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Subject: [India Thinkers Net]INDIA'S ALTERNATIVE FILM MOVEMENT DEFIES CENSORS - September24, 2004



OneWorld.net - Sep 22, 9:02 AM ET

INDIA'S ALTERNATIVE FILM MOVEMENT DEFIES CENSORS TO IMPACT CHANGE

Divya Chandel, OneWorld South Asia

NEW DELHI, Sept 22 (OneWorld) - A forum of over
300 documentary filmmakers is campaigning for the
right to freedom of expression in India's
capital, New Delhi, screening over 60 powerful
films, most of which were rejected by the
country's draconian censor board.

Declaring September 2004 as the "Month of Free
Speech," in protest against rising government
censorship, the festival includes a package of 64
films revolving around the themes of communalism,
destructive development, globalization, the
environment, womens rights and the oppression of
marginalized communities.

Targeting the impressionable youth, the
independent films are being screened in
collaboration with academic departments and
student bodies in three of Delhi's most
prestigious universities ? the Delhi University,
the Jamia Millia Islamia and the Jawahar Lal
Nehru University.

The package of 64 films was drawn from Vikalp
(Alternative), a film festival that ran parallel
to an International Film Festival held in India's
film capital, Mumbai, in February 2004, called
the Mumbai International Film Festival (MIFF).

It screened a slew of documentaries rejected by
MIFF, as a mark of protest against the mandatory
precondition of censor certificates for Indian
documentaries demanded by India's ministry of
Information and Broadcasting.

Explains documentary filmmaker Rahul Roy, "It
made sense to sustain the movement (that began
with MIFF) and enlarge the debate on censorship
that affects not just filmmakers but the common
man. A festival such as this widens our platform."

The festival took-off this month with a three-day
seminar appropriately titled "Resisting
Censorship/Breaking Silences and Celebrating
Freedom of Expression," where filmmakers, media
persons, activists and students engaged in a
heated debate on issues ranging from the rights
of sex workers; womens movements and the media;
to censorship and hate speech; privatization,
censorship and the judiciary.

One of the most controversial rejected
documentaries on view is the poignant "A Night of
Prophecy" by noted documentary filmmaker Amar
Kanwar, which depicts songs of protest signifying
oppression, pain and broken promises in an
unequal society.

Explains Kanwar, "Its a journey through different
regions of India, which takes a look at its
various problems as a nation like the issue of
caste, class, poverty, nationality and terrorism."

Kanwar is the recipient of the Golden Conch (Best
Film award) at the 1998 MIFF for his film "A
Season Outside."

The filmmakers are protesting against India's
1952 Cinematograph Act which regulates both the
production and screening of films in the country.
The Act empowers a Central Board of Film
Certification to decide whether a film is
suitable for restricted or unrestricted viewing.

Very often, the Board rejects avant garde films
which depict stark social and political realities.

Slamming the censorship law as "extremely
draconian," filmmaker Saba Dewan says people
should be given the freedom to decide what they
want to see.

As she protests, "A handful of people now decide
what a nation of million should see. The law was
introduced under the colonial regime and is
outdated and archaic."

Explaining the rationale behind the restrictive
law, Kanwar comments that, "Political parties
have vested interests in preventing the truth
from coming out. This was apparent by the fact
that any film critical of the government would be
rejected."

This is not to say that all the films screened in
the festival were rejected. The MIFF accepted
around 15 of them, but filmmakers withdrew them
in solidarity with the rest.

The Campaign Against Censorship aims to reach the
widest possible community of viewers to fight
against censorship of all forms. The entire
collection of documentaries will also travel to
other Indian cities as a package, comprising
post-screening discussions and interactive
dialogues with the filmmakers.

"We are taking the films to whoever is interested
and creating an energy for the movement,"
stresses filmmaker Anupama Srinivasan, one of the
organisers of the event.

Predictably, given their provocative themes, many
of the films have triggered violent protests from
fundamentalists. For instance, members of the
rightwing Hindu Jagran Manch (Hindu Awareness
Group) tried to halt the public screening of a
bold internationally acclaimed film called "Final
Solution" in the south Indian city of Bangalore
this July.

The documentary explores the anatomy of hate and
violence between the Hindu majority and minority
Muslims during the February 2002 riots in the
western Indian city of Gujarat.

The festival has received an overwhelming
response from university students. Claims one of
the organizers, "People want to see and talk
about the films and college auditoriums are
always packed, forcing many enthusiastic viewers
to return. We feel that a healthy, social and
educational movement has emerged."

The filmmakers are keen to make the festival a
recurring event rather than just a one-time
affair.

Enthuses Dewan, "We have seen such possibilities
emerge where we can work with people on issues
related to real life and intervene as filmmakers
to make a difference."

--------------------------------------------------
Courtesy:Harsh Kapoor/SACW
www.sacw.net







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