANIME VIDEO GAMES FILM/TV/DVD (Sci-Fi, Horror, Fantasy, Action) MUSIC (J-POP, J-ROCK, K-POP, anime soundtracks, videogame soundtracks) A columnist will be selected for each of the following categories: MANGA ANIME VIDEOGAMES (No sports-related videogames) FILM/TV/DVD (Sci-Fi, Horror, Fantasy, Action) MUSIC (J-POP, J-ROCK, K-POP, anime soundtracks, videogame soundtracks) FASHION/COSPLAY FOOD & LIFESTYLE (Eastern food and manga lifestyle) PEOPLE (Manga personalities) Feature writers will be selected for each of the following categories: MANGA ANIME VIDEOGAMES (No sports-related videogames) FILM/TV/DVD MUSIC (J-POP, J-ROCK, K-POP, anime soundtracks, videogame soundtracks) FASHION/COSPLAY FOOD & LIFESTYLE (Eastern food and manga lifestyle) PEOPLE (Manga personalities) If you are interested in contributing, please e-mail writers@tokyopop.com with brief proposals and a writing sample by June 19, 2006. If chosen, writer will be contacted to work out a writing schedule and will receive monetary compensation for such work. Pieces should be written with journalistic integrity and TOKYOPOP style. Writing guidelines for TOKYOPOP.com (word count) Reviews: About 500 words per review Columns: A minimum of 1,000 words Features: A minimum of 1,000 words *Entries limited to applicants who are 18 years or older, or majority age in the area s/he resides in, whichever the higher. +++++ Marvel Defection Deals Blow to Shares Entertainment Firm Takes Hits As Film Unit's Head Shifts Roles; Plans for 10 Movies in Next Decade By KATE KELLY and MERISSA MARR June 12, 2006; Page C1 Marvel Entertainment Inc.'s knockout blows usually come from superheroes in comic books and movies. But recent developments in the company's executive suite may look to some of Marvel's investors like a sucker punch. The New York company late last month announced that Avi Arad, longtime head of Marvel's film division and a creative force behind box-office juggernauts like "Spider-Man" and the "X-Men" series, had resigned to take on a new role as an independent movie producer and consultant to the company. Marvel Entertainment shares dropped nearly 4% to $19.10 on the day of the news. Hours later, there was another surprise: Mr. Arad's sale of more than three million shares of his own company stock, the majority of his position. Marvel shares dropped an additional percentage point the following day, with one prominent research analyst calling Mr. Arad's new arrangement a "questionable deal for shareholders." Since then the stock has inched higher, buoyed by a $100 million share-repurchase program that was completed last week and a recent agreement by Marvel's largest holder, Chief Executive Isaac Perlmutter, not to sell shares while a new repurchasing effort is under way. Marvel's shares fell 11 cents to $19.63 Friday in New York, giving Marvel a market value of more than $1.6 billion. In an interview, Mr. Arad attributed his sale to estate-planning needs, saying: "There's never a good time to sell stock." Marvel Vice Chairman Peter Cuneo said Mr. Arad's move didn't reflect on the company. Mr. Arad, 59 years old, made significant contributions to the "Spider-Man" franchise and others, studio executives say. "Avi is one of the top movie executives in Hollywood," Mr. Cuneo said. "His earning power greatly increased, and it was not possible for the company to match what he can make as an independent producer." The angst surrounding Mr. Arad's departure underscores the crossroads at which the comic-book publisher finds itself. After years of pocketing revenue from licensing its characters to toy makers and Hollywood studios, Marvel last year unveiled plans to make its own comic-based films through the studio division that Mr. Arad oversaw. Using a $525 million credit facility raised by Merrill Lynch & Co., Marvel plans to release 10 pictures over the next decade. While a slew of box-office hits could usher in years of revenue growth, the risks inherent to movie production -- especially without the studio division's longtime leader at its helm -- could make the company more vulnerable than ever to losses from expensive films that fall flat. "Avi was the creative force behind Marvel's studio, and he was going to be an important part of their efforts to get into live- action production," said Lowell Singer, an analyst at Cowen & Co., who has a "neutral" rating on the stock. Now, "the company has a lot of challenges ahead of it." (Mr. Singer doesn't own Marvel shares, and Cowen doesn't have a business relationship with Marvel.) Marvel's net income slid to $102.8 million last year from $124.9 million in 2004, when it had a "Spider-Man" movie. With just one Marvel-inspired theatrical movie in release this year, "X-Men: The Last Stand," analyst projections for net income in 2006 are markedly lower -- in the $50 million ballpark. While farming out Marvel's characters and stories capped the company's risk by guaranteeing the company income from licensing while avoiding production costs, it also constrained profit. That was acceptable when Marvel was emerging from U.S. bankruptcy-court proceedings in the late 1990s, but became more difficult to digest as franchises like "Spider-Man" hit pay dirt. Sony Corp.'s Sony Pictures Entertainment, which produced the film and a similarly popular sequel in 2004, made hundreds of millions of dollars in ticket sales alone. Although Marvel has been publishing comic books since 1939 and is toying with new strategies for making the business more profitable, growth has been modest in recent years. Mr. Arad will stay on as a creative adviser to Marvel for the rest of 2006, as he gets his production company, Avi Arad Productions, up and running, according to Marvel. Next year, he will remain involved with certain Marvel movies, notably "Spider- Man 3." The company hasn't indicated whether it plans to offer him a new advisory contract. After the huge success of the first "Spider-Man," Mr. Arad helped renegotiate Marvel's deal with Sony, but also cut himself a producer deal that gives him a personal financial stake in the series -- an arrangement common among independent producers, but less so for executives of a licensing company. Speaking to investors in a conference call last week, Mr. Arad attributed his job switch to a desire for more time to spend on Marvel's movies. In an interview, he added that Marvel has a strong team in place to take over corporate duties, an aspect of the job he wasn't fond of. Mr. Arad will be richly rewarded in his new role. In the conference call with investors after last month's announcement, Mr. Cuneo acknowledged that Mr. Arad "would share in the revenues from ... the release of a film." In subsequent interviews Messrs. Arad and Cuneo declined to comment on the percentage to which Mr. Arad would be entitled. The company said it will monitor the costs of each film, similar to other studios, and this "performance based" structure aligns Mr. Arad's interests with those of Marvel. +++++ ------------------------ Yahoo! Groups Sponsor --------------------~--> Life without art & music? Keep the arts alive today at Network for Good! http://us.click.yahoo.com/9I_uBB/YPaOAA/Zx0JAA/bGIolB/TM --------------------------------------------------------------------~-> Thanks for subscribing to the Comic Book Network Electronic Magazine (CBEM) --------------------------->Disclaimer<--------------------------- This is an ANNOUNCE only mailing list, only the Editor can send messages to the list. No one else has access to the subscriber list. Replies to these messages will be received by the Editor ONLY, so you must CC: individual contributors if you want them to get your E-Mail. The E-mail to the Emag MAY be used in future issues at the Editor's discretion UNLESS you specifically request that they not be. It is our policy to withhold names and/or Addresses, by request only, from letters of comment. All contributors are required to use their real name and have a valid Email address for their columns to be published. Send Email comments to: ComicBkNet@aol.com Material for inclusion in the Emag - press releases, solicitations, column submissions, Letters to the Editor, guesses for the trivia contest should be sent to ComicBkNet@aol.com The EDITOR, not the submitter, has final approval and edit rights on ALL material. Printed comic books and advanced copies for review in the Emag should be sent via US Mail or UPS to David L. 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