Storytime_Tapestry Archives Index
|
Subscribe
|
|
| << December08, 2005 - Dec 8, 2005 - Storytime Tapestry Newsletter |
December09, 2005 - Announcing Another new Senior Writer >> |
|
STORYTIME TAPESTRY The Newsletter
devoted to spreading love and cultural awareness throughout the
world Special Treat ??“ Carol Roach How To Do A CritiqueCarol Roach
This topic can be a sore point for
writers. Since we are so subjective
towards our own work, for some of us, it is hard to accept criticism of any
kind. But constructive criticism is
important to the growth of our abilities as writers.
I think most of us have been on either side
of the coin, we have been stung from rather negative comments that were not
effective or helpful in the least and therefore we are reluctant to hear the
advice of others; even when that advice might prove to be beneficial. On the other hand, we have wanted to
give a critique, but hesitated for fear of hurting the feelings of the writer.
Some newer members left various critique
groups, believing it was a hostile environment because of it.
Unfortunately, we have all read pieces that
were not properly developed, or needed some improvement, yet we hesitated in
giving our critique for fear we would alienate the writer.
I belong to a wonderful critique group that
critiques with dignity and respect to the work and feelings of the writer in
question. This group is very helpful, supporting, and nourishing.
I found a piece today that I find most
helpful when attempting to critique a colleague or a friend??™s work.
The Writer's E-Zine Home
Craft of Writing Suzan L. Wiener
Critique Without Being Offensive Have you
ever inadvertently hurt another writer??™s feelings by making what you thought
were constructive comments only to have them be interpreted as ill-considered
and or even mean-spirited? You probably really meant to be helpful but it didn??™t
turn out that way. Or have you been afraid to say something negative in your
critique, even to a friend, for fear the writer might take it personally?
Just as in everyday interaction with others,
tact can play a big part in getting your point across when critiquing another
writer???s work. And you certainly don??™t want to alienate an author who might
someday be critiquing your work. Not if you hope to get fair feedback that might
actually help you improve what you have done.
If you only make highly negative comments
and throw in a few unkind personal remarks to round it out, it doesn??™t take any
great genius to conclude that the writer isn??™t going to accept even the good
points you might have made. After all, if you??™re in a conversation and the other
person is just saying negative things and making uncalled for comments, do you
hang around and continue listening or find something better to do with your
time? The same premise holds true when doing a
critique. Even strong criticism can be presented in a way that the writer will
at least consider, if not accept. On the other hand, a ???shotgun for a fly???
approach has been known to hit beginners so hard they get completely turned off
to the whole idea of writing, even as a hobby. That is definitely not what you
are trying to achieve. Here are eight ways to avoid that problem
and still say what you really think about the writer???s work.
When you write a critique, think about it as
if you were receiving it, instead of writing it. That way, you will stay aware
of where you might improve the tone so your point comes across without seeming
harsh or malicious. Even if you feel it is an honest assessment of their
writing, you can word it in such a way as to not attack the writer personally.
This is the most important thing in critiquing and one that will define you as a
critic. Always start your critique by saying
something positive about the work. No matter how bad you might think it is, try
starting with a positive remark, such as "I can see that you have given thought
to your piece, but..." Or, ???You made a lot of valid points, but...??? That way,
the writer won't feel defensive from the onset. He/She will be open to read what
you have written and will want to see what you have to say.
Assess the work in detail so the author will
get an in-depth critique. Saying "This stinks, you wasted your time and mine,"
is meaningless and cruel. The author won't be able to make any necessary changes
without knowing what the problems are. A beginning writer will often be grateful
for constructive criticism, and even a more experienced one will give
suggestions consideration if they are presented in a thoughtful manner.
Don't be afraid to give your honest opinion
of the author's work. Keeping it to yourself won't help an author who wants to
improve his or her writing. No one should be afraid of frankness as long as it
is presented fairly and without maliciousness. In fact, they should welcome it.
Remember, though, it is important to weigh your words carefully.
It's a good idea to print out your critique
first before posting it. This way, you can edit your own work away from the
computer and see if it needs to be changed, added to or, possibly, toned down..
Taking the time to do this forces you to view the critique as the author will
and may even start you thinking about your own work.
Every piece has some redeeming value, even
if it is only the idea at its core. But if it is truly written so badly that you
would have to go on and on about problems and mistakes, it might be a better
idea not to give a critique. Trashing it completely certainly won???t ingratiate
you with the writer and you won't feel good about it either. Instead, you can
just say that ???the idea was a good one but it needs a lot of work,??? and then
make one or two suggestions about major problems. You get the satisfaction of
possibly helping someone and the writer is left with the impression that you are
providing positive reinforcement. Consider buying a book about critiquing, or
at least find articles about it in The Writer, Writer's Market, or online from
sites such as Google.com or Yahoo.com. It will be extremely helpful to you.
Critiquing may not come easy to you at
first, but after awhile you will enjoy helping others with their writing. Even
if you feel you aren't fully qualified to do it at the time you start, you are
just because you want to do it. Once you post your critique, you have done a
favor for someone who will no doubt appreciate it. Remember, ???treat others as
you want to be treated??? really applies here. And if someone critiques your
critique, consider it a learning experience.
About the Author Suzan L. Wiener has had
numerous poems, stories, articles and shorter pieces published in publications
such as Canadian Writer's Journal, Mature Living, Saturday Evening Post, Verses,
Poetry Press (first prize), NEB Publishing (first prize). She also has her
unrhymed, love poetry e-book up at Lionsong Publications.
Carol
Roach winterose@videotron.ca A Native of If you are interested in other stories feel free
to join her newsletter: Storytime Tapestry at: http://subs.zinester.com/98907 , or email her directly at winterose@videotron.ca and she will be glad to accommodate
you. Carol enjoys email and responds to every
inquiry. |
|
| << December08, 2005 - Dec 8, 2005 - Storytime Tapestry Newsletter |
December09, 2005 - Announcing Another new Senior Writer >> |
Storytime_Tapestry Archives Index
|
Subscribe
|
|
|
Archives powered by Zinester's Mailing List Service
Details on Storytime_Tapestry |
Browse for more newsletters at Zinester's Ezine Directory
Managed by Zinester's Mailing List Management |