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October06, 2004 - October 2004 Issue - The Writer Buddy Gazette >>

Subject: Writer Buddy Gazette - September01, 2004



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  The Writer Buddy Gazette
  September 1, 2004     Issue #1
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  By Subscription Only!

  You are receiving this one-time only newsletter because you
  are a registered member of the My Writer Buddy online
  community. To continue to receive this newsletter, see the
  subscription instructions are at the end of this newsletter.

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 IN THIS ISSUE
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    =>  From the Editor
    =>  Featured Article: To Outline or Not to Outline
    =>  Member and Community News
    =>  Writers' Guidelines
    =>  September Contest Announcement
    =>  Support My Writer Buddy
    =>  Classified Ads
    =>  Subscribe/Unsubscribe Information

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 FROM THE EDITOR
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 At long last, the monthly newsletter has returned with a new
 look and a new name: The Writer Buddy Gazette. It is the place
 to turn for the latest in WB news, articles on writing, contest
 news, writing markets and more.

 In January 2005, the only WB-authorized ezine will be unveiled.
 Buddy Tales will offer new authors the opportunity to achieve
 publication. Best of all, Buddy Tales will be a paying market.
 Be sure to check out the October newsletter for details and
 writer's guidelines.

 In the coming months, other goodies will be annouonced. Be sure
 to check out the links at the end of this newsletter to
 continue your subscription. Only members who manually subscribe
 will receive the next issue.
 
 Don't miss out!

 Happy Writing!
 Denise

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 FEATURED ARTICLE:  To Outline or Not to Outline
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 By Mallory York

 Ah, the age-old writer's debate--to outline or not to outline?

 Outlines have proven quite effective for a lot of writers, and
 many of the famous stories we know and love--such as Star
 Wars--were outlined before they were fleshed out into a living,
 breathing story. (Well, metaphorically living and breathing,
 anyway.)

 But many of the stories that touched us most--like real-life
 experiences--simply happened, no outlining was needed. Some
 stories just come to you, while others need some refining before
 they're ready to be written. The question is, which one works
 best for you?

 I have always been a 'seat-of-the-pants' writer--that is, I've
 just sat down and written most of what I want to write, without
 any outlining or prior planning.

 However, on several occasions I have actually written detailed
 outlines and come up with very rewarding and satisfying pieces
 of writing for my efforts.

 Some people swear that they can't write a single sentence until
 they know what the end is going to be. Other people--like
 me-- are the opposite. They can't write the ending until they've
 written the beginning. They have no idea how the story will end
 when they type in that first sentence. Some people even write an
 outline for each scene, number them, put them in order and then
 write them in that order, without considering which to write
 first--ending, middle, or climax.

 For me, outlining in too much detail takes all of the
 spontaneity out of writing. It makes me feel like I've already
 written the whole story before when I sit down at the keyboard
 to start typing. I know from experience that if I outline scene
 by scene, going through every hand motion and every eye motion
 and every tilt of the head that my characters are making--it
 won't be as new and exciting when I'm doing the actual writing.
 And I will get bored.

 Not being one to outline by trade, I sort of made up my own
 outlining style, and it is actually more of a summary than an
 outline.

 For example, I have a 36-page 'outline' for a novel I want to
 write. Every time I sat down to write on it--excited about
 finishing this story and getting it published--I would read the
 first few lines of the outline, try to start where I left off
 last time, and fail miserably.

 The outline was just too detailed--I felt that it took away all
 of the freedom I have as a writer. So I thought it over, and
 decided that an outline was just a tool, and we all use tools
 differently. Now, if I have an outline at all, I consider it a
 "rough draft" of the story, and so I can change things around
 if I decide it's better that way.

 But you're asking, "Do you mean that the answer to 'to outline
 or not to outline' is not to?"

 Not at all!

 Outlining works for some people and it doesn't for others. I
 believe that everyone should write in whatever style works best
 for them. If you find yourself at a dead-end in your creativity
 (sometimes known better as 'writer's block') you might want to
 examine what an outline means to you.

 If you usually outline and now find yourself at a dead end, try
 spontaneously writing something--without an outline. Anything
 will do. Write random scenes and keep them all in a folder or
 journal to read later--who knows, one might even inspire a new
 story for you.

 For those who usually write spontaneously and are at a dead end,
 perhaps you should experiment with outlining. I used to swear I
 would never outline. But when I gave in and tried it, I did get
 some good results. If the outline seems too rigid, you might try
 what works for me--which is to put less detail into the outline.

 I have a very detailed writing style, so it's natural for me to
 want to note every little thing in the outline. But that was a
 mistake. I've learned to write the outline with just enough
 detail so that I will know what will happen, when and how, and
 then move on to the actual story-writing.

