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Subject: The Needlework Nutshell - May01, 2006



             The Needlework Nutshell—May 1, 2006

Volume 2, Issue 5                             May 1, 2006

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                    THE NEEDLEWORK NUTSHELL

                Needlework news, musings, tips,
             contests, and what’s happening now at
                     FUNK & WEBER DESIGNS


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Editor:   Jen Funk Weber

Mail to:  mailto:mail@funkandweber.com

Web site: http://www.funkandweber.com

Your privacy is important to us. Our subscriber list is NOT
made available to others.


***********************************************************
IN THIS ISSUE
***********************************************************



  1. Needlework Musings
  2. Tips and Tricks
  3. What’s New at Funk & Weber Designs
  4. Make it Yours!
  5. Readers Ask
  6. Contest
  7. Contact/Subscribe/Unsubscribe



***********************************************************
1. NEEDLEWORK MUSINGS
***********************************************************


I’m spending a lot of time designing right now. Shocking,
right? I’m a designer, after all. But you might be
surprised. I may call myself a designer, but the truth is,
I’m a Business Owner. I spend way-yonder more time answering
e-mail, filling orders, bookkeeping, filing, maintaining the
web site, laying out patterns and catalogs, working with
printers, locating resources, writing instructions and
newsletters, and so on. And then there’s my children’s
writing biz. Designing, it turns out, is a teeny-tiny part
of my life.  

Mike and I design differently. He’s not a needleworker, so
he draws everything on the computer. I’m amazed at what he
can do with squares of color. Of the two of us, he’s the
artist, whatever he may tell you. I, on the other hand,
doodle.  

I keep a piece of 28-ct white Lugana (from Zweigart) on
scroll rods as a doodle pad. There, I test fibers, color
combinations, stitches, and patterns. I doodled oodles of
optical illusions for DO YOU SEE WHAT I SEE?, more than made
the cut for the final pattern. Some illusions worked on the
computer, but not on fabric, and vice versa. Some worked
better with certain colors. And a couple materialized as I
doodled, gifts from my muse or the fiber gods. I didn’t know
what illusions worked until I stitched them.  

Doodling provides an added benefit of practicing the
stitches and pattern before crafting the final model. If the
size 5 pearl cotton looks bulky, I can try size 8. If my
couching is spaced too far apart, I can decrease the
distance between the stitches on the display piece. I rip
stitches less often when stitching the final work, and it
looks better.  

Stitchers used to *practice* stitching. That’s what samplers
were for: practice. Girls weren’t permitted to stitch
important items until they had practiced and proven their
skill. Nowadays we don’t practice. We just stitch and expect
the result to look nice. In fact, I suspect some (dare I say
many?) stitchers would consider practicing boring, or a
waste of time. If we’re not *making something*, what’s the
point?  

I can think of at least two points to practicing, or Not
Making Anything. The first is the improvement in skill. If
you’re one of the many stitchers who can’t make French
knots, what do you suppose would happen if you spent a
couple of nights practicing French knots with different
kinds of threads? Improving skills may or may not be
important to you, but I think we would have to agree that
practice improves stitching skills.  

The other point of just practicing—Not Making Anything—is
perhaps more interesting: creativity happens. Last month I
related how I mistakenly used 2 threads on some stitches of
a doodle and 3 threads on others, but discovered that I
liked the effect. Now, I can employ that technique to
deliberately achieve that feeling of depth. Sure, I could
have conceived that mentally, or followed instructions to do
it, but I *discovered* it, and that’s not only more fun, but
it has a greater impact on my memory.  

While doodling one optical illusion, I discovered another by
accident. I designed a number of blackwork patterns by
doodling, as well as backgrounds and borders. Entire designs
can grow from doodles. Watching something take shape from
nothing is one of the greatest joys I know.  

Mind you, more of my doodles wind up in the garbage than in
patterns, but that’s okay. It’s like washing pan after pan
of dirt, looking for that gold nugget. The process is
pleasant, the anticipation is exciting, and the reward
gratifying.  

The best part is anybody can doodle. If you sit down with
fabric and thread, determined to just practice, creativity
will happen. Try it!  

 

***********************************************************
2. TIPS AND TRICKS
***********************************************************  


Discover for yourself the adventure and benefits of
needlework doodling. Save your fabric and fiber scraps—even
the tiny ones—then doodle. Because it’s May, and “April
showers bring May flowers,” why not try doodling a flower?
Not a flower person? Then go with Mayflower, and doodle a
boat. Make up a stitch, or try something geometric. It’s a
doodle, it doesn’t have to be good. The materials started as
garbage, they can end as garbage.  

But what if it’s not garbage? We don’t want to waste it.
What do we do with a good doodle? Where do we put it? Where
doodles belong, of course: on the fridge!  

Buy a magnet sheet from a craft store, or re-cover a magnet
that’s already on your fridge. (Why do I have a magnet
advertising a dentist I’ve never visited, anyway?!)  

*Trim around your doodle. *Cut a magnet the same size, or
slightly smaller than your doodle. *Glue the magnet to the
backside of the doodle.  

I use Beacon Adhesives FABRI-TAC PERMANENT ADHESIVE. I apply
it to the magnet, then gently press the doodle on.  

