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| << March26, 2007 - March 26, 2007 - Storytime Tapestry Contributors: Joe Mazzella, B.J. Cassady; Norma Liles; Tim Kevin |
March27, 2007 - March 27, 2007 - Special Treat - Cheryl Williams >> |
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East Meets West – A
Gautami Tripathy Column This column previously ran
by Deepak Morris is now taken over by Gautami Tripathy. The purpose of the column
is to bring the culture and joy of mysterious and beautiful
In the Upanishads this
sacrosanct syllable appears as a mystic sound, regarded by scriptures as the
very basis of every other sacred mantra. It is the sound not only of beginning
but also of termination. The past, present and future are all included in this
one sound. The syllable Shiva's drum produced this sound
and because of it came the notes of the octave, for ex., SA, RI, GA, MA, PA,
DHA, NI. By this sound Shiva created and recreated the universe. The Upanishads state that
everything, existent and non- existent, can be comprehended by uttering the
sacred syllable of OM. Meditation on Musically, it is also held that
the term OM or AUM is made up by three base notes ' A ' 'U' 'M' or the basic
'SA' 'PA' of the fundamental scale and again Sa (the base note) of the
immediately higher scale. When says these notes in continuity, all the basic
notes from SA to NI are heard. Similarly when one pronounces AUM correctly, all
the basic sounds also echo. It is the traditional way of clearing all the
obstacles in the vocal chord to make one chant the hymns correctly. Their
unison makes one not only sound resonating but also is essential for chanting a
Mantra (Incantation) properly. All the Vedic Mantras have ' (c)gautami.tripathy |
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| << March26, 2007 - March 26, 2007 - Storytime Tapestry Contributors: Joe Mazzella, B.J. Cassady; Norma Liles; Tim Kevin |
March27, 2007 - March 27, 2007 - Special Treat - Cheryl Williams >> |
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