 So the answer to 'to outline or not to outline?', at least as
 far as I'm concerned, is 'to outline--loosely, and only if it
 works well for you.?

 In closing, here are some tips for writing a more flexible
 outline:

 1) Keep it simple. You don't need to write the outline with
 perfect grammar and punctuation, or from your point of view
 character's perspective. Remember, this is just a generalized
 guide.

 2) Try not to get too detailed about what happens in any one
 particular scene. Just figure out where they are in the
 beginning ('They're slogging along the roadside in the rain.')
 and where they are at the end ('They finally decide to stop and
 rest, so they make a tent out of the umbrella and blankets and
 go to sleep') and fill in the blanks when you actually write the
 scene.

 3) Write it in present tense. That seems to make it easier to
 feel more in the immediate "now" of the story, and seems more
 natural to me. Even though I always write in past tense in my
 stories (present tense actually annoys me in stories, but that's
 just my preference I guess) I always write my outlines in
 present tense.

 The outline seems more immediate and real when written in
 present tense, and helps me stick with it and develop the
 outline all the way to the end of the story. I suppose you could
 write your outlines in whatever tense you like, but this is just
 another way to distinguish the real writing of the story from
 the outline-writing.

 4) Enjoy yourself. A writer's mood translates through in their
 word choice, so if you're writing humor but are actually feeling
 angry, the funny story may seem a little forced.

 While not always true--I frequently write angst and sad stories
 even though I'm generally happy--the truth is that if you don't
 enjoy writing your stories, what was the point? And if your
 answer was 'money', perhaps you should try a different
 profession and just pursue fiction writing as a hobby.

 Happy scribblin'!
 Mallory York

 About the Author:
 Mallory York has been drawing since before she knew how to date
 a picture, and has been creating anime art for four years. Among
 her favorite anime series are Fushigi Yuugi, Gundam Wing, and
 The Slayers. You can read some of her fanfic at Fanfiction.net
 and view more of her artwork at HTTP://WWW.L7S.NET and also at
 HTTP://WWW.ELFWOOD.COM support@L7S.net

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 MEMBER AND COMMUNITY NEWS
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  Do you have news you'd like to share with your fellow Writer
  Buddy members? Do you have something to crow about?
 
  This is the spot.

  Send your news items to: thegazette@writerbuddy.com

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 WRITERS' GUIDELINES
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 The Writer Buddy Gazette needs contributors for future issues.

 We are unable to pay for articles/stories at this time. In lieu
 of payment, all contributors will have their bio, email
 address and a Web site link listed at the end of the story or
 article.

 The Gazette seeks non-exclusive rights to reprint articles and
 stories in this newsletter and in the reference section of the
 My Writer Buddy site (www.writerbuddy.com)

 Current needs:
 Flash fiction
 Short stories
 How-to articles on all aspects of writing
 Book reviews
 Author interviews

 For more information about current needs or to submit a query,
 send an email to thegazette@writerbuddy.com

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 SEPTEMBER CONTEST ANNOUNCEMENT
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 On October 1, 2004, one Writer Buddy member will be randomly
 selected to win a $25 Amazon.com gift certificate. The winner
 will be announced in the October issue of The Gazette.

 To win, members must be subscribed to the newsletter. No purchase
 of any kind is required. No member name or email information will
 ever sold to any third party.

 To make sure you are eligible for the drawing, click on the
 subscribe link at the end of this newsletter.

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 SUPPORT MY WRITER BUDDY
------------------------------------------------------------

 Since its inception in 1999, My Writer Buddy has been committed
 to the ideal of writers helping writers. In that time many of
 our members have achieved the elusive goal of publication.

 In June, four members won book publication contracts from our
 first-ever Novel Writing Contest. That contest is expected to
 repeat in 2005.
 
 The new year will bring other publication opportunities for WB
 members, including our very own paying e-zine.

 How can you help?

 Donations of any amount will be greatly appreciated. All members
 who donate at least $5 will receive a "three-star Community
 Sponsor" designation under their names. They will also receive
 a note of gratitude in The Writer Buddy Gazette newsletter.

 To make a donation, visit the Writer Buddy site and click on
 the Donate button. All donations are handled through PayPal.

 If you do not have a PayPal account or prefer to send your
 donation via snail mail, write to: thegazette@writerbuddy.com
 for address information.

------------------------------------------------------------
 CLASSIFIED ADS
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  For more information, visit:
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  For more information, click on:
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   SUBSCRIBER MANAGEMENT / CONTACT INFORMATION
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   Copyright 2004 - Denise Williams  All Rights reserved
   http://www.writerbuddy.com

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   Denise Williams, Editor
   The Writer Buddy Gazette
   email: thegazette@writerbuddy.com








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