You don’t even have to finish your fabric edges since they
will be glued. You can fringe the edges, if you like.  

I call these magne-doodles, but given that Fisher Price has
a MAGNADOODLE toy, we might need to think of a different
name. We could call them needoodles (needle doodles),
embroodles (embroidered doodles), dootches (doodle
stitches), or something else.  

Stick with your doodles and creativity will happen. You,
too, can make something from nothing. When you do, send me a
picture!

Here are two doodles of my own that are now fridge magnets.
They are rejects from an upcoming pattern, but not bad in
and of themselves. They’ll live on my fridge until I give
them away.  

http://www.funkandweber.com/fw/nutshell/doodles.jpg



***********************************************************
3. WHAT’S NEW AT FUNK & WEBER
***********************************************************  


Two new LET THERE BE NIGHT Stitchlings are now posted on our
web site. In NIGHT HOWL (S108), coyotes howl and an owl
perches on a cactus in the desert moonlight. LOVELY NIGHT
(S109) is a mushy romantic scene, not suitable for
love-squeamish children, and committed
bachelor/bachelorettes. I think it’s dreamy!

http://www.funkandweber.com/fw/index.html



***********************************************************
4. MAKE IT YOURS!
***********************************************************  


Bev did it again! This time she Bevved our SILENT NIGHT
pattern.  


****I used R&R Black sheep black linen 27-count fabric.

Anchor Marlitt #800 for shine on ground snow. I used double
by the house; I liked the idea of snow drifts there.

The tree snow I used Rainbow Gallery’s Gold Rush GD10C, done
in half stitch. (It was kind of thick - next time I will use
Kreinik #4 very fine braid 032 - same shine, less bulk.)

For snow coming from the sky, I used Mill hill beads
161.****


Get this: I see the white French knots in the sky as stars,
but Bev sees them as falling snowflakes. I love it!
Excellent job of Making It Hers.  


Have you adapted a pattern to Make It Yours? Tell us about
it! mail@funkandweber.com  



***********************************************************
5. READERS ASK
***********************************************************  
 

Please e-mail me with questions for this section.

mail@funkandweber.com

Caitlyn (age 10—if you tell me your age, I’ll post it, too!)
asks how we come up with the titles for our patterns.  

First of all, Caitlyn, a huge THANK YOU for noticing our
titles. We have as much fun with the titles as we do with
the patterns. As far as *how* we come up with titles, well,
I guess we brainstorm. I start by coming up with words
associated with the pattern design, then play with them,
looking for familiar sayings, alliteration, rhyme, double
meanings—anything at all that seems interesting.  

The last two patterns that we named were NIGHT HOWL and
LOVELY NIGHT. The LET THERE BE NIGHT series got its name
because the patterns are black and white moonlight scenes,
and because it’s a twist of the familiar biblical phrase,
“Let there be light.” All the patterns in the series use the
word “night.” I liked NIGHT HOWL because it sounds like
“night owl,” which is a familiar phrase, but also describes
the owl in the picture. Because the coyotes are howling, it
works to describe them, too. All those connections from two
little words—what can I say?—that excites me!  

LOVELY NIGHT, on the other hand, thrills me less. Here, I
can claim that “love” is the theme of the image, and
“lovely” describes any pleasant scene, but that’s as far as
I can stretch it. We went through the same process, but came
up with fewer interesting possibilities. That just goes to
show you that you don’t strike gold every time you dig.

Just like you, Caitlyn, I might like PUZZLE PISCES best. You
wouldn’t believe how many people call it “Puzzle Pieces,”
but, then, that’s kind of the joke, isn’t it?  


***********************************************************
6. PUZZLE CONTEST
***********************************************************  


Play with me!

Solve this puzzle, and be entered to win a free Funk & Weber
Designs pattern! Winners will be randomly selected from all
correct entries. E-mail your answer, with “PUZZLE CONTEST”
in the subject line. The deadline for this month’s puzzle is
midnight (Alaska time, of course) May 7, 2006. The winner
will be selected on May 8, 2006, notified by e-mail, and
announced on our web site and in the next NEEDLEWORK
NUTSHELL.  

To avoid sending e-mail attachments, contest puzzles will be
uploaded to our web site. I will provide a link to the
puzzle only in THE NEEDLEWORK NUTSHELL. The contest is
intended for subscribers, not the public at large, and all
winners will be subscribers.  

To the puzzle!
http://www.funkandweber.com/fw/nutshell/soup.pdf  


~~~~~~~~~~


APRIL PUZZLE CONTEST WINNER: Sisu from Marcellus, MI.

Yep, April’s puzzle was a hard one. Here’s the solution:

http://www.funkandweber.com/fw/nutshell/april_solution.pdf


***********************************************************
7. CONTACT FUNK & WEBER DESIGNS
***********************************************************  


SUBSCRIBE: 57410-subscribe@zinester.com

UNSUBSCRIBE: 57410-unsubscribe@zinester.com

ARCHIVES: http://archives.zinester.com/57410



Jen Funk Weber mail@funkandweber.com



http://www.funkandweber.com


Copyright 2006, Funk & Weber Designs








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